Artco Monthly & investment
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〈海漂時代  藝術人才〉
本期專輯「海漂時代」，為讀者帶來陳沛岑、王涵怡、蕭牧齊、黃九蓁、侯韶宜的故事，他們是從台灣出發，到世界各地舞台拚博的青年世代。他們的青春記事本，很值得以藝術事業為職志的年輕讀者參考。中國藝術品近30年在全球藝術市場的崛起，正值青春；美中貿易戰，只會是青春臉孔的青春痘，還是一道深刻的傷疤？我們也受影響。

Artco Monthly & investment
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〈三大城市的春拍啟示—美中貿易戰下的藝術板塊位移〉
2019上半年度的亞洲春季拍賣，從蘇富比、佳士得、中國兩大拍賣公司保利和中國嘉德，以及台灣拍賣公司羅芙奧與中誠的成交數字，不難看出美中貿易戰持續影響著藝術市場；6月17日蘇富比宣布與BidFairUSA簽署合併協議，正式納入法國電信公司版圖回歸私有化，或許正是對遠離美中貿易戰的回應。香港向來是藝術市場風向指標，自由經濟帶來大量的投資，新富階級的崛起刺激藝術產業蓬勃發展，然而在金流制度與審查制度逐漸緊縮之際，香港是否還能維持原本的優勢，亞洲藝術板塊的未來將如何發展下去，值得關注。

Artco Monthly & investment
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〈願你生活在有趣的時代  第58屆威尼斯雙年展特別報導〉
第58屆威尼斯雙年展於5月11日在威尼斯正式展開，今年威尼斯雙年展主題訂為「願你生活在有趣的時代」（May You Live in Interesting Times），展出活躍於世界各地的79位／組藝術家與團體，雙年展主題展策展人拉爾夫．魯格夫（Ralph Rugoff）在這次策畫中，將主題展兩個場地軍械庫（Arsenale）和綠園城堡（Giardini）的主展館，以同一批藝術家的作品展示分成兩個獨立、面貌差異的展覽，策展人希望透過展覽真正揭示藝術如何在模糊性中安身的方式，當我們的思緒空間被混亂的訊息壓制的此刻，我們如何重新思考、並擁抱矛盾？

Artco Monthly & investment
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〈斜槓世代的藝術家〉
「斜槓世代／Slash Generation　藝術職涯大哉問」帶狀專題的提出，探討不同於以往「藝術家」的創作型態，而藝術的大哉問，藝術家的探尋未曾停止，堅持以藝術家身分持續創作，是本專題採訪的唯一前提，試圖勾勒出另一種當前的藝術生態樣貌。而本專題希望借此機會，誘發觀者思考「成功案例」的現實與單一性。

Artco Monthly & investment
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〈遠方的行星 趙春翔藝術展〉
「遠方的行星：趙春翔藝術展」回溯趙春翔的創作生涯，再次予以梳理。一方面，將他放回中國自20世紀初期以來的現代藝術發展脈絡，觀照他的創作路徑、付出與貢獻；另一方面，在重新回顧的過程中，我們也將展品的選擇視為重要的學術手段，藉此提供一道觀看的捷徑，便於審視趙春翔藝術的特殊性，瞭解其美學追求與精神依歸，進而肯定其創造性與終極成就。

Artco Monthly & investment
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〈台灣前輩藝術檔案〉
本期《典藏．今藝術＆投資》採訪調查了近年來公立美術館的典藏研究政策與實務、私人基金會的教育推廣工作、收藏與藝術市場表現等不同面向，並專訪一直為台灣近代藝術史建構而進行各項研究、企畫及行政工作的林曼麗，希冀勾勒出前輩藝術家作品及其諸多價值構成之現貌。

Artco Monthly & investment
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〈台北當代最強集結〉
在開展前就備受藝術圈矚目的「台北當代藝術博覽會」（TAIPEI DANGDAI），終於正式開展。首屆有來自160間畫廊申請，最後精選90間參展畫廊，在這之中台灣畫廊約佔了兩成，其他多數為西方一線畫廊，台灣的藝術觀眾也能藉著首屆「台北當代藝博」更加熟悉這些一級畫廊的經營方式與藝術家，典藏編輯團隊也以現場即時報導的方式引領讀者，從畫廊的展示一同理解西方與台灣現當代藝術史！

Artco Monthly & investment
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〈新年開局 市場回顧〉
2018年秋拍結束，從亞洲的拍賣中心香港到世界的拍賣中心紐約，都帶給我們許多訊號，從秋拍成績裡展望來年。2018年秋拍，僅有超級高價明星拍品帶給市場興奮劑，其餘的市場表現，大體可以說回歸平淡，市場再度邁入調整期。本期專題，要為讀者們帶來2018年下半年度的拍場訊號，且讓我們掌握更切實地市場脈動，一起展望2019年！

Artco Monthly & investment
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〈評論如何實踐　關於陳界仁「佛法左派」之後〉
本專題藉由今年3月《燃點》雙語線上雜誌〈現實、詩學和譜系，然後呢？〉一文，以陳界仁在中國展出的「中空之地」為評論對象，卻引發陳界仁因文章作者卞卡文中引文的時序與評論角度，發表〈關「污蔑」事件的六點說明〉一事進行延伸，讓四位藝文圈評論者、策展人、藝術家後續評論；在藝術家與評論者雙方的提問與批判後，提供給讀者更多的思考面向。

Artco Monthly & investment
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〈生態／藝術〉
在本屆台北雙年展「後自然：美術館作為一個生態系統」揭幕前夕，本次專題將探討藝術對生態議題帶來的能量與影響。面對人類中心主義和人類活動所造成的生態失衡，即便藝術創作中的反思力量層出不窮，卻並不能簡單地理解為對自然或生態議題的單純再現，甚或是示範式的行動與實踐。本專題試圖拋棄藝術「有／無用」二元論，從哲學思考、跨域實踐等不同面向切入，並進行觀察與探討。

Artco Monthly & investment
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〈全球藝市 關鍵報告〉
9月底開始，新一輪的2018年秋季拍賣會正式啟動！今年的市場變數極多，在此，為讀者整理最新的市場關鍵字，以作為秋季拍賣時的參考。同時，《典藏．今藝術&投資》與artprice合作，推出artprice最新的2018年上半年度分析，以精準的數字分析提供讀者。

Artco Monthly & investment
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〈域外展映〉
近年來，一些影像創作者投身至傳統的發表場域之外，去投映、發表和分享自己的創作，例如陳界仁將《殘響世界》以四塊銀幕投映於樂生療養院原址，或者高俊宏在海山煤礦、博愛市場放映《博愛》。這種作法不僅是尋求觀看語境上的新鮮感，甚至可以說是一種創作上的再推進。本專輯考察近年華語世界中此類創作的來龍去脈，希冀藉此觸及這一種充滿活力的影像循環結構。

Artco Monthly & investment
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〈春拍啟示錄〉
本期「一槌定音 春拍總結」特輯，聚焦呈現今年度中港台三地春拍季的熱點：各大拍賣行在此季幾乎都重新書寫了「現當代藝術」專場的新高紀錄，而因應近幾季進場藏家有年輕化的趨勢，拍賣行的策略也隨之更迭，創造熱烈氣氛。而哪些場次吸引大批人潮進場競逐？哪些讓人對其規格與高度印象深刻？好奇藝術品市場將呈現何種走勢，請鎖定本期專題！

Artco Monthly & investment
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〈荷蘭當代攝影〉
荷蘭國土面積、人口數量規模不大，在當代攝影及其社群生態的發展上，卻有著相當亮眼的成績。本期專題與Lightbox攝影圖書室合作，從荷蘭美術館的展覽與收藏策略、攝影藝博會與攝影節、攝影教育、跨領域的當代創作與研究課程，乃至多元的發表平台，全方位檢視荷蘭當代攝影生態，除了能作為我們發展台灣當代攝影的典範，也可以是當代藝術其它領域的參考。

Artco Monthly & investment
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〈香港觀察〉
談到藝術都市，人們會想到紐約、柏林、倫敦、巴黎等。那麼亞洲呢？不同於受限政策的北京與上海，原本被視為文化沙漠的香港，這些年受惠於貿易自由港政策，在藝術交易更呈欣欣向榮之勢，已成為與紐約、倫敦比肩的全球三大藝術品交易中心。本期專題從近年市場及機構等面向觀察香港藝術生態，並採訪了五位香港藝術家現身說法，一窺展會浪潮下的香港藝術環境。

Artco Monthly & investment
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〈藝術圈大災難　華藝引發的著作權血案〉
一樁藝術家與藝術公司爭奪著作權的法律戰爭──「華藝案」，引起台灣藝術圈熱烈關切與討論，讓我們不得不面對藝術家普遍缺乏法律知識的事實。本月專題針對此案深入報導，蒐羅了各個角度的答辯以及專家的意見，包含專訪華藝網董事長林株楠、監察委員劉德勳、受害藝術家等，亦整理了事件發生的詳細脈絡，由點而線、由線而面，揭露這場空前的「藝術界世紀大災難」。

July 2019

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ARTCO monthly & investment
Broadening the Visions of Chinese Contemporary Art.
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which gives digital readers unlimited access to 8,500+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

{{magzter}} is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

《典藏-今藝術&投資 ARTCO MONTHLY & INVESTMENT》 Magazine - September 2018

《典藏-今藝術&投資 ARTCO MONTHLY & INVESTMENT》 Magazine - September 2018

In this issue

《典藏-今藝術&投資 ARTCO MONTHLY & INVESTMENT》 Magazine Description: