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What The World Needs Now

Female Singapore

|

March 2022

Resilience, dependability, sustainability and health, or so says Peter Philips – the creative and image director of makeup at Dior Beauty. Gordon Ng speaks with the beauty expert on how he’s channelled all that to make the brand’s popular Dior Forever range of foundations even better.

What The World Needs Now

“It was already a very good foundation,” says Peter Philips. The creative and image director of Dior Beauty is talking to four journalists – us, the only representative from Singapore, included – over Zoom about Dior Forever, the high-coverage, long-wearing, and transfer-resistant range of foundations that debuted in 2007. Last month, the brand released a new version with an improved formula.

For beauty consumers, “reformulation” can be a scary word. If it’s managed poorly, a brand runs the risk of losing dedicated fans and users. In the case of Dior Forever, that’s an, ahem, base that’s been successively built over 15 years. “My main goal was just to make sure that we don’t become worse,” jokes Philips.

FLERE HISTORIER FRA Female Singapore

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WARNING: CONTAINS GRAPHIC CONTENT

Besides bringing in some of the best movies from around the globe (nearly every one is “Certified Fresh” on Rotten Tomatoes), homegrown independent film distributor Anticipate Pictures is known for its hyper-stylish, often-cheeky scroll-stopping artworks promoting said flicks — after all, the company was founded in 2016, when Instagram was starting to seriously blow up.

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6 mins

Vol 4 (Nov 2025)

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MAIN CHARACTER

Scene-stealing bags for every style and occasion

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2 mins

Vol 4 (Nov 2025)

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CINEMA PARADISO

The house of Chanel has been a committed champion of the film world since founder Gabrielle Chanel started dressing the actresses from the United Artists studio at the request of American producer Samuel Goldwyn in the 1930s. Besides styling stars on screen and off, the brand has been an active supporter of international movie festivals, institutions and directors (local auteur Eric Khoo was one of them); has helped to restore classics such as the enigmatic Last Year at Marienbad (1961); and often draws inspiration from cinema. For Cruise 2025/26, it pays homage to the glamour of the silver screen as well as Coco Chanel's decades-spanning friendship with legendary Italian filmmaker Luchino Visconti. Here's an exclusive closeup look at the collection and the many ways it's coded la dolce vita.

time to read

4 mins

Vol 4 (Nov 2025)

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CALLING THE SHORTS

The power of a short film goes beyond its ability to pander to shrinking attention spans. As Thong Kay Wee, the programme director of the Singapore International Film Festival, explains, \"the format is often more inclusive because of its lower production cost, giving space for niche stories and creative freedom to exist\", adding that \"historically, short films have always been an integral feature of local cinema\".

time to read

17 mins

Vol 4 (Nov 2025)

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DISCOVER CINEMA'S NEW VOICES!

The largest and longest-running film festival on our shores, the Singapore International Film Festival (SGIFF), is back and for its 36th edition, it’s putting new voices front and centre.

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1 min

Vol 4 (Nov 2025)

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PORTRAITS OF LADIES ON FIRE

Launched in 2011, Miu Miu Women’s Tales is the longest-running platform supporting the creation of short films by women and about women – or, more specifically, femininity and its relationship with vanity. Its latest commission is helmed by the incisive French filmmaker Alice Diop, whose short Fragments for Venus is a powerful reclamation of identity pertinent to the times.

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1 mins

Vol 4 (Nov 2025)

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THE LIFE OF A GIRL

Every once in a while, a coming-of-age film with some serious punk attitude comes along and electrifies a generation.

time to read

8 mins

Vol 4 (Nov 2025)

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DAYS OF BEING WILD

It began life as the Golden Theatre - Singapore's largest cinema when it opened in 1973 – and was transformed 11 years ago by Karen Tan, Sharon Tan and Blaise Trigg-Smith into The Projector. A bold, indie institution residing in Golden Mile Tower, it challenged the rules of movie-going and became the beating heart of the city's alternative film scene. To survive though, The Projector had to be more than just a cinema - and so it evolved into a space for creative risk-taking, subculture and community. Living up to its tag line, \"Not Your Average Cinema\", it rewrote what a film venue could be. Three months on from its unexpected closure this August, co-founder Karen reflects on more than a decade of cinematic rebellion, cultural experimentation and what it meant to build - and lose - a space like no other.

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2 mins

Vol 4 (Nov 2025)

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XTRA CULTURAL ACTIVITIES

Welcome to a new golden era of oddly specific hobbies. Want to make a book by hand? Have your most personal memories etched into a record? Or how about dressing like a 14th-century elf at a fantasy-inspired fair? These days, chances are that there's someone else who's just as into such activities as you are - and there are more avenues than ever here to find your people, fuelled by a craving for connection and a creative escape in a too-fast digital world.

time to read

10 mins

Vol 3 (Oct 2025)

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DESTINY CALLING

Since its creation in 1969, the Cartier Love bangle has always defied expectations.

time to read

1 min

Vol 3 (Oct 2025)

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