Creative Image - March - April 2016Add to Favorites

Creative Image - March - April 2016Add to Favorites

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The third issue of Creative IMAGE Magazine, which is based on the theme of Landscapes!

The cover photograph is an image of the Namib Desert by the European Space Agency, and is also a part of a special feature on landscapes as seen by satellite and radar imagery.

Besides reacquainting our readers with the marvellous life, work and contributions of Ansel Adams, we have a variety of interpretations of the theme. These include Edward Burtynsky's awe-inspiring aerial views of how humanity has affected the Earth, serene, unusual cellphone landscapes from Japan, Susan Burnstine's extremely personal exploration of the landscape of the mind, and Mitch Dobrowner's breathtaking storm imagery.

We also take a look at Shahidul Alam's tribute to Kalpana Chakma, besides revisiting the history of landscape photography in India, among a host of other articles.

Creative Image Magazine Description:

出版社raghu rai india pvt ltd

カテゴリーArt

言語English

発行頻度Bi-Monthly

A 100-page bi-monthly art photography publication, filled with a host of features and opinion articles, on the aesthetics of photography.

Photography is one of the youngest forms of creative expression, and has seen quite a few changes in its relatively short maturing period. The purpose of Creative Image is to pick up photographs and bodies of work that are intuitive, well-explored, eloquent and offer a look inwards, as well as outwards.

The bi-monthly magazine, produced by Raghu Rai, one of India's most renowned photographers and the first Indian to become an associated of the celebrated Magnum Photos, will look at contemporary, emerging artists as well
 as legendary names. Each issue will
 be thematic and will largely cover work produced in the Indian subcontinent. There will also be showcases of works
 by one master photographer from Asia, and one master from the West, along with conceptual, nature, landscape, abstract and experimental photographers from around the world.

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