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ADULTING

Vogue US

|

November 2025

Major roles, fashion cred, a nice life in LA—at 30, Ayo Edebiri knows what she's doing. Now if she could just find the trailhead...

- Marley Marius

ADULTING

GROWING SEASON Edebiri stars in Luca Guadagnino's new film After the Hunt. In December she will appear in the James L. Brooks comedy Ella McCay. Maison Margiela Artisanal 2025 dress. Fashion Editor: Alex Harrington.

I've been with Ayo Edebiri for 15 minutes, tops, and already I'm getting her Pacino. “What have I been listening to? I’ve been listening to, honestly, the Sonny Boy audiobook,” she tells me, unprompted, after we’ve ducked into her compact car. “You’re literally like, Wait, how is this a book? The way he delivers lines? It’s really shocking. Every actor should listen to that book. He goes—my impression of him is if RFK was raised in the Trump household. It’s like: ‘I had no idea! My mutha...gave me away...for six months...because my fatha’”—she takes on here the affect of a very sad clown—“‘wasawayinthewar.’ I’m actually going to pull it up.”

The plan for our morning is almost satirically LA: After meeting at 8 a.m. at a matcha place in Highland Park, not far from where Edebiri lives, she’s to drive us to a hiking trail in Angeles National Forest. (She’s an early riser, something that she attributes, in part, to being a former New Yorker: “No matter how early you get up in New York, there’s always somebody who’s either earlier or their day hasn’t finished. But in LA, it’s office hours.”) Dressed in a baseball tee emblazoned with the NBC logo, track pants, a printed headscarf—not unlike the ones she wears as Sydney Adamu, the hyper-competent, superdriven, rather anxious young sous-chef on The Bear, in fact—and Prada sunglasses, she certainly looks the part of a 20-something somebody in the industry, taking the air before she tootles down to Studio City for “meetings,” or whatever actors do. (In reality, Edebiri is due on Hollywood Boulevard later that day for an appearance on Jimmy Kimmel Live!.)

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LIFTOFF

On the eve of the release of Marty Supreme, his much-heralded new movie, Timothée Chalamet is as fearless as he's ever been, full of ideas, totally locked in. \"Why not go super hard?\" he asks.

time to read

16 mins

December 2025

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New Beginnings

Girl around town, Hollywood fixture, beauty entrepreneur—Cassandra Grey has lived many lives. In an 18th-century, upstate New York home, she starts again.

time to read

5 mins

December 2025

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ON A SILVER PLATTER

Celine Yousefzadeh debuts CYK Silver, a polished capsule of antique finds ready for party season.

time to read

1 min

December 2025

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HER STORIES

Two books by monumental photographers offer a prismatic view of womanhood.

time to read

3 mins

December 2025

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PUSH AND PULL

Can a little strip of tape reverse the inevitable effects of gravity? Lena Dunham contemplates the ixotic promise of an adhesive. Photographed by Steven Klein.

time to read

9 mins

December 2025

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COCOA LOCO

In her own version of the great international cake-off, Tamar Adler hunts down and cooks up the perfect chocolate slice.

time to read

7 mins

December 2025

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Homecoming

With its indomitable heroine and themes of longing and return, Eugene O'Neill's Anna Christie is a challenge and an opportunity.Adrienne Miller reports on a new staging in New York. Photographed by Norman Jean Roy.

time to read

6 mins

December 2025

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BLAZY OF GLORY

The debut show of Chanel's new creative director, Matthieu Blazy, was both feverishly anticipated and rapturously received. Nathan Heller reports from inside the months-long preparations.

time to read

25 mins

December 2025

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GREAT EXPECTATIONS

What does it mean to give and give and give until it's almost all gone? Melinda French Gates and her daughters, Jennifer and Phoebe, in their first-ever joint interview, talk about a life's mission.

time to read

8 mins

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Out of This World

OUR COVER STORY THIS MONTH needs some explanation but not the man himself.

time to read

2 mins

December 2025

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