Gå ubegrenset med Magzter GOLD

Gå ubegrenset med Magzter GOLD

Få ubegrenset tilgang til over 9000 magasiner, aviser og premiumhistorier for bare

$149.99
 
$74.99/År

Prøve GULL - Gratis

Producer Of The Year: Charles Roven

The Hollywood Reporter

|

December 23, 2016 - January 06, 2017

He reveals what really happened between George Clooney and David O. Russell, witnessed Richard Pryor behave (very) badly in church and fired an actor for repeatedly shouting ‘cut’ on a set. All in a day’s work for a Hollywood slugger with $2B in 2016 box office

- Stephen Galloway

Producer Of The Year: Charles Roven

Charles Roven still was in his teens when he landed work as a stunt extra on Hawaii Five-0 and fell in love with the entertainment business. After studying economics and political science at UCLA, then switching to USC’s film school, his brother Fred persuaded the Los Angeles native to go into finance. He used that money to develop film projects and build a management company, then produced his first movie, 1983’s car-racing drama Heart Like a Wheel.

Thirty-three years later, Roven, 67, is one of the industry’s pre-eminent producers, responsible for such major feature films as 12 Monkeys (1995), City of Angels (1998), Man of Steel (2013), the Dark Knight trilogy and the upcoming Wonder Woman and Justice League. Once overshadowed by his (late) wife, Dawn Steel — the famously combative studio chief — he also is moving into television, with 12 Monkeys now in its third season on Syfy, and has a management company, Atlas Artists.

This year alone, Roven has produced three pictures that together have earned more than $2 billion at the box office: Batman v. Superman: Dawn of Justice, Warcraft: The Beginning and Suicide Squad — and in February, he’ll also have the $150 million-plus Matt Damon starrer The Great Wall (which opens Dec. 16 in China).

The prolific filmmaker, an Oscar nominee for 2013’s American Hustle and whose movies have grossed a combined $7 billion-plus, is THR’s producer of the year.

What do you need to be a good producer? 

FLERE HISTORIER FRA The Hollywood Reporter

The Hollywood Reporter

The Hollywood Reporter

Michael Ovitz, Me And The Truce That Never Was

As a new book puts the focus back on CAA’s origins, Kim Masters recalls how the agent’s fit at The Palm and her follow-up kicked off one of Hollywood’s prickliest pas de deux.

time to read

12 mins

September 2-9, 2016 Double Issue

The Hollywood Reporter

The Hollywood Reporter

Songs Of Innocence And Experience

How 5 writers found the music to convey their films’ tragedy, injustice, patriotism and loveA Wonderful Example of ‘What the World Loves About America’

time to read

3 mins

Awards Playbook Special 2 - Nov. 2016

The Hollywood Reporter

The Hollywood Reporter

Execs Can Boycott The Press Tour — But Not The Pressing Questions

With top programmers passing on January’s TV Critics Association panels, THR poses (and answers) the five toughest quandaries of the unfolding season

time to read

4 mins

December 16, 2016

The Hollywood Reporter

The Hollywood Reporter

Making Of Kubo And The Two Strings

Old-fashioned stop-motion meets new-fashioned 3D printing in this directorial debut by the head of Portland, Ore.-based Laika studios — and THR was on the set.

time to read

5 mins

Awards Playbook Dec. 2016

The Hollywood Reporter

The Hollywood Reporter

A World Of Pioneering Talents

Along with best picture contender Elle these 13 films may have the momentum to make the Oscar shortlist (still to be announced as this issue went to press)

time to read

6 mins

Essential Awards Playbook, Dec. 2016

The Hollywood Reporter

The Hollywood Reporter

Iain Canning & Emile Sherman

The Brit-Aussie team behind Lion talk winning an Oscar for The King’s Speech, working with Harvey Weinstein and the upcoming biblical epic Mary Magdalene

time to read

6 mins

December 9, 2016

The Hollywood Reporter

Producer Of The Year Charles Roven

He reveals what really happened between George Clooney and David O. Russell, witnessed Richard Pryor behave (very) badly in church and fired an actor for repeatedly shouting ‘cut’ on a set. All in a day’s work for a Hollywood slugger with $2B in 2016 box office.

time to read

10 mins

December 23, 2016 - January 06, 2017

The Hollywood Reporter

The Hollywood Reporter

No Happy Endings Required

The death of satire, when to kill a scene and how to write a Trump movie (‘Let’s hope it’s not a tragedy’).

time to read

17 mins

December 23, 2016 - January 06, 2017

The Hollywood Reporter

Matt Tolmach

The Sony exec turned Rough Night producer on Hollywood’s dilemma: ‘Audiences want what feels familiar, but they don’t want it to be familiar’

time to read

5 mins

May 31, 2017

The Hollywood Reporter

In Defense Of Good O1' Network TV

With his NBC breakout now broadcast’s best shot at cracking the Emmy drama category long dominated by cable and streamers, the This Is Us creator celebrates entertainment’s last wide net

time to read

3 mins

May 31, 2017

Translate

Share

-
+

Change font size