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NATASHA LYONNE, CARRIE COON, and ELIZABETH OLSEN on challenging AUDIENCES-and EXPECTATIONS-in Hollywood

Harper's BAZAAR - US

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September 2024

There are actors, and then there actors-the type of performers who bring a life and vitality to each and every role, no matter how small or large, and routinely take on gutsy projects that inspire extraordinary devotion and passionate defenses.

NATASHA LYONNE, CARRIE COON, and ELIZABETH OLSEN on challenging AUDIENCES-and EXPECTATIONS-in Hollywood

They make everything they touch better, richer, and more complex.

Natasha Lyonne, Carrie Coon, and Elizabeth Olsen all fit the bill; they make the kind of work that sticks with you long after the credits roll. They have a true reverence for filmmaking and the artistry that goes into it. And this month, they star as sisters in Azazel Jacobs's His Three Daughters, which premieres September 20 on Netflix. The film follows the trio of estranged sisters, who all converge in New York City to be with their dying father in his final days of home hospice care. There's Katie (Coon), the high-strung and opinionated eldest of them; Rachel (Lyonne), the middle sibling and a stepsister to the others, who has lived with and cared for their dad for the past year; and Christina (Olsen), the softhearted youngest.

His Three Daughters is a sterling example of the type of sensitive work Jacobs is known for as a filmmaker; his movies feel almost revelatory, with their dialogue-heavy, character-driven explorations of everyday relationships. It takes place almost entirely inside of a small Manhattan apartment, and the borderline-claustrophobic setting is transformed into a pressure cooker as the sisters fight over past traumas and vendettas while coming to grips with losing the one person who connects them. It also serves as a showcase for the extraordinary talent of the actors; Jacobs wrote the parts specifically for Lyonne, Coon, and Olsen, who all serve as executive producers on the film and have each built a vastly different but equally formidable body of work for themselves, both onscreen and off.

MÁS HISTORIAS DE Harper's BAZAAR - US

Harper's BAZAAR - US

Wildest DREAMS

There's never been a better time to go on SAFARI, with CAMPS that prioritize CONSERVATION delivering ONCE-in-a-LIFETIME experiences

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

On PERFORMANCE

I met Cynthia Erivo over 10 years ago, when she first moved from London to New York and ended up becoming my neighbor. I always knew she would go on to do amazing things, and I can think of no one more fitting to celebrate on the cover of our Performance issue, as audiences gear up to take her in as Elphaba once more in Wicked: For Good. I have always been struck by the way Erivo can come off as both delicate and larger than life—or, as Jazmine Hughes writes in her cover story, “able to put both her strength and her softness on display.” This manifests in the photos too, shot by Cass Bird and styled by Yashua Simmons, portraying a performer at the peak of her powers, glamorous and self-assured and vulnerable all at once.

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Holding THE STAGE

DEREK C. BLASBERG talks to comedian and writer JULIO TORRES and playwright JORDAN TANNAHILL about the POWER of WORDS, how PERFORMANCE can be an act of DEFIANCE, and the importance of telling QUEER stories in REPRESSIVE (and REGRESSIVE) times

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

LIGHT Show

LASER TREATMENTS have gotten so ADVANCED, there's now a LIGHT-BASED option for every skin GOAL and TONE. Ahead, the EXPERT GUIDE to the latest and greatest TECHNOLOGIES for RADIANT, SMOOTH skin-NO NEEDLES or scalpels required.

time to read

5 mins

November 2025

Harper's BAZAAR - US

WHY DON'T YOU...?

As we celebrate the POWER of PERFORMANCE this month, LYNETTE NYLANDER implores you to CHANNEL the GREAT DIVAS, past and present, in your daily ROUTINE. As SHAKESPEARE wrote, all the WORLD'S a STAGE!

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Who Gets to Be PREPPY?

The style once RESERVED for the PRIVILEGED few is now UBIQUITOUS, open to broad INTERPRETATION, and ACCESSIBLE to ALL

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

CYNTHIA ERIVO Is Unstoppable

CYNTHIA ERIVO has always been a ONCE-IN-ALIFETIME PERFORMER with a VOICE for the AGES. Now, she's a STAR for them too.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Leaps & BOUNDS

MISTY COPELAND transformed the DANCE WORLD during her 25 years with the American Ballet Theatre. Now she's RETIRING from the only company she's ever known-but she's still RAISING the BAR.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

DWANA SMALLWOOD, NOVEMBER 2000

“A GREAT DANCER uses movement as a poet uses words. The grandest and slightest gestures—a head thrown back, a leg held high—illuminate the spirit and the heart.” That was how writer Elizabeth Kaye described the art of dance in an essay that accompanied a portfolio titled “Fast Company” in the November 2000 issue of Harper’s Bazaar. Photographed by Patrick Demarchelier, the story showcased six performers who were making their mark on the dance world at the turn of the 21st century—among them, Alvin Ailey American Dance Theater principal Dwana Smallwood.

time to read

1 min

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

SHABOOZEY

Introducing This Issue's MUSIC DIRECTOR

time to read

1 min

November 2025

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