THE ART OF SURVIVAL

In living with cancer, Suleika Jaouad has learned to wrench meaning from our short time on Earth.

- Jennifer Senior

The first time I met Suleika Jaouad, I fell in love with her a little. This, I would soon learn, is a fairly common reaction to Suleika: Everyone who meets her falls in love with her a little. It was 2015, and Suleika was just 26 years old-buoyant, finally off maintenance chemo, and radiant on account of it, her thick brown hair arranged in a boop-a-doop pixie cut. We were attending the same conference, and her boyfriend, a young New Orleans musician named Jon Batiste, was there too. The couple had an irresistible backstory: They first met at band camp as teenagers (she in Birkenstocks, he with a mouthful of train-track orthodonture), and then reconnected romantically as adults. They made for a captivating pair, though the weather systems surrounding them couldn't have been more different: She was enveloping and collected people; he was shy and abstracted, as if involved in a long, vigorous conversation with himself.

At some point, I was told that Jon was going to be the new bandleader on The Late Show With Stephen Colbert. I remember thinking, Cool, but not much more, having no idea what kind of genius he was. Yet one knew from just looking at them that Jon and Suleika were destined for an unusual life. They were sophisticated and great-looking, ambitious and disciplined, adoring and mutually invested in each other's success. Suleika had written a column for The New York Times called "Life, Interrupted" about the brutal challenges of living with acute myeloid leukemia, had beaten the disease, and was now doing advocacy work and writing a memoir. Jon would soon be appearing nightly on our television sets and continuing to make music of his own.

They are married now. He's the more famous of the two, with an Academy Award, a Golden Globe, and five Grammys; he's also the focus of the documentary American Symphony, which earned him a 2024 Oscar nomination for Best Original Song. (Additionally, Jon is The Atlantic's first music director.)