In this section we’re going to focus on production elements that can (though may not always) provide harmonic or chordal content. These parts are often provided by instruments that can play multiple notes together, such as any polyphonic keyboard (piano, organ, polyphonic synth, and so on), or some other polyphonic instrument — a guitar for example. That said, it’s important to be clear that this isn’t always the case — bassists sometimes play chords for example. What’s more, in larger band ensembles, chords are often built from multiple individual instruments — think of a string section in an orchestra.
Here we look at three different aspects of the keys conundrum. Firstly, we’ll create a synth pad from scratch. If you’ve not really used synths much before, creating sounds from scratch can seem a bit daunting. But we’ve broken it down into nice easy steps and coupled with the excellent Synapse Dune CM synth, which is extremely easy to understand, this is a great way to familiarise yourself with synthesis and sound creation.
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BLEASS Arpeggiator
Classic synth-based arpeggiators' up-down patterns can be tedious, says Stuart Adams. Can Arpeggiator bring the variability he craves?
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One of the most highly regarded piano libraries around gets an update. Does it strike a chord with our reviewer, Herr Roland Schmidt?
MODALICS BITFUZZER
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SEDIBUS
Detaching from The Orb mothership, Sedibus is the latest project of core figurehead Alex Paterson, accompanied by former Orb-member and key creative collaborator Andy Falconer. With a studio shorthand and a shared passion for flourishing ambient textures, the pair's second record SETI gazes skyward for its inspiration. We spoke to Andy to learn more...
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Sidechain compression is an excellent mixing tool and in this tutorial we pick apart this essential process
How to make a rave-style techno track
Prepare to get fists in the air as we learn the tools, tricks and tempos for nailing the basics of rave-ready techno
Make a filter kick bass with BazilleCM
Following our deep-dive into the oscillator section of BazilleCM, we follow the signal flow to create a filter-thumping bass sound
MARIA W HORN
An avid explorer of sound's spectral properties, Maria W Horn's work realises the potential of long-forgotten spaces. Via instrumental textures, room responses, the human voice and a specialised computer language, she synthesises entirely new sonics. We heard more about her processes and the at-times chilling story behind her affecting new album, Panoptikon
THE ULTIMATE GUIDE TO CREATIVE REVERB
Reverb has been relied on for its evocative sonic character ever since the first homo sapien warbled expletives into a dark cave. The transformative power of space is still a vital mix ingredient