The underwater archaeology of the attack on Pearl Harbor.
The two hours of the attack on Pearl Harbor on December 7, 1941, might be the most heavily documented and studied in history. There are eight official investigations, from a Naval Court of Inquiry to a Joint Congressional Committee, reams of records, and enough books, oral histories, documentaries, and feature films to fill a library. Yet there are still things that can be learned about the morning when 350 Japanese warplanes killed 2,403 Americans, wounded another 1,104, and sank or severely damaged 21 ships in a coordinated attack on military sites around Oahu, Hawaii.
A number of factors have obscured details—big and small— from that day. For example, the surprise of the attack complicated eyewitness accounts. Secrecy shrouded the active war effort on both sides. And, in the aftermath, the United States rushed to rebuild its naval power in the Pacific with the greatest maritime salvage project in history, which returned all but three of the damaged ships to service. This effort begins to explain why there are few archaeological sites directly tied to December 7.
In 2016, the National Oceanic and Atmospheric Administration (NOAA) and the Bureau of Ocean Energy Management completed the first database of submerged cultural resources in the main Hawaiian Islands. Of 2,114 entries, just five come from the attack: two battleships in the harbor, two Japanese submarines in deep water, and a lone American seaplane. All were spared salvage—and in some cases discovery—for decades by some combination of depth, damage, and respect for the dead.
هذه القصة مأخوذة من طبعة January/February 2017 من Archaeology.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة January/February 2017 من Archaeology.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 8500 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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