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HOOD VIBRATIONS

Record Collector

|

July 2024

There's a shimmering, otherwordly quality to The O'Jays' music, a gossamer lightness to their gospel fervour. It's there on their hits -Love Train, Put Your Hands Together and especially on their 1972-3 albums, Back Stabbers and Ship Ahoy, which, argues Philly soul expert Tony Cummings, merit contention alongside What's Going On and There's A Riot Goin' On in the annals of conscious R&B

- Tony Cummings

HOOD VIBRATIONS

If you were to gather together a bunch of soul buffs and ask them to name the greatest album ever, you'd be sure to hear named What's Going On, Oris Blue and Songs In The Key Of Life. One album bound to be acclaimed is Ship Ahoy by The O'Jays. The Miami Herald once called the title track "a dark, atmospheric, frightening masterpiece" while several DJs and critics today have suggested that the album's For The Love Of Money is the greatest piece of dance music ever recorded.

What is certain is that every component necessary in creating a true classic album came together in time (the early months of 1973) and space (Philadelphia's Sigma Sound Studio). The individuals that producers and songwriters Kenny Gamble and Leon Huff assembled to record Ship Ahoy were as good as anyone working in popular music. Here were a vocal group whose lead singer, Eddie Levert, could wrench the listener from reflective introspection to surging joy; an arranger with deep jazz roots, Bobby Martin, who had expanded his skills to create luxuriant string and horn arrangements with moonlighting symphonians; songwriters like Bunny Sigler, Gene McFadden and John Whitehead; and hand-picked session musicians who had, by 1973, been dubbed MFSB (Mother, Father, Sister, Brother) - Norman Harris, Roland Chambers and Bobby Eli (guitars), Vince Montana (vibes), Ronnie Baker and Anthony Jackson (bass), Earl Young (drums) and Larry Washington (conga, bongos), often with Leon Huff on electric piano - who were a foundation stone on which Gamble and Huff could build their Philly soul sound of the 70s. It was like the way Berry Gordy built the Motown sound of the 60s with the Funk Brothers.

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WEITERE GESCHICHTEN VON Record Collector

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Record Collector

UNDER THE RADAR

Artists, bands, and labels meriting more attention

time to read

4 mins

Christmas 2025 - Issue 578

Record Collector

Record Collector

LOOKIN' AFTER No 1s THE XMAS FACTOR

Does your granny always tell ya that the old songs are the best? The truth might be more curious and complex, as Chris Roberts finds, tearing off the wrapping paper to discover the full history of the Christmas No 1

time to read

13 mins

Christmas 2025 - Issue 578

Record Collector

Record Collector

Behold The Man Friday, The Leader Of The Virgin Prunes

Since the late 70s, Gavin Friday has trod a singular path, whether as part of influential post-punks The Virgin Prunes, soundtracking Hollywood blockbusters.

time to read

10 mins

Christmas 2025 - Issue 578

Record Collector

Record Collector

THE ENGINE ROOM

The unsung heroes who helped forge modern music

time to read

4 mins

Christmas 2025 - Issue 578

Record Collector

Record Collector

ORIGINAL SOUNDTRACKERS

In 1975, 10cc and Queen reigned supreme with I'm Not In Love and that also happened to be the Christmas No 1. But how did both Bohemian Rhapsody. The former was the chart-topping sound of the game-changing singles happen that year, and which, wonders Paul summer and a production landmark, the latter a multi-part song-suite McNulty, remains the most revolutionary example of 70s songcraft?

time to read

24 mins

Christmas 2025 - Issue 578

Record Collector

Record Collector

'WE'D JUST WALLOW IN HOW FUCKING BRILLIANT WE WERE'

Graham Gouldman on I'm Not In Love, The Original Soundtrack and 10cc's next-level pop.

time to read

8 mins

Christmas 2025 - Issue 578

Record Collector

Record Collector

The Collector

Warren Kurtz began collecting records in the 60s and has written about music since the 70s.

time to read

6 mins

Christmas 2025 - Issue 578

Record Collector

Record Collector

Heaven From Hell

An exhilarating masterpiece wrung from a period of turmoil and unease, all done up for its 50th birthday.

time to read

5 mins

Christmas 2025 - Issue 578

Record Collector

Record Collector

33½ minutes with...Brinsley Schwarz

It's 60 years since Brinsley Schwarz made his recording bow, a handful of singles with the semi-psychedelic pop band Kippington Lodge, but he became a more visible presence later in the decade when he lent his name to the pub rock figureheads who also included Nick Lowe in their number.

time to read

4 mins

Christmas 2025 - Issue 578

Record Collector

Record Collector

TEEN SPIRIT

Of all the first-wave punk bands, Eater were arguably the truest to form.

time to read

9 mins

Christmas 2025 - Issue 578

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