He describes his style as “upside down and backwards”, but when Eric Gales picks up his signature guitar, the blues world can’t help but listen to his heavyweight playing style
It’s a hot, sunny May day at Arlington Arts Centre in Berkshire and things aren’t going well for Eric Gales. The band’s sound check has been going on for a couple of hours owing to a recurring earth loop problem having temporarily defeated the sound crew. The Guitarist team is in a room adjacent to the stage, playing a waiting game. We’ve already been out for ice cream, awarding Waitrose’s Salted Caramel Lollies an honorary Guitarist ‘Choice’ award in the process… but now, all we can do is wait. The tour manager pops his head around the door and apologises for the delay, telling us that they think they’ve found the problem, but it’s a further 40 minutes before a very hot and bothered Mr Gales joins us in the room.
We’re rapidly advancing towards showtime, but it’s down to business straight away. Time may be short, but we’re determined to find out exactly what makes the man – whose guitar playing has been compared with that of Jimi Hendrix – tick. We begin filming for the tuition pages that follow this feature, but in between the examples, we ask Eric about the inner workings of his approach to playing…
“Basically one of the core secrets in my approach when I’m using pentatonics or stuff of that nature is I really never think about it. It just comes out and I guess that might come out of my early years of just wood shedding and accumulating many different styles and genres that I was inspired by. As I grew older they began to become like computer chips, logged in my memory – once they’re there you can go to them at random. I often equate it with the web: when you type in a search or something like that, the information is already there and so it goes right to it.
هذه القصة مأخوذة من طبعة Summer 2017 من Guitarist.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة Summer 2017 من Guitarist.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
BASIC INSTINCTS
The sophisticated range of Swedish-designed guitars made by .strandberg* has lured thousands of players over to the headless side. But the company's new stripped-back Boden Essential model is its strongest play yet for the hearts and minds of mainstream players
Second String
As PRS's more affordable USA-made S2 line moves into its second decade, the series gets a revamp with - at last - USA-made pickups and electronics. What took so long?
PABLO VAN DE POEL
When a band from The Netherlands describes themselves as 'raw, psychedelic Southern rock', it may take a little cognitive processing to work out what that might mean. One listen to DeWolff, however, and you will be duly transported to the 60s for some fuzzed-out rock 'n' roll
THE BERNIE MARSDEN COLLECTION
With a fabulous collection of the late Bernie Marsden's guitars, amps and other highly collectable music gear going under the auctioneer's hammer on 11 June, we were thrilled to have the chance of a sneak preview
LENNY KRAVITZ
Some 35 years since the release of his debut LP, for his 12th record, Blue Electric Light, Lenny Kravitz is back again with equal doses of vigour and vibes, using vintage guitars and the purest valve amps
GEORGE VJESTICA
You may not know him at first glance, but the work of Stoke-on-Trent native George Vjestica has probably impacted some of your favourite albums and movies
DICKEY BETTS
Emerging from the shadow of Duane to write signature hit Ramblin' Man, the Allman Brothers guitarist was a hard-living pioneer of Southern rock
NICK GUPPY
It is with great sadness that we report the passing of our highly valued amplifier guru, who died suddenly in April
Lucky Break
Alex Bishop blends old wood with new in an attempt to fix a severely damaged guitar headstock
Tones Behind The Tracks
Cedric Burnside learnt at the knee of his fabled grandfather, but his latest album is a hill country blues masterclass on his own terms