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BlackFlash Magazine - Issue 43.1
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BlackFlash Spring/Summer 2026
“In my time at BlackFlash, we’ve persistently renegotiated the magazine’s identity, careening between vestigial past eras while plotting a future course, all during the long middle of an epic decline in print publishing. We’ve chewed over the very real limitations of print and sought to reconcile these drawbacks with our desire to hold the magazine in hand. These internal questions are curiously echoed across this issue, suggesting a collective unease around the dematerialized present. What are we to make of this desire to reverse course, to put up fences, this drift towards intimacy over scale?”
– Madeline Bogoch, Editorial Note: Off Leash
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EDITORIAL NOTE:
Off Leash
Madeline Bogoch, Editor
ARTIST PROFILE:
Profile: Adam Shiu-Yang Shaw
Lauren Lavery
ARTIST PROJECT:
Mundane Harmony
Tobin Rowland
ARTIST PROFILE:
Tungkol Sa Amin: Khim Mata Hipol
Nawang Tsomo Kinkar
ARTIST PROFILE:
Joyce Joumaa: Prologue to Future Possibilities
Michael Davidge
FEATURE:
Writing Black Canadian Art
Yaniya Lee
FEATURE:
Weaving distance into relation: String Games at the Bonavista Biennale and Verde-Distância at the Bienal das Amazônias
Julia Eilers Smith
DIGITAL PROJECT:
The Backroom
Moni Omubor
CONVERSATION:
The Sublime as Rupture: In conversation with Annie MacDonell
Lodoe Laura
Cover: Annie MacDonell, Ego Death Trip, 2022. UV printing on pleated dibond, 15′ x 5′. Image courtesy of the artist.
BlackFlash Magazine Description:
BlackFlash Magazine is a platform for contemporary visual art.
BlackFlash is dedicated to presenting critical opinions, urgent issues, and innovative ideas about divergent artistic practices from across Canada, the United States and beyond. Each issue includes feature articles, profiles, interviews, and artist projects from a diverse selection of artists, writers, and curators. BlackFlash fosters a rich public engagement with image-based practices, such as photography and video as well as sound, performance and social practice by promoting energetic debate and showcasing diverse voices and communities (local, regional, national and international).
BlackFlash was founded in 1983 by the Saskatoon artist-run centre, The Photographer’s Gallery (TPG). We are currently working on our 38th year of publication, making us one of Canada’s longest running magazines. BlackFlash is proudly published, designed, and disseminated in Saskatoon, Saskatchewan, and is an internationally recognized resource and authority on Canadian and international contemporary art.
BlackFlash was created to promote contemporary photography and over its thirty-five year history, the magazine evolved, following the artistic trajectory of photo-based practice to include artists working with new technologies such as video and digital media. In its commitment to being responsive to artists and relevant to contemporary art practice, the magazine has recently broadened its editorial mandate, while affirming its distinctive prairie perspective.
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