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"Like having a brick wall coming at you!"

Prog

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Issue 150

In 1974, King Crimson released one of their most underrated, at the time, albums. Red, created by the powerhouse trio Robert Fripp, John Wetton and Bill Bruford, didn't even reach the UK Top 40 and yet it's now regarded by many as a key work - not only in Crimson's back catalogue but also as a foundation stone in what would later become known as progressive metal. On its 50th anniversary, Crimson's alumni discuss the allure of an album that's reduced some adults to tears.

- Sid Smith

"Like having a brick wall coming at you!"

At the completion of a take on the new instrumental track, Robert Fripp, Bill Bruford and John Wetton down tools and file out of the heavily padded door in Olympic's Studio Two and into the adjacent control room, where engineer George Chkiantz sits at the 16-track desk. The trio are keen to listen back to their work. George asks his assistant to cue the tape and press play. The chainmounted Tannoy speakers dangling from the ceiling deliver the music in the confines of the relatively small space with such a punch it feels like being hit by a 10-ton truck. As the two-inch tape spools through the machine, each player's attention zeroes in on the tiniest inflection within their respective performances, quality checking at a micro-level for any faults that might have gone unnoticed in the heat of the take.

At the same time, they are also considering the macro level, pulling their respective viewpoints to also be able to take in the totality of the bigger picture, assessing the feel and weight of this new composition. After the final note has died away Fripp asks, "Well, what do you think?" "I'm not sure. The tune reminds me of Tea For Two, you know? I don't really get it," replies Bruford.

"Well, we don't have to use it," offers Fripp. "No," says Wetton. "We use it!" It's interesting to think that had the conversation back in early July 1974 gone in a different direction, the track Red might not have made it to the record, instead consigned to the vaults or perhaps appearing on a future Robert Fripp solo record. Speaking to Prog from his home via Zoom just ahead of a speaking tour in North America with his business partner and producer, David Singleton, Fripp recalls the day in question.

MÁS HISTORIAS DE Prog

Prog

Prog

Ghosts In The Half Light

Released 20 years ago, Porcupine Tree's Deadwing was the album that Lava Records hoped would turn over a profit. Although things didn't quite work out that way, the band's eighth studio record did raise their profile and launch them to American audiences. Steven Wilson, Gavin Harrison, Lava's Andy Karp and scriptwriter Mike Bennion reflect on the journey that took Porcupine Tree from playing to 30 people to filling 1,500-capacity venues and even scoring a ride in Neil Peart's Aston Martin.

time to read

20 mins

Issue 165

Prog

Prog

Morphin' Glory

Finnish progressive metal veterans Amorphis are 15 albums into a career like few others. As the band release Borderland, bassist Olli-Pekka Laine tells Prog, the nexus of death metal and neo-prog is a truly strange place to be.

time to read

5 mins

Issue 165

Prog

Prog

Emotional Rescue

On her seventh album, Welsh art-rocker Cate Le Bon has returned to her homeland after a period of living in California. On the emotional Michelangelo Dying, she comes to terms with a broken heart and even teams up with fellow countryman John Cale. The singer-songwriter tells Prog about what she refers to as her \"necessary exorcism\" and why she's looking forward to playing her new songs live.

time to read

5 mins

Issue 165

Prog

Prog

WARRINGTON-RUNCORN NEW TOWN DEVELOPMENT PLAN

Ambient artist travels back to the 70s with synth-heavy utopian soundtracks.

time to read

2 mins

Issue 165

Prog

Prog

Gut Feeling

When Crown Lands found themselves without a label, they immersed themselves in total creative freedom, magic mushrooms and 80s King Crimson. The result is a widescreen three-album arc, starting with two psychedelic meditation records: Ritual I and Ritual II. Prog catches up with the duo to find out more about their epic prog dreams.

time to read

5 mins

Issue 165

Prog

Prog

BE PROG! MY FRIEND

After a successful comeback in 2024, Be Prog! is expanding carefully. Now set in a sci-fi-styled corner of the Poble Espanyol museum, organisers have added four extra bands and upgraded the food and chill-out zones. Across 12 colourful sets, the atmosphere at Catalonia's premier prog gathering is joyous.

time to read

3 mins

Issue 165

Prog

Prog

PINK FLOYD

Alienation, loss and a legendary live bootleg - the prog giants' post-Dark Side masterpiece gets the ultimate 50th-birthday box set treatment.

time to read

3 mins

Issue 165

Prog

BARRY PALMER

Triumvirat's former vocalist on doing The Bump, working with Mike Oldfield and his latest project with Magenta's Robert Reed.

time to read

4 mins

Issue 165

Prog

Prog

GONGOVERCOME TROUBLED TIMES

New album birthed from a period of personal challenges and heavy deadlines.

time to read

2 mins

Issue 165

Prog

Prog

Hand of Fate

Norwegian art-rockers Gazpacho stare fate in the face with their latest album, Magic 8-Ball, but things could have turned out very differently had it not been for Hollywood script-writers. Songwriter, producer and keyboard player Thomas Andersen discusses kismet, creating great art and never being afraid to rip things up and start again.

time to read

7 mins

Issue 165

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