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Sounds Of Love

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Issue 162

Kate Bush's fifth album combines hit singles with a seven-song conceptual suite, all expressing the unmistakable style of one of progressive music's most uncompromising visionaries. To mark 40 years of inspiration, The Anchoress, Within Temptation's Sharon den Adel, Auri's Johanna Kurkela, The Blackheart Orchestra's Chrissy Mostyn and Exploring Birdsong's Lynsey Ward celebrate the enduring magic and influence of Hounds Of Love.

- David West

Sounds Of Love

In an age when artists seem desperate to share every waking moment of their lives on social media, Kate Bush remains positively enigmatic. Yet despite her almost hermetic commitment to avoiding the spotlight, she continues to inspire one generation after another. Her music speaks for itself, never more articulately than on her magnum opus, Hounds Of Love.

“At the risk of projecting my own feelings onto her lived experience when she created this album, I can’t help but get the feeling that she was really breaking out,” says Exploring Birdsong’s Lynsey Ward. “Her previous album, The Dreaming, was the first where she’s credited with [solely] producing it, and I just get the impression that Hounds Of Love was Kate Bush really finding her voice in this discipline, too. Her songwriting and sonic choices feel sophisticated and wholly deliberate. The Dreaming was the turning point, but Hounds Of Love feels like every facet of Kate Bush’s artistry at the very peak of its powers.”

Bush wrote the album at home in her newly upgraded 48-track studio, allowing her to work at her own pace without pressure from her label.

“I feel that her desire to stay true to her art and vision, no matter what, is truly inspiring,” says The Blackheart Orchestra's Chrissy Mostyn. “The art of making great music is to find the shortest route from soul to sound, so that none of the emotion evaporates on the journey. Kate builds songs like Roman roads, not letting the hills and rivers of convention or compromise get in the way and not getting tempted by the gentle slopes and easy valleys. It’s a straight line from her heart to yours. Every song is a cathedral of creativity.”

Released in September 1985, Hounds Of Love topped the charts in the UK and Holland, home of Sharon den Adel from Within Temptation.

“I already knew Kate Bush from

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Jethro Tull's venerable bandleader Ian Anderson is no stranger to interviews, but he's never done one quite like this before. We've lined up an all-star cast of friends, collaborators and admirers to give him a grilling he won't forget! We get his thoughts on all manner of topics, from the serious to the candid, in one of the most revealing Q&As he's ever given.

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Former Messenger collaborators return in elegantly gloomy fettle.

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The great and good of progressive music give us a glimpse into their prog worlds. As told to Grant Moon.

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Everybody Loves A Happy Ending

The Paradox Twin frontman and sole songwriter, Danny Sorrell, began work on his band's third LP, A Romance Of Many Dimensions, during a turbulent period in his personal life. Now on the other side, he reflects on both a solitary and collaborative creative process, and how his own experiences with grief, isolation and digital dependency are mirrored in the album's concept.

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Issue 171

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CLAIRE HAMILL BAND

A likable acoustic duo from down the A coast in Newhaven, Dandelion Charm seduce a room full of early birds with just Clare Fowler's lead voice, 12-string guitar from her husband John and some divine interlocking harmony parts.

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Symphonies In Bloom

Japanese post-rockers MONO have tapped into themes of grief and mourning on their 13th studio album, Snowdrop. Inspired by the floral tributes left on graves, the band have coined a musical language to communicate the emotions of grief that words can't always convey. Guitarist Takaakira ‘Taka’ Goto and producer Brad Wood reflect on their late collaborator Steve Albini and moving forward with new ideas.

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Issue 171

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EMERSON, LAKE & POWELL

Vinyl reproduction of patchy but worthy one-off album from 1986.

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KRISTOFFER GILDENLÖW

Ex-Pain Of Salvation multi-instrumentalist ventures into heavier waters.

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PINK FLOYD

Legendary tracks brought together from group's 70s heyday.

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SHANE EMBURY

Napalm Death's bassist on his passion for prog, flirting with Cardiacs and his very progressive new solo album.

time to read

4 mins

Issue 171

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