Versuchen GOLD - Frei

Making a point

Country Life UK

|

November 11, 2020

The first obelisk to be erected in Europe was a trophy of war. Loyd Grossman considers how these ancient monuments came to be understood and became the mark of every great city

- Loyd Grossman

Making a point

WHEN Napoleon wished to carry out an ambitious tree-planting programme for Rome, he was firmly reminded by the sculptor Canova that ‘in Rome, we do not plant trees, we plant obelisks’. The planting of obelisks in Europe is a 2,000-year-old habit, started by the Emperor Augustus in his lust for conquest and self-commemoration.

In the year 10BC, Augustus ordered the removal of two obelisks, the oldest of which was then 1,300 years old, to Rome. These first obelisks were the ultimate war trophies, a physical celebration of the Roman conquest of Egypt. They demonstrated geopolitical control of the Eastern Mediterranean and, as importantly, a source of grain to feed Rome’s million-plus population.

The arrival of the obelisks in Rome was an unequivocal statement that Rome had now superseded the world’s longest-enduring civilisation. The moving of an obelisk is a tricky business. Stone is strong in compression and weak in tension: an upright obelisk is sturdy, an obelisk at any other angle is likely to crack or shatter. Then there is their huge weight—each of Augustus’s two obelisks weighed more than 200 tons. Special ships had to be constructed to carry the monoliths across the Mediterranean and then, with little more than wooden rollers, ropes, pulleys and brute manpower, the obelisks were taken from Ostia to Rome and hauled upright. The whole operation was a testimony to Roman skill and determination. One of the obelisks was installed to decorate the central reservation of the great stadium the Circus Maximus; the other became the gnomon or hour indicator of a huge sundial that, thanks to Rome’s soggy low ground, subsided and became hopelessly inaccurate within 30 years.

WEITERE GESCHICHTEN VON Country Life UK

Country Life UK

Country Life UK

Dogged work uncovers Rembrandt secret

ALTHOUGH history doesn't record how passionate Rembrandt van Rijn was about dogs, he clearly liked them enough to feature them in several of his paintings, such as his Self-portrait in Oriental Attire with Poodle (1631-33).

time to read

1 min

October 08, 2025

Country Life UK

Country Life UK

The royal treatment

Edward VII swept away the cobwebs of mid-Victorian style, Queen Mary had passion for all things small and the Queen Mother bought rather avant-garde art. In a forthcoming talk, Tim Knox, director of the Royal Collection, charts a century of regal taste

time to read

3 mins

October 08, 2025

Country Life UK

Country Life UK

The garden for all seasons

The private Worcestershire garden of John Massey

time to read

5 mins

October 08, 2025

Country Life UK

When in Rome

For anyone considering tweaking pasta alla carbonara-a work of art as fine as the Trevi Fountain-the answer is always: non c'è modo! Or is it, asks Tom Parker Bowles

time to read

3 mins

October 08, 2025

Country Life UK

The scoop

\"The planned article was on the damson harvest; instead, we got Donald Trump's ally's taps turned off\"

time to read

3 mins

October 08, 2025

Country Life UK

Country Life UK

The goddess of small things

For Rita Konig, interior design isn't only about coherence and comfort: it should be a celebration of stuff. Giles Kime charts her transatlantic career

time to read

4 mins

October 08, 2025

Country Life UK

Country Life UK

Farmers vent fury at Labour's conference

THE Labour party's controversial proposed reforms of farm inheritance tax were the catalyst that led 1,200 disgruntled British farmers to converge on Liverpool and stage a protest at the Labour Party Conference.

time to read

2 mins

October 08, 2025

Country Life UK

Country Life UK

Vested interest

Favoured by Byronic bluesmen, Eton pops and rotund royalty, the waistcoat and its later iterations are an integral part of the Englishman's wardrobe, says Simon Mills

time to read

5 mins

October 08, 2025

Country Life UK

Country Life UK

The easel in the crown

Together with ancient armour, Egyptian cats and illuminated manuscripts, this year's Frieze Masters sees a colourful work by an even more colourful character, a Nigerian prince who set out to make 'contemporary Yoruba traditional art'

time to read

5 mins

October 08, 2025

Country Life UK

Country Life UK

Everything you need to know about trees and shrubs

SOMETIMES, it is difficult to remember how we functioned before the internet took over the way we garden.

time to read

3 mins

October 08, 2025

Translate

Share

-
+

Change font size