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Art review Seurat's dotty delights blow away his pointillist imitators
The Guardian
|September 10, 2025
Radical Harmony National Gallery ☆☆☆☆
Georges Seurat had kaleidoscope eyes. He saw in limitless colours, which swarmed and bubbled on his canvases in galaxies of tiny dots. Choosing random, barren subjects – an empty harbour, a rock – he found endless wonder in the most banal reality. Seurat only lived to 31 but he inspired an entire art movement, the neo-impressionists, who copied his pointillist method.
Yet in a coarse-grained approach to this fine-grained art style, the National Gallery struggles to tell a different story. The neo-impressionists didn't just paint dots; they dreamed of revolution. And by the way, we shouldn't call them by the evocative nickname "pointillist" because they didn't like it.
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