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FXPosé

ImagineFX

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February 2026

THE PLACE TO SHARE YOUR DIGITAL ART

- Édouard Guiton

FXPosé

Édouard Guiton

LOCATION: France MEDIA: Clip Studio Paint WEB: www.artstation.​com/edouardguiton

Édouard is a French illustrator and character designer who works mainly in board games and video games. His stylised approach focuses on energy, strong shapes and storytelling through expressive characters.

1 ZOMBICIDE

"A riot police officer turns monstrous, his uniform bursting as flesh grows over and beneath, mutating him into a terrifying new form.

2. THE REAPER

Colours by Éric Nouhaut." While keeping the classic Reaper look, I wanted to add something new and threatening with entacles, all while preserving the iconic floating silhouette.

3 FIRE ELEMENTAL

Colours by Giorgia Lanza." "I wanted this to feel like more than just flame; it's an ancient entity inhabiting empty armour, a living artefact of forgotten power. Colours by Giorgia Lanza."

4 ZOMBICIDE

"I loved a creating a dynamic composition of multiple characters, framed by buildings and surrounded by zombies. This conveys real danger and a massive invasion, while keeping the scene readable. Colours by Giorgia Lanza."

5 THE FOUR HORSEMEN

"I loved reinterpreting these mythic riders - War, Death, Pestilence and Famine - while staying true to the original descriptions. A timeless classic and a real exercise in style. Colours by Giorgia Lanza."

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Technique focus: WORK SMARTER WITH COLOURS

Álvaro Jiménez reveals the workflow process he follows to summon an armoured demon

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FIVE MINUTES WITH PAT IMRIE

Big-screen blockbusters and a certain 3D art magazine helped set this creative on his career path

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RIFF ON YOUR PASSIONS

Max Froer draws on a range of influences when rendering a beast that's part machine

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Anker SOLIX C1000

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PAINTING A SCENE OF GREEK DRAMA

Alexander Leskinen creates a stormy environment featuring harpies, the winged messengers of Zeus.

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HOW DO I COLOUR A 3D OBJECT?

The process of colouring a 3D image has a lot of layers, so let's start at the surface. Mike Griggs weighs up the material requirements

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February 2026

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