The science of colour
Digital Camera World|August 2020
Get a little colour theory under your belt
The science of colour

Cast your eyes to the right, and you’ll see a nature shot of a bee heading off from a flower on a nectar hunt. But think in terms of pure colour, and there’s a certain harmony going on: magenta flowers, green foliage and the yellow insect ‘popping’ out. The reason this shot’s colour palette is eye-catching is that it has a primary colour (green) and its opposing secondary colour (magenta) working together.

The primary colours of light are red, green and blue (RGB). Cameras (and your eyes) mix these together to form all the colours you see. Opposing these are the secondary colours: cyan, magenta and yellow (CMY). They’re opposites: for example, cyan is a mixture of green and blue, and contains no red. Similarly, magenta is a mix of red and blue (with no green), and yellow is a mix of red and green (with no blue).

Using a primary with its opposite secondary gives you maximum colour contrast, and is a sure-fire way to get a picture with immediate visual impact. Memorising these six main colours, and knowing which opposes which, is all you really need to know about the heady subject of colour theory.

Esta historia es de la edición August 2020 de Digital Camera World.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 8500 revistas y periódicos.

Esta historia es de la edición August 2020 de Digital Camera World.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 8500 revistas y periódicos.

MÁS HISTORIAS DE DIGITAL CAMERA WORLDVer todo
Jess McGovern
Digital Camera UK

Jess McGovern

The multi-award winning photographer will speak twice at The Photography Show this month. Niall Hampton finds out what's in store...

time-read
7 minutos  |
April 2024
Viltrox AF 27mm F1.2 Pro
Digital Camera UK

Viltrox AF 27mm F1.2 Pro

A ‘pro’ lens with a consumer price tag

time-read
5 minutos  |
April 2024
Lumix S100mm f/2.8 Macro
Digital Camera UK

Lumix S100mm f/2.8 Macro

Ticks many boxes but is not a total success

time-read
5 minutos  |
April 2024
Canon RF 200-800mm F6.3-9 IS USM
Digital Camera UK

Canon RF 200-800mm F6.3-9 IS USM

Every so often, a new superzoom telephoto lens grabs our attention.

time-read
5 minutos  |
April 2024
Hasselblad 907X & CFV 100C
Digital Camera UK

Hasselblad 907X & CFV 100C

Not just a beautiful camera system but versatile, too

time-read
5 minutos  |
April 2024
Sam Davis
Digital Camera UK

Sam Davis

The caving photographer will be shining a light on his passion at The Photography Show. Niall Hampton gets a deep dive into the subject

time-read
5 minutos  |
April 2024
Explore the Multiply blending mode
Digital Camera UK

Explore the Multiply blending mode

Multiply is a versatile mode that can be used for a wide range of effects, either on its own or combined with other modes

time-read
2 minutos  |
April 2024
Create a fine-art border in Lightroom
Digital Camera UK

Create a fine-art border in Lightroom

Enhance your landscape photos by adding a fine-art border with an even feathered edge

time-read
2 minutos  |
April 2024
Content Credentials explained
Digital Camera UK

Content Credentials explained

Fight the fakes and prove your own photos are genuine with provenance tools in Photoshop and Lightroom

time-read
3 minutos  |
April 2024
Scanning ahead...
Digital Camera UK

Scanning ahead...

With ever-higher sensor resolutions, Jon Devo asks whether zoom lenses have had their day

time-read
2 minutos  |
April 2024