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How Bloomberg Became Media's Money Sinkhole

The Hollywood Reporter

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DOUBLE ISSUE APRIL 15-22, 2016

As his terminals mint billions, Mayor Mike, succession an issue, must decide how long to indulge a vanity TV and digital arm.

- Michael Wolff

How Bloomberg Became Media's Money Sinkhole

MICHAEL BLOOMBERG, ACCORDING TO associates, quite believed he should have run for president and really might have won, and has been pretty miserable since reluctantly acceding to advice that he could not win and should not run.

While there are reasons to think the 74-year-old billionaire (40 times over) and former New York City mayor could have made a good president, among the good reasons for him personally to run was to get away from the business that bears his name. Bloomberg LP, a highly lucrative financial data and terminal company joined to a money-losing consumer media division, catapulted him to the mayor’s office in 2002, where for more than a decade he was removed from his old office’s politics.

But then he fell back to Earth. Before he was elected mayor, the consumer media arm of Bloomberg — more accurately, a personal branding arm with a small radio and television business — was losing, by some estimates, $50 million to $70 million a year on companywide revenue of about $3 billion (largely from the Bloomberg Terminal business). He returned to a company whose revenue had expanded threefold but whose losses in the consumer media business had leaped as much as tenfold.

Make no mistake, he could afford it. During an early meeting after Bloomberg returned to the company — following a reshuffle to deal with those losses in which Justin Smith had come from The Atlantic to run the media division, replacing former Time Inc. editor-in-chief Norm Pearlstine and NBC News chief Andy Lack (both have returned to their former employers) — Smith is said to have presented cost-cutting approaches. To which the impatient former mayor is reported to have replied, “Do I look like a man who has to save money?”

FLERE HISTORIER FRA The Hollywood Reporter

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Michael Ovitz, Me And The Truce That Never Was

As a new book puts the focus back on CAA’s origins, Kim Masters recalls how the agent’s fit at The Palm and her follow-up kicked off one of Hollywood’s prickliest pas de deux.

time to read

12 mins

September 2-9, 2016 Double Issue

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Songs Of Innocence And Experience

How 5 writers found the music to convey their films’ tragedy, injustice, patriotism and loveA Wonderful Example of ‘What the World Loves About America’

time to read

3 mins

Awards Playbook Special 2 - Nov. 2016

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Execs Can Boycott The Press Tour — But Not The Pressing Questions

With top programmers passing on January’s TV Critics Association panels, THR poses (and answers) the five toughest quandaries of the unfolding season

time to read

4 mins

December 16, 2016

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Making Of Kubo And The Two Strings

Old-fashioned stop-motion meets new-fashioned 3D printing in this directorial debut by the head of Portland, Ore.-based Laika studios — and THR was on the set.

time to read

5 mins

Awards Playbook Dec. 2016

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A World Of Pioneering Talents

Along with best picture contender Elle these 13 films may have the momentum to make the Oscar shortlist (still to be announced as this issue went to press)

time to read

6 mins

Essential Awards Playbook, Dec. 2016

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Iain Canning & Emile Sherman

The Brit-Aussie team behind Lion talk winning an Oscar for The King’s Speech, working with Harvey Weinstein and the upcoming biblical epic Mary Magdalene

time to read

6 mins

December 9, 2016

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Producer Of The Year Charles Roven

He reveals what really happened between George Clooney and David O. Russell, witnessed Richard Pryor behave (very) badly in church and fired an actor for repeatedly shouting ‘cut’ on a set. All in a day’s work for a Hollywood slugger with $2B in 2016 box office.

time to read

10 mins

December 23, 2016 - January 06, 2017

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No Happy Endings Required

The death of satire, when to kill a scene and how to write a Trump movie (‘Let’s hope it’s not a tragedy’).

time to read

17 mins

December 23, 2016 - January 06, 2017

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Matt Tolmach

The Sony exec turned Rough Night producer on Hollywood’s dilemma: ‘Audiences want what feels familiar, but they don’t want it to be familiar’

time to read

5 mins

May 31, 2017

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In Defense Of Good O1' Network TV

With his NBC breakout now broadcast’s best shot at cracking the Emmy drama category long dominated by cable and streamers, the This Is Us creator celebrates entertainment’s last wide net

time to read

3 mins

May 31, 2017

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