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All Mae-d Up
Female Singapore
|July 2019
Every day is fancy dress day with the colourful, vintage fanatic model mae lapres – so who better to put some outlandish cinematic glamour into pre-fall’s dramatic gowns and statement cocktail dresses?
Mae Lapres’ idea of fancy dress might sound better suited for a madcap costume party in a bohemian art commune than some Crillon-hosted Great Gatsby-esque affair. “If there’s one thing that I adore, it’s circus clothes,” she gushes in between takes at our cover shoot on a balmy Spring afternoon in Paris. “If I see a clown outfit – even if it’s from present day and really cheap-looking; just two pieces of cotton with big buttons – I want it.

“I’d wear it with heels, flats, bling bling necklaces,” she continues, glee very much evident from her looming doe eyes. “There are nice ones that date back to the early 1900s and are very pricey, even though they usually have holes in them. For a mainstream person, they’d just be rags, but I consider them fancy because they’d be very delicate, with the fabrics having survived through time.” Did we add that she could just wear such a piece with anything from her collection of thrifted punk-style tartan trousers, pink fringed Yohji Yamamoto bowling-style lace-ups, and vintage Jean Paul Gaultier on any given day?

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FLERE HISTORIER FRA Female Singapore
F ZINE
WARNING: CONTAINS GRAPHIC CONTENT
Besides bringing in some of the best movies from around the globe (nearly every one is “Certified Fresh” on Rotten Tomatoes), homegrown independent film distributor Anticipate Pictures is known for its hyper-stylish, often-cheeky scroll-stopping artworks promoting said flicks — after all, the company was founded in 2016, when Instagram was starting to seriously blow up.
6 mins
Vol 4 (Nov 2025)
F ZINE
MAIN CHARACTER
Scene-stealing bags for every style and occasion
2 mins
Vol 4 (Nov 2025)
F ZINE
CINEMA PARADISO
The house of Chanel has been a committed champion of the film world since founder Gabrielle Chanel started dressing the actresses from the United Artists studio at the request of American producer Samuel Goldwyn in the 1930s. Besides styling stars on screen and off, the brand has been an active supporter of international movie festivals, institutions and directors (local auteur Eric Khoo was one of them); has helped to restore classics such as the enigmatic Last Year at Marienbad (1961); and often draws inspiration from cinema. For Cruise 2025/26, it pays homage to the glamour of the silver screen as well as Coco Chanel's decades-spanning friendship with legendary Italian filmmaker Luchino Visconti. Here's an exclusive closeup look at the collection and the many ways it's coded la dolce vita.
4 mins
Vol 4 (Nov 2025)
F ZINE
CALLING THE SHORTS
The power of a short film goes beyond its ability to pander to shrinking attention spans. As Thong Kay Wee, the programme director of the Singapore International Film Festival, explains, \"the format is often more inclusive because of its lower production cost, giving space for niche stories and creative freedom to exist\", adding that \"historically, short films have always been an integral feature of local cinema\".
17 mins
Vol 4 (Nov 2025)
F ZINE
DISCOVER CINEMA'S NEW VOICES!
The largest and longest-running film festival on our shores, the Singapore International Film Festival (SGIFF), is back and for its 36th edition, it’s putting new voices front and centre.
1 min
Vol 4 (Nov 2025)
F ZINE
PORTRAITS OF LADIES ON FIRE
Launched in 2011, Miu Miu Women’s Tales is the longest-running platform supporting the creation of short films by women and about women – or, more specifically, femininity and its relationship with vanity. Its latest commission is helmed by the incisive French filmmaker Alice Diop, whose short Fragments for Venus is a powerful reclamation of identity pertinent to the times.
1 mins
Vol 4 (Nov 2025)
F ZINE
THE LIFE OF A GIRL
Every once in a while, a coming-of-age film with some serious punk attitude comes along and electrifies a generation.
8 mins
Vol 4 (Nov 2025)
F ZINE
DAYS OF BEING WILD
It began life as the Golden Theatre - Singapore's largest cinema when it opened in 1973 – and was transformed 11 years ago by Karen Tan, Sharon Tan and Blaise Trigg-Smith into The Projector. A bold, indie institution residing in Golden Mile Tower, it challenged the rules of movie-going and became the beating heart of the city's alternative film scene. To survive though, The Projector had to be more than just a cinema - and so it evolved into a space for creative risk-taking, subculture and community. Living up to its tag line, \"Not Your Average Cinema\", it rewrote what a film venue could be. Three months on from its unexpected closure this August, co-founder Karen reflects on more than a decade of cinematic rebellion, cultural experimentation and what it meant to build - and lose - a space like no other.
2 mins
Vol 4 (Nov 2025)
F ZINE
XTRA CULTURAL ACTIVITIES
Welcome to a new golden era of oddly specific hobbies. Want to make a book by hand? Have your most personal memories etched into a record? Or how about dressing like a 14th-century elf at a fantasy-inspired fair? These days, chances are that there's someone else who's just as into such activities as you are - and there are more avenues than ever here to find your people, fuelled by a craving for connection and a creative escape in a too-fast digital world.
10 mins
Vol 3 (Oct 2025)
F ZINE
DESTINY CALLING
Since its creation in 1969, the Cartier Love bangle has always defied expectations.
1 min
Vol 3 (Oct 2025)
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