Black style with grace and grit
Mail & Guardian
|May 09, 2025
At this year's Met Gala in New York, fashion transcended spectacle, becoming a soulful tribute to memory and cultural legacy
On the first Monday of May, under the twilight skies of Manhattan, the steps of the Metropolitan Museum of Art once again transformed into a runway of reverence, spectacle and unapologetic self-expression.
But 2025's Met Gala was more than a fashion event — it was an offering. An ode. A quiet, rhythmic drumming of history, heritage and healing stitched together with every dart, hemline and satin lapel. This year's theme, Superfine: Tailoring Black Style, did not merely inspire couture; it ignited remembrance.
The Costume Institute, in a curatorial masterstroke, opened its vaults and imagination to explore black dandyism — a centuries-old tradition where black men and women use clothing to affirm their presence, their resistance and their joy.
Drawing from the work of scholar Monica L Miller, whose landmark book Slaves to Fashion unravels the politics and poetics of black sartorial expression, the exhibit stood as a living archive. It moved like a jazz improvisation — cool, sharp, defiant.
The red carpet became a procession of memory, elegance and intentionality. And, in a year when the world has had to recalibrate its relationship with beauty, the Met Gala felt less like a party than a ritual.
A few women stole the show on the red carpet...
Rihanna floated in as if summoned from a dreamscape of fabric and fertility. Her custom Marc Jacobs gown announced her third pregnancy with a tender elegance, the kind only Rihanna could wear without pretence.
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