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Travis Strikes Again: No More Heroes

Edge

July 2018

The bad-attitude assassin returns for an all-in-one arcade rampage.

Travis Touchdown has lost touch with reality. So what else is new? Suda51’s beam-saber-wielding antihero has always seen life as a game, slicing his way up the ranks of the United Assassins Association in No More Heroes to become the number one assassin. In Grasshopper’s follow-up, he walked away from the crown: now, in spin-off title Travis Strikes Again: No More Heroes, he’s sucked into another competition.

That’s not just fancy phrasing – he really is sucked into it. Seven years after the events of No More Heroes 2, Touchdown has entered middle-aged ennui, bored of the UAA, and has moved out to the sticks to play videogames in peace. That is, until Badman shows up with a bone to pick regarding the death of his daughter. Somehow, the two are pulled into Touchdown’s prototype console, the Death Drive MK-II, to race through its many virtual worlds for a prize: a single wish granted.

यह कहानी Edge के July 2018 संस्करण से ली गई है।

हजारों चुनिंदा प्रीमियम कहानियों और 10,000 से अधिक पत्रिकाओं और समाचार पत्रों तक पहुंचने के लिए मैगज़्टर गोल्ड की सदस्यता लें।

क्या आप पहले से ही ग्राहक हैं? साइन इन करें

Edge से और कहानियाँ

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There's always a risk in imitating something regarded as a classic: if it offers a template for success, it could just as easily invite unfavourable comparison. Obsidian Entertainment's Fallout: New Vegas has gained that reputation in the 15 years since its release, and while the original The Outer Worlds, led by Fallout creators Tim Cain and Leonard Boyarsky, referenced that series without aping it, the sequel zeroes in on New Vegas as its direct source of inspiration. This explains both why The Outer Worlds 2 is a success and why it can't quite stand tall as a creation with its own identity.

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