The first thing that strikes me about Harshvardhan Kapoor is how open he is about his life, choices, and thoughts.
The debutant has an unconventional take on his craft, his famous family, possible loves and more…
The first thing that strikes me about Harshvardhan Kapoor is how open he is about his life, choices, and thoughts. He speaks his mind, much like his elder sister, Sonam. It could also be because he’s a debutant (his first film is the upcoming Mirzya, directed by Rakeysh Omprakash Mehra), untouched by the cynicism that comes with being a B-Town veteran. Over the course of our chat, one thing is clear, this newbie wants to do cinema that matches his sensibilities and doesn’t compromise on his beliefs. Here are a few excerpts…
How is a Mirzya different from the debut films of a Ranbir Kapoor or a Varun Dhawan’s?
When Mehra narrated Gulzar’s script to me, I realised that I was getting a chance to be a part of something so poetic, and beautiful, which also suits my personality. Also, I felt Mehra was correct when he said that I was right for the cinematic world that he built up in terms of my facial and physical characteristics. I feel that when you tell a story with honesty in your heart and mind, you work hard and your intentions are good, that will somewhere connect with the audience.
Your father’s and your own sensibility towards films are very different. How do you guys converse about films?
I think my dad’s sensibilities keep changing over time. So does everybody else’s. We both look for certain things. I think he looks more for things that constantly keep you engaged. I look for moments that linger, that grow and that seep into you and make you think about the film three or four days after. I particularly enjoy the kind of film which leave you a little bewildered and later you are like, ‘Oh, that was interesting!’
Is there any film that has left a solid impression on you?
Esta historia es de la edición October 2016 de GLOBAL MOVIE MAGAZINE.
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Esta historia es de la edición October 2016 de GLOBAL MOVIE MAGAZINE.
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'Women don't have to only sing and dance'
'When you are new, you don't know how the industry works.' 'But when you know where you are headed, the possibilities of being conned or facing unpleasant instances is reduced.
I haven't done homework for my films'
'In India, I'm able to work with the biggest stars on creating a scene, creating that emotion, without being too hung up on their persona.
'I learned about Bollywood by being a part of it'
'In India, I'm able to work with the biggest stars on creating a scene, creating that emotion, without being too hung up on their persona.
'MY FACE IS MY GREATEST USP'
'My tool is the way I look. This is the only thing that distinguishes me.' 'Most of us dress similarly. What sets you apart is your face. If you change that also, you're like anybody else.
'My Life Was In Danger'
\"I received many threatening calls and letters.' 'A fatwa was issued against me.'
'I AM BRAHMA, VISHNU, MAHESH!'
Tanishaa Mukerji started her acting career with a bang when she got to play a YRF heroine in her second film Neal 'n' Nikki (2005).
Everybody would say I should act like My Sister
‘Padmini and are very different people.’ Our acting styles are very different. She's from a different era.’
'Girls Are Becoming Suicide Bombers'
'When I am doing a film, that film is not propaganda for me. That's a true thing.
'Four women in their 60s followed me...'
'Don't object to change; understand why people like it.' 'Don't object to change; understand why people like it.'
'EVERYBODY REJECTED ME'
It is only fair that being around the industry has to rub off on its children.