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The 35 Most Powerful People In Media

The Hollywood Reporter

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April 13, 2017

Trump bumps? The new normal for the players on THR’s annual list: setting the news agenda, sparking Twitter tirades and creating great TV (and magazines … and Snapchat video) — starting with CBS’ comeback kid

The 35 Most Powerful People In Media

In July, I interviewed Stephen Colbert as he was preparing for live telecasts of CBS’ Late Show for the political conventions. He was still less than a year into his tenure as David Letterman’s replacement, and both ratings and buzz remained far behind the front running Tonight Show on NBC. A hot rumor at the time was that his slot would be flipflopped with his lead-out, James Corden. In conversation, Colbert was more upbeat than the public narrative would suggest. But criticism about his performance — “I’m a human being. Yeah, I care,” he said at the time — clearly was wounding.

What a difference eight months and the election of a reality TV star makes.

As I sit with Colbert in early April in his 12th-floor corner office above the Ed Sullivan Theater in New York City, he has just notched his ninth consecutive week as the most watched late-night show on television. He’s animated, focused and much more relaxed, like a man who has rediscovered his purpose. “What a privilege to be on TV right now,” he says.

In February 2016, several days after a huge post-Super Bowl audience watched an awkward and rambling Late Show, CBS chief Leslie Moonves invited Colbert to dinner at the 21 Club. The host was ushered into a private room where Moonves and Glenn Geller, the network’s entertainment chief, were waiting for him at a small, round table. “It looked like I was going to be assassinated,” recalls Colbert. “I said, ‘This really feels like a scene from

FLERE HISTORIER FRA The Hollywood Reporter

The Hollywood Reporter

The Hollywood Reporter

Michael Ovitz, Me And The Truce That Never Was

As a new book puts the focus back on CAA’s origins, Kim Masters recalls how the agent’s fit at The Palm and her follow-up kicked off one of Hollywood’s prickliest pas de deux.

time to read

12 mins

September 2-9, 2016 Double Issue

The Hollywood Reporter

The Hollywood Reporter

Songs Of Innocence And Experience

How 5 writers found the music to convey their films’ tragedy, injustice, patriotism and loveA Wonderful Example of ‘What the World Loves About America’

time to read

3 mins

Awards Playbook Special 2 - Nov. 2016

The Hollywood Reporter

The Hollywood Reporter

Execs Can Boycott The Press Tour — But Not The Pressing Questions

With top programmers passing on January’s TV Critics Association panels, THR poses (and answers) the five toughest quandaries of the unfolding season

time to read

4 mins

December 16, 2016

The Hollywood Reporter

The Hollywood Reporter

Making Of Kubo And The Two Strings

Old-fashioned stop-motion meets new-fashioned 3D printing in this directorial debut by the head of Portland, Ore.-based Laika studios — and THR was on the set.

time to read

5 mins

Awards Playbook Dec. 2016

The Hollywood Reporter

The Hollywood Reporter

A World Of Pioneering Talents

Along with best picture contender Elle these 13 films may have the momentum to make the Oscar shortlist (still to be announced as this issue went to press)

time to read

6 mins

Essential Awards Playbook, Dec. 2016

The Hollywood Reporter

The Hollywood Reporter

Iain Canning & Emile Sherman

The Brit-Aussie team behind Lion talk winning an Oscar for The King’s Speech, working with Harvey Weinstein and the upcoming biblical epic Mary Magdalene

time to read

6 mins

December 9, 2016

The Hollywood Reporter

Producer Of The Year Charles Roven

He reveals what really happened between George Clooney and David O. Russell, witnessed Richard Pryor behave (very) badly in church and fired an actor for repeatedly shouting ‘cut’ on a set. All in a day’s work for a Hollywood slugger with $2B in 2016 box office.

time to read

10 mins

December 23, 2016 - January 06, 2017

The Hollywood Reporter

The Hollywood Reporter

No Happy Endings Required

The death of satire, when to kill a scene and how to write a Trump movie (‘Let’s hope it’s not a tragedy’).

time to read

17 mins

December 23, 2016 - January 06, 2017

The Hollywood Reporter

Matt Tolmach

The Sony exec turned Rough Night producer on Hollywood’s dilemma: ‘Audiences want what feels familiar, but they don’t want it to be familiar’

time to read

5 mins

May 31, 2017

The Hollywood Reporter

In Defense Of Good O1' Network TV

With his NBC breakout now broadcast’s best shot at cracking the Emmy drama category long dominated by cable and streamers, the This Is Us creator celebrates entertainment’s last wide net

time to read

3 mins

May 31, 2017

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