Ostensibly about the murder of homecoming queen Laura Palmer (Sheryl Lee) in a tiny rural town in the state of Washington, Lynch and Frost’s drama would quickly prove that it was ahead of its time in every way.
The central murder mystery and the soapy lives of the residents were the accessible and intriguing entry points for most viewers. But hiding beneath those familiar tropes was the decidedly unfamiliar. Lynch’s moody, cinematic visuals looked like they were plucked from the cinema, light years beyond the uniform look of other comedies and dramas.
Then there was the off-kilter way everything was presented. From FBI Special Agent Dale Cooper (Kyle MacLachlan)’s incessantly peculiar voice memos to a mysterious “Diane”, to all the emotionally heightened performances underscored by Angelo Badalamenti’s jazzy, noir music, Twin Peaks was weird, beguiling and sometimes frightening. There was nothing like it anywhere else on the television dial, which is why audiences initially gravitated to it in droves.
One of the writers helping Lynch and Frost craft the first season of the series was first-time television writer Harley Peyton. Coming off a big-screen hit with his screenplay adaptation of Less Than Zero (1987), Peyton found himself mingling with more and more of his writing peers. In early 1990, Peyton was invited by his friend, Mark Frost, to a screening of the pilot of Twin Peaks.
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Spooks Ghouls & Freaks Fools
WITH ITS ECLECTIC cast, broad comedy and supernatural farce, Rentaghost was a mainstay of BBC children’s TV from the late ’70s to the mid-’80s and like nothing else.
LOST IN THE SHADOWS
THE EXECUTIVE PRODUCERS OF INTERDIEW WITH THE DAMPIRE DISCUSS THE FUTURE OF LESTAT, LOUIS, CLAUDIA AND WHERE THE ANNE RICE UNIVERSE IS HEADING
NINE LIVES
ON SET FOR THE FINAL SERIES OF INSIDE NO 9. STEVE PEMBERTON AND REECE SHEARSMITH REFLECT ON THE TYRANNY OF THE TWIST
NOA'S ARC
CAESAR'S STORY MAY BE DONE AND DUSTED, BUT AS HIS CREATORS RICK JAFFA AND AMANDA SILVER TELL US, THERE'S STILL PLENTY OF TERRAIN TO EXPLORE IN - KINGDOM OF THE PLANET OF THE APES
TICKET TO RIDE
DIRECTOR BEN CHESSELL TAKES THE TARDIS BACK IN TIME IN HIS TWO EPISODES
SERVING FACE
HAIR AND MAKE-UP DESIGNER CLAIRE WILLIAMS ON NEW LOOKS
BABY BOOM
The TARDIS lands on a spaceship. It was very, very hard to shoot. We used real babies! I like to do things that I’ve never done before and sometimes that’s quite hard, with such a long career as mine.
BOXING CLEVER
DOCTOR WHO IS BACK AND THIS TIME IT'S TAKING OVER THE PLANET
WELCOME HOME
THE CREATIVE MINDS BEHIND THE LIVE-ACTION ADAPTATION OF THE FALLOUT GAME SERIES EXPLAIN THEIR ORIGINAL TAKE ON BETHESDA'S POST-APOCALYPTIC WORLD
MONSTERS INC
THE TITANS UNITE IN HOT COLLAB GODZILLA X KONG: THE NEW EMPIRE