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BlackFlash Magazine - 42.3 - Patterns

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BlackFlash Winter 2026
“This issue marks a transition for BlackFlash. We’re sunsetting thematic framing (for now) and moving toward a less categorical way of assembling each issue. Accordingly, our final theme, “Patterns,” is an apt pivot point: a flexible prompt that gestures toward a way of seeing that tracks subtle links.
This wide-ranging issue offers a snapshot of the contributors’ inclinations and preoccupations. In his novel of the same name, science fiction author William Gibson once described pattern recognition as a “gift and a trap,” which is a generous way of saying we search for meaning even when it may or may not exist. Think of this final (for now) theme as an invitation to indulge that impulse, to look a little too closely and take pleasure in finding a signal in the noise.” – Madeline Bogoch, Editorial Note: Pattern Recognition
EDITORIAL NOTE: Pattern Recognition Madeline Bogoch, Editor
ARTIST PROFILE: Your Voice, My Throat: Kyle Alden Martens and B. Brookbank Jon Davies
ARTIST PROJECT: Index for Holding Nic Wilson
FEATURE: Crip Scripts: Disordered Patterns and the Politics of Recognition Kat Benedict
CONVERSATION: Ghosts of the Bone Trail Letch Kinloch in conversation with coyote, Jon Fiddler and Car Martin
ARTIST PROFILE: Speculative silhouettes and expanded histories: The layered practice of Anna Binta Diallo Gabrielle Willms
FEATURE: Pattern Disruptions: Working With and Through Weather Katie Lawson
FEATURE: Agency and Aesthetics In Lu Yang’s DOKU The Self Amelia Wong-Mersereau
ARTIST PROJECT: A Collection, Notes on Attention, A Pause Shaheer Zazai
DIGITAL PROJECT: .The. .Soft. .Archive. .A. .Collection. Shaheer Zazai
Cover: Anna Binta Diallo, Peaks of Sunlight and Frost from Topographies/Perforations, 2024. Digital collage printed on Japanese paper. 92 x 100 cm. Photo by Jean-Michael Seminaro. Image courtesy of the artist.

BlackFlash Magazine Description:

BlackFlash Magazine is a platform for contemporary visual art.

BlackFlash is dedicated to presenting critical opinions, urgent issues, and innovative ideas about divergent artistic practices from across Canada, the United States and beyond. Each issue includes feature articles, profiles, interviews, and artist projects from a diverse selection of artists, writers, and curators. BlackFlash fosters a rich public engagement with image-based practices, such as photography and video as well as sound, performance and social practice by promoting energetic debate and showcasing diverse voices and communities (local, regional, national and international).

BlackFlash was founded in 1983 by the Saskatoon artist-run centre, The Photographer’s Gallery (TPG). We are currently working on our 38th year of publication, making us one of Canada’s longest running magazines. BlackFlash is proudly published, designed, and disseminated in Saskatoon, Saskatchewan, and is an internationally recognized resource and authority on Canadian and international contemporary art.

BlackFlash was created to promote contemporary photography and over its thirty-five year history, the magazine evolved, following the artistic trajectory of photo-based practice to include artists working with new technologies such as video and digital media. In its commitment to being responsive to artists and relevant to contemporary art practice, the magazine has recently broadened its editorial mandate, while affirming its distinctive prairie perspective.

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