Art
ARTnews
A Portrait of the Artist as a Collector
How much can artworks tell us about the person who acquired them?
10 min |
Spring 2017
ARTnews
You've Gotta See This!
Artists are luring their peers and predecessors out of obscurity and back into the spotlight–discovering, rediscovering, and even mentoring them.
10 min |
Spring 2017
ARTnews
Concrete History
Chicana Muralist Judith F. Baca goes from the great wall to the museum wall.
10+ min |
Spring 2017
ARTnews
Clean, Well-Lighted Places
On our nostalgia for the golden age of art dealing
7 min |
Fall 2016
ARTnews
Q & A Douglas Crimp
Q & A Douglas Crimp.
10+ min |
Winter 2017
ARTnews
Mom & Popped
In a market contraction, the middle class gallery is getting squeezed.
10+ min |
Winter 2017
ARTnews
Mary Heilmann’s Idiosyncratic, Rhymthic Abstractions Find Their Place In the Sun
Mary Heilmann’s idiosyncratic, rhymthic abstractions—and chairs—find their place in the sun.
10+ min |
Spring 2016
ARTnews
To All Tomorrow's Parties
Break out the bubbly—Florine Stettheimer’s back.
6 min |
Spring 2017
ARTnews
From Palace To Tank
“Karaoke King” and art collector Qiao Zhibing is parlaying his popular Shanghai karaoke-club cum-exhibition-space into a museum-cum-recreation-space.
6 min |
Fall 2016
ARTnews
Autocorrect
The Politics of Museum Collection Re-Hangs
10 min |
Fall 2016
ARTnews
Q & A Julian Schnabel
Q & A Julian Schnabel.
10 min |
Winter 2017
ARTnews
A Talk with Andrea Fraser
Andrea Fraser has spent 30 years analyzing the systems and structures of the art world—often through performance and, more recently, through psychoanalytic work with groups. Currently the subject of a traveling retrospective organized by the Museu d’Art Contemporani de Barcelona in Spain and the Museo Universitario Arte Contemporáneo in Mexico City, her work also featured this year in the “Open Plan” series at the Whitney Museum, where she showed Down the River (2016), a sound installation of recordings made at Sing Sing prison. During our conversation, which took place in September in the courtyard of the Hammer Museum in Los Angeles, she elaborated on the current state of museums, her role as an educator, and the relevance of group relations to her art.
9 min |