Facebook Pixel Seinfeld Was Right: That's a Story | Writer’s Digest - business - Lisez cet article sur Magzter.com
Passez à l'illimité avec Magzter GOLD

Passez à l'illimité avec Magzter GOLD

Obtenez un accès illimité à plus de 9 000 magazines, journaux et articles Premium pour seulement

$149.99
 
$74.99/Année

Essayer OR - Gratuit

Seinfeld Was Right: That's a Story

Writer’s Digest

|

January - February 2025

Use mundane moments from everyday life to create stories that pack a punch.

- JEFF SOMERS

Seinfeld Was Right: That's a Story

If you're a writer, you've had someone tell you their idea for a story. It's just part of the gig: people thinking that writing fiction is all about the idea, the big twist, the edgy premise. Instead of what writing is really about-the work. They never want to do the work, do they? They tell you their mind-blowing, culture-shifting idea and then demand half the royalties² after you spend the next six years of your life locked in a room writing the damned thing as you slowly transform intoThe Proust a much less wealthy Howard Hughes.

Sure, sure, you need the idea. At some point, your story has to be about something, after all-but it's a big mistake to assume that great stories have to be about big ideas, that there has to be a complex chain of events worked out before you can even put the first word on paper or your screen. Stories can be inspired by the mundane, by the everyday, by simple observations and descriptions.

The classic old situation comedy "Seinfeld" nailed this back in 1992. In the episode "The Pitch," Jerry and his friend George Costanza pitch their idea for a "show about nothing" to a network executive:

GEORGE: What'd you do today?

RUSSELL: I got up and came to work.

GEORGE: There's a show. That's a show.

George wasn't often right on that show, but he's right about this: The inspiration and body of a story can come from anything, from any experience or impression. I

write a lot of stories, and many of them have begun as simple exercises where I write about something that happened (STH). The "something" usually isn't particularly interesting or clever on its own: One recent story came from thinking about an old apartment where I used to live, and another-and I swear I am not making this upwas inspired by a random thought I had about laundry.

Most of the ideas that launched those stories and novels weren't clever or exciting on their face. They were mundane, even kind of boring.

PLUS D'HISTOIRES DE Writer’s Digest

Writer’s Digest

Writer’s Digest

Lauren Groff

The three-time National Book Award finalist discusses her new short story collection, Brawler, and the necessity of failure in writing.

time to read

14 mins

March / April 2026

Writer’s Digest

Writer’s Digest

Seven

THE CHALLENGE: Write a short story of 650 words or fewer based on the photo below.

time to read

2 mins

March / April 2026

Writer’s Digest

Writer’s Digest

Pacing in Nonfiction

It's all about story.

time to read

5 mins

March / April 2026

Writer’s Digest

If You're Bored, They're Bored

Five Zero-Draft tricks to ensure tight pacing.

time to read

8 mins

March / April 2026

Writer’s Digest

Writer’s Digest

Deities

Gods and goddesses have had power over our imaginations stretching through the ages—whether ancient Norse, Chinese, Mesoamerican, or Greco-Roman, we have a fascination with cosmic beings.

time to read

5 mins

March / April 2026

Writer’s Digest

Writer’s Digest

Merging Memory With Imagination

Author Rin-rin Yu's debut middle-grade novel, Goodbye, French Fry, represents a combination of her true childhood experiences and the universal experience of growing into yourself.

time to read

5 mins

March / April 2026

Writer’s Digest

Writer’s Digest

Put Yourself in Charge of Your Own Story

Julie Ann Sipos, grand-prize winner of the 33rd annual WD Self-Published Book Awards, on how her career in Hollywood influences her writing style and her business strategy as an indie author.

time to read

4 mins

March / April 2026

Writer’s Digest

Writer’s Digest

The Pause Is the Point

How to use stillness to create momentum in your fiction.

time to read

10 mins

March / April 2026

Writer’s Digest

Writer’s Digest

Ericka Tiffany Phillips

Ericka Tiffany Phillips is a literary agent at the Stephanie Tade Agency, representing nonfiction authors whose “work have the power to shape culture and catalyze collective transformation,” she says.

time to read

2 mins

March / April 2026

Writer’s Digest

Writer’s Digest

Short-Story Dispensers Bring Literature to the Masses

Life is often a wait, whether it's for a commuter train, an appointment with a doctor, or the start of a class.

time to read

5 mins

March / April 2026

Listen

Translate

Share

-
+

Change font size