Now comes a new album, I Don’t Live Here Anymore, which ranges from heartland rock to ambient psychedelia, well-considered sparsity to mammoth intensity. “The songs come out of different guitars,” Adam says, as he discusses his approach to writing and gear, his experiments in sound, and his evolution as a player...
Who did you love listening to when you were learning to play guitar and write songs, and who do you think really left their mark on you?
When I was really young, I loved Pearl Jam. I loved Mike Bloomfield when I got a little older. Then Neil Young, Hendrix and also R.E.M. I got a guitar right around the time of [R.E.M.’s 1994 album] Monster, and the whole sound of that record is the AC30 with the tremolo. It was just so cool that basically every song had the exact same guitar sound. I think that’s when I learned what an AC30 was, so I remember that being a big record when learning to play guitar. From there it’s been a constant evolution of learning about whoever is blowing my mind!
The Vox AC30 and the tremolo are quite familiar sounds in your work. Would you say those were the things that stuck on a practical level?
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