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How the Priscilla, Queen of the Desert bus was found
The Guardian Weekly
|April 19, 2024
After a 30-year hunt, the original was discovered in New South Wales having survived fires and floods
Thirty years ago, a humble silver bus was transformed into a cinematic icon when the low-budget Australian film The Adventures of Priscilla, Queen of the Desert became a heartwarming, Oscar-winning smash hit.
But for years, no one has known where the bus used in Stephan Elliott's film went. Not long after the 38-day shoot finished in 1993, it seemingly vanished without a trace. This did not stop countless Australians from claiming they either owned it or knew who owned it, or that they had spotted it somewhere up and down the country.
The story of where she ended up, and how she was found, is worthy of a film in itself. In the 1994 film, Priscilla is home to drag queens Mitzi Del Bra (Hugo Weaving), Felicia Jollygoodfellow (Guy Pearce) and transgender woman Bernadette Bassenger (Terence Stamp) as they drive from Sydney to Alice Springs.
In reality, Priscilla is a 1976 Japanese model Hino RC320. It was owned by Sydney company Boronia Tours before it was sold to a couple who leased the bus to Latent Images, the film's production company, for the shoot in 1993. Afterwards, the couple hired it out occasionally, including to the Australian band the Whitlams, who used it as a tour bus for six months in 1994. But after that, Priscilla vanished without a trace.
For years, the bus was the white whale for curatorial staff at the History Trust of South Australia (HTSA), who hoped to acquire it for the National Motor Museum in Birdwood, SA home to several famous cars from cinema, including the Mad Max Bigfoot buggy. Complicating matters were the many pretenders to the throne: a few examples include the bus that was driven around the 2000 Olympics closing ceremony in Sydney; another was made for the talent show I Will Survive; and the one used in the Priscilla stage show, now displayed in Broken Hill.
Esta historia es de la edición April 19, 2024 de The Guardian Weekly.
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