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October 2024
|Architectural Digest US
Blending architectural styles, the new movie Wicked ventures off the beaten yellow-brick path

It's one thing to defy gravity. It's quite another to defy expectations. Such was the challenge for director Jon M. Chu when adapting the hit musical Wicked into a live-action movie, arriving in theaters on November 22. "My goal was to go beyond the matte paintings, beyond a digital world, and really let the audience step into Oz," he notes.
"The emotions in Wicked are so deep and true. I didn't just want a fantasy world beyond our reach. I wanted an immersive space where our characters could come to life." Conceived by production designer Nathan Crowley, the sets nimbly subvert the familiar with the fantastical-layering architectural homages, narrative touchstones, and cinematic razzle-dazzle into an expansive magical realm.

At Sky Studios Elstree, on the outskirts of London, the team mapped out the film scene-by-scene, using models, illustrations, and visual references to crystallize each environment. "You have to dive in and start somewhere," Crowley explains of the concept-driven approach.
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