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Year of reckoning

Edge

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February 2022

Reviewing another difficult 12 months across the game industry

Year of reckoning

Having begun the year with a special edition entitled ‘Look Forward’, it’s inevitable that we end it by doing the opposite – and, in the tradition of predictions revisited after the fact, consider how the ensuing reality differed. The scope of Edge 355 wasn’t necessarily limited to these 12 months, and we even called a few of the pushbacks (hello, Horizon Forbidden West), but, even in our COVIDtempered optimism, we might have reasonably expected more of the forthcoming games discussed to see daylight in 2021: of the 56 namechecked, exactly half have seen final release.

That’s indicative of the industry at large, of course, as the long-term effects of the pandemic continue to bite. God Of War Ragnarök, Dying Light 2, Gotham Knights, Ghostwire: Tokyo – we could fill this page with a list of high-profile titles originally due in 2021 and subsequently pushed into next year or beyond. It’s becoming almost standard practice even for newly announced games, with Marvel’s Midnight Suns and the Saints Row reboot both amending their release dates within weeks of introducing themselves to the world. On the physical front, 2021 has been quiet, with Steam Deck, Playdate and Intellivision Amico all pushed into next year, leaving the Switch OLED Edition and Analogue Pocket (see p12) as the year’s most notable hardware releases.

FLERE HISTORIER FRA Edge

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Edge UK

Hollow Knight: Silksong

Hornet has fallen. Silksong’s opening cutscene reintroduces our heroine in captivity, being dragged away from Hallownest, where once she served the role of Hollow Knight’s most fearsome recurring boss.

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Gears Of War: Reloaded

Something may be lost in the translation between the original 2006 version of Gears Of War and the considerably prettier, brighter and more sharply textured Reloaded. A solemn, grimy place, where endless battles over scarce resources have resulted only in ever-larger piles of corpses, the world of Gears is perhaps most suitably rendered via the fuzzier, grey-brown colour palette of the first Xbox 360 release. Especially for Marcus Fenix and co, war is hell. You might argue that it ought to look like it.

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1 mins

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Post Script

Silksong turns up the volume on some of Hollow Knight's finest ideas

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4 mins

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Post Script

Ezo was not yet part of Japan in 1603, when Ghost Of Yotei's story takes place, which feels an appropriate analogue for Sucker Punch acknowledging itself as a nonJapanese studio making a culturally Japanese game.

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2 mins

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MIO: MEMORIES IN ORBIT

Can tentacles and angry doors distinguish this Metroidvania?

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3 mins

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BLENDO GAMES

The one calm voice amid this fracas, he says, was that of Embark's owner. “Nexon were the ones saying, ‘Relax. Here's why this is happening, and here's what you need to do about it'.” The Korean gaming giant has form here: its 1999 title

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7 mins

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LEGO BATMAN: LEGACY OF THE DARK KNIGHT

With Lego's parody treatment, everyone in Gotham is a joker

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3 mins

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CINDER CITY

Only collective effort can save this futuristic Seoul

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5 mins

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AGENT OF CHANGE

From 47 to 007: IO Interactive is bringing James Bond back to life

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16 mins

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BLUE PRINCE

How Hollywood dreams and boardgames led to 2025's most fascinating puzzle box

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8 mins

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