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New Beginnings

Prog

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Issue 160

After riding out a career-jeopardising storm of false starts, line-up changes and cancelled tours, Cambridge six-piece Black Country, New Road return with a renewed sense of drive and purpose - and a fantastic new album, for good measure. Prog catches up with the band to discuss third studio effort Forever Howlong, and how leaving your comfort zone and facing down adversity ultimately bring great reward.

- Jeremy Allen

New Beginnings

The old Nietzschean aphorism “what doesn’t kill you makes you stronger” has certainly been proven by Black Country, New Road over the last seven years. The Cambridge six-piece have weathered their fair share of tribulations since forming out of the ashes of their previous band in 2018, most notably when singer and BCNR cynosure Isaac Wood exited just as they were readying their second album, Ants From Up There, in 2022. The tour they'd planned had to be jettisoned, making that two cancelled tours in as many years. Somehow, 2025 marks the first time they'll be going on the road with a brand-new album.

“We've never toured a studio record before,” confirms drummer Charlie Wayne, calling from his childhood bedroom in Cambridge where he’s returned to celebrate his mum’s 60th. “We've toured extensively, but never with any material that had a proper release. The first album came out during lockdown, and then for the second one, we didn’t really go that far into the touring schedule for obvious reasons.”

As a stopgap, in 2023, a Wood-less BCNR released a record full of new material, Live At Bush Hall, complete with a compilation film of the best of the three nights, which you can now find on YouTube. The album showcased the reconfigured unit defiantly singing ‘BCNR friends forever/Look at what we did together’ on the opener Up Song, which can certainly be read as coming out fighting. Behind the bravado, though, guitarist Luke Mark paints a picture of near-petrification behind the scenes.

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Jethro Tull's venerable bandleader Ian Anderson is no stranger to interviews, but he's never done one quite like this before. We've lined up an all-star cast of friends, collaborators and admirers to give him a grilling he won't forget! We get his thoughts on all manner of topics, from the serious to the candid, in one of the most revealing Q&As he's ever given.

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Issue 171

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LIMINAL SKY

Former Messenger collaborators return in elegantly gloomy fettle.

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JONAS LINDBERG

The great and good of progressive music give us a glimpse into their prog worlds. As told to Grant Moon.

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Issue 171

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Everybody Loves A Happy Ending

The Paradox Twin frontman and sole songwriter, Danny Sorrell, began work on his band's third LP, A Romance Of Many Dimensions, during a turbulent period in his personal life. Now on the other side, he reflects on both a solitary and collaborative creative process, and how his own experiences with grief, isolation and digital dependency are mirrored in the album's concept.

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Issue 171

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CLAIRE HAMILL BAND

A likable acoustic duo from down the A coast in Newhaven, Dandelion Charm seduce a room full of early birds with just Clare Fowler's lead voice, 12-string guitar from her husband John and some divine interlocking harmony parts.

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Symphonies In Bloom

Japanese post-rockers MONO have tapped into themes of grief and mourning on their 13th studio album, Snowdrop. Inspired by the floral tributes left on graves, the band have coined a musical language to communicate the emotions of grief that words can't always convey. Guitarist Takaakira ‘Taka’ Goto and producer Brad Wood reflect on their late collaborator Steve Albini and moving forward with new ideas.

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EMERSON, LAKE & POWELL

Vinyl reproduction of patchy but worthy one-off album from 1986.

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KRISTOFFER GILDENLÖW

Ex-Pain Of Salvation multi-instrumentalist ventures into heavier waters.

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PINK FLOYD

Legendary tracks brought together from group's 70s heyday.

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SHANE EMBURY

Napalm Death's bassist on his passion for prog, flirting with Cardiacs and his very progressive new solo album.

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4 mins

Issue 171

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