Chalachitra Sameeksha - APR 2024Add to Favorites

Chalachitra Sameeksha - APR 2024Add to Favorites

Magzter GOLDで読み攟題を利甚する

1 回の賌読で Chalachitra Sameeksha ず 8,500 およびその他の雑誌や新聞を読むこずができたす  カタログを芋る

1 ヶ月 $9.99

1 幎$99.99

$8/ヶ月

(OR)

のみ賌読する Chalachitra Sameeksha

1幎$11.88 $4.99

保存 58% Mothers Day Sale!. ends on May 13, 2024

この号を賌入 $0.99

ギフト Chalachitra Sameeksha

7-Day No Questions Asked Refund7-Day No Questions
Asked Refund Policy

 ⓘ

Digital Subscription.Instant Access.

Digital Subscription
Instant Access

ⓘ

Verified Secure Payment

怜蚌枈み安党
支払い

ⓘ

この問題で

Chalachitra Sameeksha 2024 April Issue

Action Hero Pauly Hegemonic Masculinity in the Grammar of Realism

Distinguished cinematic movements inevitably reflect the structural and formal changes of the film industry into its stardom. The faces of the cinematic medium have always created an iconicity.

Action Hero Pauly Hegemonic Masculinity in the Grammar of Realism

10+ mins

àŽšàŽ°àŽ¿àŽ€àµàŽ°àŽ€àµàŽ€àŽ¿àŽšàµàŽ±àµ† àŽžàŽŸàŽ‚àŽžàµàŽ•àŽŸàŽ°àŽ¿àŽ• àŽµàŽ¿àŽ•àµ‡àŽšàµàŽŠàµàŽ°àµ€àŽ•àŽ°àŽ£àŽ™àµàŽ™àµŸ

àŽ®àŽ°àµàŽ•àŽŸàŽ±àŽ¿àŽšàµ† àŽ®àµàµ»àŽšàŽ¿àµŒàŽ€àµàŽ€àŽ¿àŽ¯àµàŽ³àµàŽ³ àŽµàŽ¿àŽ¶àŽ•àŽ²àŽšàŽ‚

àŽšàŽ°àŽ¿àŽ€àµàŽ°àŽ€àµàŽ€àŽ¿àŽšàµàŽ±àµ† àŽžàŽŸàŽ‚àŽžàµàŽ•àŽŸàŽ°àŽ¿àŽ• àŽµàŽ¿àŽ•àµ‡àŽšàµàŽŠàµàŽ°àµ€àŽ•àŽ°àŽ£àŽ™àµàŽ™àµŸ

7 mins

Action Hero Pauly Hegemonic Masculinity in the Grammar of Realism

Distinguished cinematic movements inevitably reflect the structural and formal changes of the film industry into its stardom. The faces of the cinematic medium have always created an iconicity.

Action Hero Pauly Hegemonic Masculinity in the Grammar of Realism

10+ mins

Cinema as a Personal Quest - A Conversation with Independent Filmmaker Amit Dutta

In the interview, Amit Dutta discusses the struggles faced by independent filmmakers in India in terms of financing, distribution, and exhibition. With a candid and reflective approach, the interview offers a unique perspective on the art of filmmaking and the creative process behind it.

Cinema as a Personal Quest - A Conversation with Independent Filmmaker Amit Dutta

10+ mins

àŽªàŽ°àŽ¿àŽ®àŽ¿àŽ€àŽ¿àŽ•àŽ³àµ† àŽžàŽŸàŽ§àµàŽ¯àŽ€àŽ•àŽ³àŽŸàŽ•àµàŽ•àµàŽšàµàŽš àŽ•àŽ²àŽ¯àŽŸàŽ£àµ àŽ‡àŽ±àŽŸàŽšàŽ¿àŽ²àµ† àŽžàŽ¿àŽšàŽ¿àŽ®

àŽ­àŽ°àŽ£àŽ•àµ‚àŽŸàŽ€àµàŽ€àŽ¿àŽšàµàŽ±àµ† àŽšàŽ¿àŽ°àŽšàµàŽ€àŽ°àŽ®àŽŸàŽ¯ àŽµàµ‡àŽŸàµàŽŸàŽ¯àŽŸàŽŸàŽ²àµàŽ•àµŸàŽ•àµàŽ•àŽ¿àŽ°àŽ¯àŽŸàŽ¯àŽ¿àŽŸàµàŽŸàµàŽ‚ àŽžàŽ¿àŽšàŽ¿àŽ®àŽ•àŽ³àŽ¿àŽ²àµ‚àŽŸàµ† àŽªàµŠàŽ°àµàŽ€àŽ¿àŽšàŽ¿àŽšàµàŽš àŽ‡àŽ±àŽŸàŽšàŽ¿àŽ¯àµ» àŽžàŽ‚àŽµàŽ¿àŽ§àŽŸàŽ¯àŽ•àµ» àŽœàŽŸàŽ«àµŒ àŽªàŽšàŽŸàŽ¹àŽ¿àŽ¯àµàŽŸàµ† àŽ®àŽ•àµ» àŽªàŽšàŽŸàŽ¹àµ àŽªàŽšàŽŸàŽ¹àŽ¿ àŽ‡àŽšàµàŽšàµ àŽ²àµ‹àŽ•àŽ®àŽ±àŽ¿àŽ¯àµàŽšàµàŽš àŽšàŽ²àŽšàµàŽšàŽ¿àŽ€àµàŽ°àŽ•àŽŸàŽ°àŽšàŽŸàŽ£àµ. àŽ…àŽŠàµàŽŠàµ‡àŽ¹àŽ‚ àŽ†àŽŠàµàŽ¯àŽ®àŽŸàŽ¯àŽ¿ àŽžàŽ‚àŽµàŽ¿àŽ§àŽŸàŽšàŽ‚ àŽšàµ†àŽ¯àµàŽ€ àŽ¹àµàŽ°àŽžàµàŽµàŽšàŽ¿àŽ€àµàŽ°àŽ®àŽŸàŽ¯ àŽŠ àŽ«àŽžàµàŽ±àµàŽ±àµ àŽ«àŽ¿àŽ²àŽ¿àŽ‚ àŽ®àµ‹àµºàŽŸàµàŽ°àŽ¿àŽ¯àµœ àŽšàŽ²àŽšàµàŽšàŽ¿àŽ€àµàŽ°àŽ®àµ‡àŽ³àŽ¯àŽ¿àŽ²àµ‡àŽ•àµàŽ•àµ àŽ€àµ†àŽ°àŽžàµàŽžàµ†àŽŸàµàŽ•àµàŽ•àŽªàµàŽªàµ†àŽŸàµàŽŸàŽ¿àŽ°àµàŽšàµàŽšàµ. 2021-൜ àŽªàŽšàŽŸàŽ¹àµ àŽªàŽšàŽŸàŽ¹àŽ¿ àŽžàŽ‚àŽµàŽ¿àŽ§àŽŸàŽšàŽ‚ àŽšàµ†àŽ¯àµàŽ€ àŽ¹àŽ¿àŽ±àµàŽ±àµ àŽŠ àŽ±àµ‹àŽ¡àµ àŽ•àŽŸàµ» àŽšàŽ²àŽšàµàŽšàŽ¿àŽ€àµàŽ°àŽ®àµ‡àŽ³àŽ¯àŽ¿àµœ àŽªàµàŽ°àµ€àŽ®àŽ¿àŽ¯àµŒ àŽšàµ†àŽ¯àµàŽ¯àŽªàµàŽªàµ†àŽŸàµàŽ•àŽ¯àµàŽ‚ àŽ¬àµàŽ°àŽ¿àŽŸàµàŽŸàµ€àŽ·àµ àŽ«àŽ¿àŽ²àŽ¿àŽ‚ àŽ‡àµ»àŽžàµàŽ±àµàŽ±àŽ¿àŽ±àµàŽ±àµàŽ¯àµ‚àŽŸàµàŽŸàŽ¿àŽšàµàŽ±àµ† àŽ²àŽ£àµàŽŸàµ» àŽ«àŽ¿àŽ²àŽ¿àŽ‚ àŽ«àµ†àŽžàµàŽ±àµàŽ±àŽ¿àŽµàŽ²àŽ¿àµœ àŽ‰àŽšàµàŽšàŽ€ àŽªàµàŽ°àŽžàµàŽ•àŽŸàŽ°àŽ™àµàŽ™àµŸ àŽšàµ‡àŽŸàµàŽ•àŽ¯àµàŽ‚ àŽšàµ†àŽ¯àµàŽ€àµ. àŽ¬àµ†àŽ‚àŽ—àŽ³àµ‚àŽ°àµ àŽšàŽ²àŽšàµàŽšàŽ¿àŽ€àµàŽ°àŽ®àµ‡àŽ³àŽ¯àŽ¿àµœ àŽœàµ‚àŽ±àŽ¿ àŽ…àŽ‚àŽ—àŽ®àŽŸàŽ¯àŽ¿ àŽµàŽšàµàŽš àŽªàŽšàŽŸàŽ¹àµ àŽªàŽšàŽŸàŽ¹àŽ¿àŽ¯àµàŽ®àŽŸàŽ¯àµàŽ³àµàŽ³ àŽ…àŽ­àŽ¿àŽ®àµàŽ–àŽ€àµàŽ€àŽ¿àŽšàµàŽ±àµ† àŽªàµàŽ°àŽžàŽ•àµàŽ€àŽ­àŽŸàŽ—àŽ™àµàŽ™àµŸ

àŽªàŽ°àŽ¿àŽ®àŽ¿àŽ€àŽ¿àŽ•àŽ³àµ† àŽžàŽŸàŽ§àµàŽ¯àŽ€àŽ•àŽ³àŽŸàŽ•àµàŽ•àµàŽšàµàŽš àŽ•àŽ²àŽ¯àŽŸàŽ£àµ àŽ‡àŽ±àŽŸàŽšàŽ¿àŽ²àµ† àŽžàŽ¿àŽšàŽ¿àŽ®

5 mins

The Epistemology of Darkness: Many Meanings of Night in Malayalam Cinema

Drawing on darkness/night as a conceptual framework and a socially mediated space/time, the current paper is an attempt to analyze how Kumbalangi Nights (2019), a contemporary cinema in the Malayalam language, aesthetically and politically redefine the dominant meaning(s) of darkness/night in the discourses of Malayalam Cinema (hereafter MC).

The Epistemology of Darkness: Many Meanings of Night in Malayalam Cinema

10+ mins

Exploring the Significance of Film Festivals: Perspectives and Reflections

In Conversation Jabbar Patel, Malti Sahai and Shaji N Karun | During the 27th IFFK, a panel discussion was held where Malti Sahai, former Director of the Directorate of Film Festivals, along with Filmmakers Shaji N. Karun and Jabbar Patel, shared their views on the significance of film festivals, the process of selecting films for festivals, and how film festivals can engage audiences in the digital age.

Exploring the Significance of Film Festivals: Perspectives and Reflections

10+ mins

Preserving Cinematic Heritage: A Discussion on Film Restoration, Analog to Digital Transition, and Preservation

In a conversation at the 27th IFFK, German film director Veit Helmer and Prakash Magdum, the former Director of the National Film Archive of India (NFAI) discussed the process of restoring films, the shift from analog to digital technology, and the importance of film preservation. Their insightful discussion sheds light on the intricacies of film preservation and the efforts required to ensure that films can be enjoyed for generations to come.

Preserving Cinematic Heritage: A Discussion on Film Restoration, Analog to Digital Transition, and Preservation

10+ mins

From Inspiration to Image: Insights into Bela Tarr's Filmmaking Process

Bela Tarr is a highly revered Hungarian filmmaker known for his unique cinematic style and storytelling approach. Tarr has received numerous awards and accolades for his work, including the Lifetime Achievement Award at the 27th IFFK. In this conversation, he discusses his creative process and shares insights into the various elements that go into making a cinematic masterpiece.

From Inspiration to Image: Insights into Bela Tarr's Filmmaking Process

10+ mins

àŽ…àŽ•àŽ€àµàŽ€àŽ³àŽ™àµàŽ™àŽ³àŽ¿àµœ àŽ…àŽ•àŽªàµàŽªàµ†àŽŸàµàŽŸ àŽªàµ†àŽ£àµàŽ£àµàŽ™àµàŽ™àµŸ

àŽŠàŽ¿ àŽ—àµàŽ°àµ‡àŽ±àµàŽ±àµ àŽ‡àŽšàµàŽ€àµàŽ¯àµ» àŽ•àŽ¿àŽšàµàŽšàµ», àŽ®àŽ±àµàŽ±àµŠàŽ°àŽŸàµŸ àŽŽàŽšàµàŽšàµ€ àŽžàŽ¿àŽšàŽ¿àŽ®àŽ•àµŸ àŽ†àŽ§àŽŸàŽ°àŽ®àŽŸàŽ•àµàŽ•àŽ¿ àŽ’àŽ°àµ àŽ€àŽŸàŽ°àŽ€àŽ®àµàŽ¯àŽµàŽ¿àŽšàŽŸàŽ°àŽ‚

àŽ…àŽ•àŽ€àµàŽ€àŽ³àŽ™àµàŽ™àŽ³àŽ¿àµœ àŽ…àŽ•àŽªàµàŽªàµ†àŽŸàµàŽŸ àŽªàµ†àŽ£àµàŽ£àµàŽ™àµàŽ™àµŸ

10+ mins

Chalachitra Sameeksha の蚘事をすべお読む

Chalachitra Sameeksha Magazine Description:

出版瀟: Kerala State Chalachitra Academy

カテゎリヌ: Entertainment

蚀語: English

発行頻床: Monthly

Chalachitra Sameeksha, the monthly bilingual magazine of Kerala State Chalchitra Academy includes both serious discussions on cinema, and interviews and well researched articles on noted film personalities to give closer insights into their lives and works.

  • cancel anytimeい぀でもキャンセルOK [ 契玄䞍芁 ]
  • digital onlyデゞタルのみ
MAGZTERのプレス情報すべお衚瀺