Sharam
Computer Music|January 2020
With Deep Dish on an extended hiatus, Sharam Tayebi has been busy with his solo career, taking inspiration from three iconic cities for his latest remix project
Sharam
When Sharam Tayebi started work on his recent single, The Rain, he immediately knew that one version of the song was not going to be enough.

“The original song had a kind of New York vibe,” he explains, “but as I was mixing down, I started to imagine all these other different remixes. I could hear Detroit basslines and catchy London melodies. At first, I started looking around for some remix names, but then I thought, ‘I’m already beginning to build these different versions in my head… why don’t I do the remixes myself’.”

The result is three very distinct and delicately balanced takes on The Rain, each one tipping its hat to cities that have played a part in Tayebi’s musical history – New York, Detroit and London.

Tayebi is, of course, instantly recognisable as one-half of the Iranian-born/Washington DC-based duo, Deep Dish – both Tayebi and his DD partner, Ali ‘Dubfire’ Shirazinia, were born in Tehran and later moved to the US. The Deep Dish remix CV is extensive, featuring everyone from Madonna and Dido to David Guetta and Depeche Mode. The Madonna remix was Grammy-nominated; the Dido remix was a Grammy-winner. And let’s not forget the massive 1995 remix of De’Lacy’s Hideaway, which recently charted in Mixmag’s Top 30 Best Vocal House Anthems Ever.

This story is from the January 2020 edition of Computer Music.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the January 2020 edition of Computer Music.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM COMPUTER MUSICView All
BLEASS Arpeggiator
Computer Music

BLEASS Arpeggiator

Classic synth-based arpeggiators' up-down patterns can be tedious, says Stuart Adams. Can Arpeggiator bring the variability he craves?

time-read
3 mins  |
May 2024
Synthogy Ivory 3 German D
Computer Music

Synthogy Ivory 3 German D

One of the most highly regarded piano libraries around gets an update. Does it strike a chord with our reviewer, Herr Roland Schmidt?

time-read
3 mins  |
May 2024
MODALICS BITFUZZER
Computer Music

MODALICS BITFUZZER

Distortion can be a great effect for enlivening and mashing up sounds, and this month we've got you a plugin that can do both

time-read
1 min  |
May 2024
RADICAL RHYTHMS
Computer Music

RADICAL RHYTHMS

From pepping up basic grooves to creating full-on 4/4-flouting madness, learn a multitude of timing tricks with our classic guide

time-read
5 mins  |
May 2024
SEDIBUS
Computer Music

SEDIBUS

Detaching from The Orb mothership, Sedibus is the latest project of core figurehead Alex Paterson, accompanied by former Orb-member and key creative collaborator Andy Falconer. With a studio shorthand and a shared passion for flourishing ambient textures, the pair's second record SETI gazes skyward for its inspiration. We spoke to Andy to learn more...

time-read
10 mins  |
May 2024
Sidechain compression
Computer Music

Sidechain compression

Sidechain compression is an excellent mixing tool and in this tutorial we pick apart this essential process

time-read
4 mins  |
May 2024
How to make a rave-style techno track
Computer Music

How to make a rave-style techno track

Prepare to get fists in the air as we learn the tools, tricks and tempos for nailing the basics of rave-ready techno

time-read
4 mins  |
May 2024
Make a filter kick bass with BazilleCM
Computer Music

Make a filter kick bass with BazilleCM

Following our deep-dive into the oscillator section of BazilleCM, we follow the signal flow to create a filter-thumping bass sound

time-read
5 mins  |
May 2024
MARIA W HORN
Computer Music

MARIA W HORN

An avid explorer of sound's spectral properties, Maria W Horn's work realises the potential of long-forgotten spaces. Via instrumental textures, room responses, the human voice and a specialised computer language, she synthesises entirely new sonics. We heard more about her processes and the at-times chilling story behind her affecting new album, Panoptikon

time-read
9 mins  |
May 2024
THE ULTIMATE GUIDE TO CREATIVE REVERB
Computer Music

THE ULTIMATE GUIDE TO CREATIVE REVERB

Reverb has been relied on for its evocative sonic character ever since the first homo sapien warbled expletives into a dark cave. The transformative power of space is still a vital mix ingredient

time-read
5 mins  |
May 2024