THE PHANTASM
The New Yorker|May 06, 2024
Why was Judith Butler burned in effigy? They have a theory about that.
PARUL SEHGAL
THE PHANTASM

In January, the American philosopher Judith Butler and the South African artist William Kentridge took part in a public conversation in Paris about atrocity and its representations. Before an audience at the École Normale Supérieure, they spoke for nearly two hours, in lulling abstraction and murmured mutual regard: Can we give the image the benefit of the doubt? What is the role of the object in thinking? After the event, a woman—a philosopher herself—approached Butler. Tight with tension, she gripped Butler by the arm.

Vous menacez mes enfants,” she said, in Butler’s recounting. “You are threatening my children.”

Butler has regularly required personal security. In 2012, the city of Frankfurt awarded them the Theodor W. Adorno Prize for their contributions to philosophy. (Butler recently adopted they/them pronouns but doesn’t “police it.”) The general secretary of the Central Council of Jews in Germany decried the decision to give the award, named for a philosopher of Jewish descent who fled the Nazis, to a “well-known hater of Israel.” A demonstration was organized. Butler, a prominent critic of Zionism, responded by citing their education in a Jewish ethical tradition, which compelled them to speak in the face of injustice.

この記事は The New Yorker の May 06, 2024 版に掲載されています。

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この記事は The New Yorker の May 06, 2024 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、8,500 以上の雑誌や新聞にアクセスしてください。