In this Artdoc Photography Magazine issue #1 2024, Creative Photography, we bring photographic art that explores innovative approaches, showing the world in a new light. We interviewed two photographic artists who use light and beauty to elevate us beyond chaos and tension: Isabelle Menin and Christy Lee Rogers. Also, we bring the artist duo Lori Nix & Kathleen Gerber, who created dioramas with apocalyptic scenes. See also the many gifted artists experimenting with various photographic processes, like stitching prints, alienating hyperrealism, photographic distortion, photocollages, and high-voltage techniques.

In this Artdoc Magazine issue 6 2023, The Personal Lens, we highlight artists who show the world through a subjective lens. The art of photography is the art of a personal lens, addressing the complexities of our existence—photographers of flesh and blood, with emotions and empathy for the world around them. Featured in this issue are Jose Ibarra Rizo, Oli Kellett, and Fumi Nagasaka. We proudly show the talented photographers Daniel Staveley, Mariëtte Aernoudts, Arrayah Loynd, Jiatong Lu, Joana Dionísio, Lisa Murray, Jia Hao, Maartje Martisan, Jakob Eckstein, Rianne Tegelaar, and Lingxue Hao.

Nature possesses an innate and profound healing power. The serene rustle of leaves in a forest, the gentle lapping of waves along a shore, and the vibrant hues of wildflowers can soothe the human soul. The beauty of natural landscapes has always been seen and captured by painters and photographers. In this issue 5, 2023 Healing Nature, of Artdoc Magazine, we highlight gifted artists who show their specific relation to the healing powers of nature. They made images that not only depict natural landscapes but also enter into the spiritual energy of nature. We humans need healing from the many wounds of modern life. And thankfully, the art of photography has a soothing and consoling quality. Featured in issue 5 2023, Healing Nature: Marc Wilson, Jason DeMarte, Ara Oshagan, Christine Simpson, Jennifer Graham, Jaume Llorens i Bach, Joel Simpson, Julia Casesnoves, Alessio Pellicoro, Debora Lombardi, Yuliana Paranko, Tommaso Moni, and Ellen Jantzen.

We perceive the world literally in an aesthetic way. Through our senses, we see shapes and colours, forms and lines, brightness and darkness. These purely visual impressions reach our eyes as the starting point of the creation of deeper meaning. Shapes and colours fill our lives and ignite mental processes of significance. 
In this Artdoc Issue, we bring photographers who work with shapes, lines and colours to express emotions and stories in their photographs. Italian artist Noemi Comi uses alienating purple and turquoise colours to convey the mysterious tale of the Werewolves. Spanish photographer Andrés Gallardo Albajar photographed stunning architecture full of vibrant lines. In his series Urban Geometry, he documented dazzling cityscapes in many countries. British documentary photographer found colourful scenes in the sandy backyard of Saudi Arabia, telling human stories of the large, unknown country. In this issue, we also feature nine photographers who show their personal relation to colour and emotions. They demonstrate a great sensitivity to the wonderful world of aesthetic forms. 

The enigma of life has captivated the human mind for centuries. Throughout history, philosophers and scientists have grappled with the enigmas of the universe. Artists embrace the mystery of life as an invitation to explore and marvel at the complexity surrounding us. In this issue of Artdoc Magazine, Enigma of Life, a photo basel special, we bring photographers who have cultivated a sense of wonder and curiosity, combining it with a critical position towards art history, environment, and politics. Featured: Zak van Biljon, Elina Brotherus, Michal Chelbin.

In the past, people used to write down their daily experiences in diaries, but in our visual age, we use photography to record our lives. The visual diary has become a common practice of modern storytelling. In recent times photographers and artists have used this form of private visual storytelling to get hold of their lives and past, which seldom appears to be troublesome and traumatic. In this issue of Artdoc Magazine, we interviewed three artists who dived into their family past and found secrets, broken stories, and haunting demons. 

In Artdoc Magazine Issue #1 2023, Conceptual Visions, we bring photographers who do not replicate the world but reshape it with concepts, abstractions, and visions. Daniel Gordon constructs paper-cut tableaux that transform reality. Shinya Masuda creates still lifes with decaying flowers and fruits, symbolising the passage of time. Nadezda Nikolova makes abstract landscapes with wet collodion plates, translating her spiritual experience in nature. Our exhibition, Conceptual Photography, is a collection of evocative and metaphorical images. 

In Artdoc Magazine Issue #6 2022, Alternative Process, we bring four portfolios of photographers who work with alternative processes. Ian Ruhter built a camera truck and made giant ambrotype and tintype plates. Marguerite Bornhauser and Svetlana Talanova use analogue techniques like photograms. Gaëlle Cueff uses collages and wax paining. Moreover, we present gifted photographers who reacted to our open call with a wide variety of virtuoso work. Portfolios: Ian Ruhter, Marguerite Bornhauser, Svetlana Talanova, Gaelle Cueff. Featured: Fabienne Percheron, Joan Lea Miller, Lesia Maruschak, Linda Jarrett, Mat Hughes, Matt Roberts, Michael Stimola, Mila Maes, Olga Wagemans, Rebecca Clark, and Robert Poole.

In this Artdoc issue “Colours of life”, we bring the work of photographers for whom colours contain particular connotations. Photographers from countries worldwide show that colours are an intrinsic component of our daily life. The colours of life express emotions and symbolically contain various meanings. Featured: Cig Harvey, Alanna Airitam, Melanie Issaka, Aušra Pečiūrien, Cynthia Martinez, Josef Bürgi, Dmitry Oskin, Maryam Turaki, and Jacqueline Walters.

In Artdoc issue #4 2022, we bring photographers who worked around the concept of identity. Justin Kimball shows the American life of distress and hope. Marion Gronier made portraits of three major constitutional ethnic groups in America. Alys Tomlinson showed local pre-Christian rituals on Italian islands. Aaron Schuman created his own version of Italy. Finally, Maxime Taillez made pictures of the French borders that have lost their old function. 

The artists in this Artdoc issue #3, 2022, investigated the intrinsic value of our natural environment. Featured photographers are: Albarrán Cabrera, Doug and Mike Starn, Rebecca Najdowski, Mark Ruwedel and Gino Bühler. This Artdoc issue brings photo art that echoes the whispering voice of nature.

Since the invasion of Russia into Ukraine, many people realize they are not acquainted with the photography of the eastern European country. Therefore, Artdoc dedicates this issue, War and Peace, to the prolific Ukrainian photographers, whose pictures are highly creative and sensitive. In this issue, we bring Maxim Dondyuk, Serhii Korovayny, Viktoria Sorochinski, Polina Polikarpova, Yelena Yemchuk, Oksana Parafeniuk and many others. They show pictures of bygone peacetimes and the present ongoing war. The art of photography, whether humanistic, staged, surrealistic or narrative, bridges people from different nations.

Artdoc Issue #1 2022, The Artivists, brings the views of artivist photographers about topics like justice, environment and genocide. We present two major projects of Gideon Mendel about the devastating effect of climate change. In addition, we show the work of Jan Banning, who is fighting for the release of an innocent prisoner. Barry Salzman visualises traumas of modern-day holocausts, photographing landscapes at different sites of genocide. Finally, Nicolas Boyer shows the dark side of everyday life in Japan. In the face of the recent horrific developments, the work of honest photographers remains highly relevant.

In this last issue of the year, Artdoc Photography Magazine presents the vision of female photographers. Female photographers have a great capacity for empathy with which they metaphorically portray the world of emotions and personal experiences. Through the camera lens, they do not record factual reality but they show their expressive and subjective vision of the turbulent world. Featured in Issue 6 Female Visions:  Rania Matar, Cecilia Reynoso, Katja Liebmann, Catherine Dovellos, Daria Dar, Maura Jamieson, Lara Gilks, Nikita Roytman and Paula Rae Gibson.

In this issue #5, Lens Based Art, Artdoc brings the photographer as the lens-based artist, who shows us the reality we tend to overlook. Michele Borzoni photographs the often hidden places where people work. Peter Bialobrzeski showed the chaos in the outskirts of Mumbai. Dario Mitidieri photographed Syrian families in an open-air studio. Chloe Sells constructs landscapes with layers of textures and colours to express her experience of nature. And the exhibition Lens Based Art shows the work of experimental photographers.

In Artdoc Issue #4 2021, Invisible Realities, we bring photographers who investigate our complex reality. French photographer Mathieu Asselin said this about his documentary project Monsanto: a photographic investigation: “You can have your own truth, but you cannot have your own facts.” Indian photographer Alakananda Nag delved into her city’s history, concluding that the Armenians could be the founding fathers of Calcutta. French photographer Florian Ruiz distorted his images as a metaphor for the environmental distortion of the radioactive sites in China. The Artdoc exhibition Documentary Stories shows different photographers who all engage in new ways of visual storytelling. In his essay, Koray Değirmenci discusses the validity of the manipulated digital image. We should read modern multi-layered photographs as metaphors of invisible realities.

In many parts of the world, humans are looking for a better life in political freedom, social justice, and happiness. In Artdoc Issue #3-2021, we bring stories of defectors, refugees and survivors. Tim Franco photographed North Korean defectors in Seoul. Charlotte Schmitz took images of refugees arriving at the Greek islands. In Peru, Max Cabello Orcasitas captured the grief of the survivors of the battles between the government and the Shining Path. Sébastien Cuvelier searched for Paradise in Iran and found walled gardens. Finally, Simon Norfolk photographed the struggle against global warming in the Swiss glaciers.

Is documentary photography art? In Artdoc Issue #2 2021, we bring artistic approaches to documentary photography. First, Cuban photographer, Ricardo Miguel Hernández, shows that national identity is a construction of collected memories. Next, Chris Dorley-Brown digitally blended many shots of East London corners into realistic and natural photographs. Romanian photographer Roxana Savin staged her pictures of the monotonous life in a gated residence. Argentinian photographer Guillermo Srodek-Hart photographed the many old rural bars and shops in his country.

In the issue Empty Metropolis, we show portfolios of cities that have been desolated due to the lockdowns of the corona pandemic. Still, we also offer projects that have been produced earlier, in which we see the city full of signs of an invisible life of its denizens. Alessio Pellicoro shows Rome by night in search of the hidden souls of the ancient city that has lost its identity. In the project, The metropolis of Hong Kong, Matthias Forster has been looking for the silent signs of the bustling city. Todd Darling consciously made use of the language of signs. He portraited students struggling for the freedom of Hong Kong and had them write their messages about their fight on the pictures. American photographer Peter Ydeen brings his nocturnal series Easton Nights, for which he drove night after night through his hometown. Steve Gross & Susan Daley photographed forgotten buildings along the countryside. Finally, in our exhibition Empty Streets, about cities during the lockdown, street photographers show the enigma of the modern times in which many people worldwide have been stranded in time.

Photography is increasingly seen as a form of visual storytelling, whether it is the photographer's personal story, told in metaphors and symbols, or a story about the social and political world told through the lives of people in the remotest corners of the world. This issue of Artdoc brings famous, seasoned and award-winning storytellers who all made documentary stories about our dire world. We feature Alec Soth, Bryan Schutmaat, Yann Mingard, Federico Borella, and Martin Thaulow.

In Artdoc Photo Magazine Issue #5 2020, we bring stories that treat different aspects of human life. Andres Serrano photographed homeless people in the streets of Brussels. Gregg Segal shows children from all over the world surrounded by the food they eat. Nelson Morales brings his project about muxes, people considered to be a third gender. The exhibition Human Beings, not Human Skins, is an answer to the global phenomenon of racism. The essay The Selfie as a Neoliberal Commodity explains why we take selfies.‍

The Anthropocene is the epoch in which humans have a profound influence on the climate. Since awareness of the pollution of the environment has arisen, a movement has emerged that practices a critical look at invisible pollution by humans. In this Artdoc issue, we bring the work of photographers concerned with climate and environmental developments, like water constructions, drought, mining and oil spills in pristine landscapes. In this issue we feature Claudius Schulze, Jasper Bastian, Nadia Bseiso, Igor Tereshkov and Ellen Jantzen.

We have the honour to bring in Issue #3 of Artdoc Photo Magazine three protagonists in modern photography: Stephen Shore, John Riddy and Roger Ballen. Stephen shore was the forerunner of the movement that changed landscape photography's history, the New Topographics. No longer did photographers look to the sublime in nature, as did Ansel Adams. Instead, they directed their big field cameras to the vernacular world, including billboards and lampposts. British photographer John Riddy took a step further. He photographs buildings, but his central theme is the abstract quality of the place and space. His photographs have archetypical qualities. He states in the interview: "I hope my photographs resonate with other images and shared experience." This statement could also be true for South African photographer Roger Ballen. He photographs dark and enigmatic scenes of which he says are, in fact, all mirrors of the mind. For Roger Ballen, there is no difference between the reality of the photographic image and the mind's fantasy. "The goal is to challenge my own mind." He wants to let his mind talk to itself, resulting in a quest for universal and archetypical images of our deepest fears. In our section of Photo Culture, we bring "The eidos of photography.” This article analyses the book Camera Lucida of philosopher Roland Barthes.

In Artdoc Photo Magazine Issue #2 2020, we bring a mix of photography about our complex relationship with nature. Wendi Schneider and Ali Shokri bring a homage to the trees. Naohiro Ninomiya and Jennifer Graham show poetic and layered photos of nature and birds. As a special feature, you can read what Sebastião Salgado says about his magnum opus Genesis. In our group exhibition, the Japanese Garden we bring photographers around the theme of reflection and tranquillity of nature. You can also read about the theory of the photograph as a metaphor, based on the theory of Minor White.‍

01/2024

06/2023

05/2023

04/2023

03/2023

02/2023

01/2023

Issue 06/2022

Issue 05/2022

Issue 04/2022

Issue 03/2022

Issue 02/2022

Issue 01/2022

Issue 06/2021

Issue 05/2021

Issue 04/2021

Artdoc is an international online magazine dedicated to the world of photography. The name Artdoc refers to our vision of art photography and documentary photography. In recent years, the two fields have merged, and contemporary photography is a blend of mirrors and windows. The art of photography is not limited to the aesthetics of the images themselves but encompasses the story behind them. Photography is the art that combines reality and vision, feeling and truth, psychological depth, and political awareness. Photography is a tool to communicate about the world that surrounds us and our feelings about it. Photography is the visual storytelling medium of our time, and it's deeply pervaded in the veins of our society and culture. Artdoc publishes engaging and high-quality portfolios of established and emerging photographers from all countries of all continents. The collections are accompanied by in-depth interviews with the published lens-based artists.

1. You agree that the use of Magzter.com, the application and its services, are at solely at your own risk. Neither Magzter.com nor its associates nor employees nor third party content providers guarantee that the service will be completely uninterrupted or error-free or foolproof against miscreant activities. Nor do they warranty that you will get the exact results as expected or promised by the website or product.

11. THE SERVICE AND ALL PUBLICATIONS ARE PROVIDED ON AN 'AS IS' AND 'AS AVAILABLE' BASIS. MAGZTER, ITS AFFILIATES, SUPPLIERS, LICENSORS AND AGENTS EXPRESSLY DISCLAIM ALL WARRANTIES OF ANY KIND, WHETHER EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT. WITHOUT LIMITING THE FOREGOING, NEITHER MAGZTER NOR ITS AFFILIATES, SUPPLIERS, LICENSORS OR AGENTS, MAKES ANY WARRANTY THAT (I) THE SERVICE WILL MEET YOUR REQUIREMENTS, (II) THE SERVICE WILL BE UNINTERRUPTED, TIMELY, SECURE, OR ERROR-FREE, (III) THE INFORMATION THAT MAY BE OBTAINED FROM THE USE OF THE SERVICE OR THAT MAY BE CONTAINED IN THE PUBLICATIONS WILL BE ACCURATE OR RELIABLE, OR (IV) THE QUALITY OF ANY PUBLICATIONS OR THE SERVICE WILL MEET YOUR EXPECTATIONS. YOU ARE SOLELY RESPONSIBLE FOR OBTAINING AND MAINTAINING RELIABLE INTERNET CONNECTIVITY AND YOUR DEVICE. MAGZTER IS NOT RESPONSIBLE FOR YOUR INABILITY TO DOWNLOAD CONTENT. ANY MATERIAL DOWNLOADED OR OTHERWISE OBTAINED THROUGH THE USE OF THE SERVICE IS DONE AT YOUR OWN DISCRETION AND RISK AND YOU WILL BE SOLELY RESPONSIBLE FOR ANY DAMAGE TO YOUR COMPUTER SYSTEM OR MOBILE DEVICE OR LOSS OF DATA THAT RESULTS FROM THE DOWNLOAD OF ANY SUCH MATERIAL. NO ADVICE OR INFORMATION, WHETHER ORAL OR WRITTEN, OBTAINED BY YOU FROM MAGZTER OR THROUGH OR FROM THE SERVICE SHALL CREATE ANY WARRANTY.

2. You will maintain and promptly update that information to keep it true, accurate, current and complete. You are responsible for maintaining the confidentiality of your account and password and for restricting access to your computer, and you agree to accept responsibility for all activities that occur under your account, including the selection and use of all content and services.

2.You will maintain and promptly update that information to keep it true, accurate, current and complete. You are responsible for maintaining the confidentiality of your account and password and for restricting access to your computer, and you agree to accept responsibility for all activities that occur under your account, including the selection and use of all content and services.

3. In no event will Magzter.com or any person or entity or third party involved in the creation, production and distribution of the content on the website and the application be liable in contract or legally for any damages, including and not limited to, direct, indirect, incidental, special, and consequential incurred to you while or on using Magzter.com. By registering on the website or downloading the application, you agree that the provisions mentioned in this section shall apply to all use of and content on the website and the application.

3. Without prior written or authorised permission from Magzter, you should not modify, copy, distribute or sell any content obtained from Magzter as everything published here is the proprietary property of Magzter or its licensors. As such unauthorised use may also violate applicable laws including copyright and trademark laws, Magzter strictly prohibits these and will terminate your access and account if any such illegal activity is proved or detected. You should also stand liable for the damages caused by these unauthorised activities. Except as permitted by the Publication's lawful owner, you acknowledge that you do not acquire any ownership rights by downloading Publications accessed through the Service. Except as explicitly required under copyright law or permitted by the features of the Service you may not modify, reverse engineer, publish, transmit, display, participate in the transfer or sale, create derivative works of, or in any way commercially exploit or provide to a third party the content of the App, the Publications, or any portion of them without the express permission of Magzter and the owner of such content. We do not grant you any licenses, express or implied, to the intellectual property of Magzter or Magzter's licensors.

5. You specifically acknowledge that Magzter.com is not liable for any kind of defamatory or offensive or illegal conduct of other users or third parties or their content and that the risk of injury from the foregoing rests entirely with you.

8. Magzter reserves all rights to monitor the content published and inputted by you for the purpose of determining whether you are compliant with these terms and conditions and other operating rules determined by Magzter. Magzter has the right to take decisions about the content and delete them at its own will.

9. Magzter is a distributor and NOT a publisher of the Publications and so Magzter has no editorial control over the content, including opinions, advice, statements, services, offers etc., that is represented in the magazines. So Magzter will not take responsibility for the accuracy or the reliability for any information or facts provided therein or that is made available through the service, by anyone other than authorised Magzter employees who are acting on their official capacities. Accordingly, we have no editorial control over the Publications. Any opinions, advice, statements, services, offers or other information or content expressed or made available by third parties, including those made in Publications offered by the Service, are those of the respective author(s) or publisher(s) and not of Magzter. Magzter will not be liable for any loss or damage caused by your reliance on information obtained through the Service or from the Publications. The Service may contain links to other Internet sites and third-party resources and Magzter does not assume any responsibility or liability for communications or materials available at such linked sites. These links are provided for your convenience only. You are solely responsible for understanding any terms and conditions that may apply when you visit or place an order through a third-party site.

Details of the objectionable content, including its link on our platform

Download your favorite titles and read them offline, anytime and anywhere

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines and newspapers from thousands of best-selling titles.

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines from thousands of best-selling titles.

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines from {{magCount}} best-selling international titles.

Girish Ramdas is the Co-founder and CEO of Magzter, a New York based startup that has been making waves in the global digital publishing business. Magzter has crossed 80 million users since its inception in 2011 from more than 150+ countries with 1000s of magazines, newspapers and books from more than 4,500 publishers worldwide. He has more than 25 years of experience in cross-platform publishing, including print, mobile, and Web development. During this period, he has co-founded and run three successful start-up businesses. He has enabled magazine companies to go digital and helps them monetize their content across the digital world. Girish's deep industry experience in online, mobile and publishing ecosystems has made him an expert in acquisition, marketing and monetizing digital content across platforms globally.

In the event that you encounter any objectionable content on our platform, we have put in place a grievance redressal policy to address your concerns.

Magzter Inc. (“Company”, “we”, “us” or “our”) knows that you care about how your personal information is used and shared. Please read the following privacy policy (the “Policy”) to learn more about our privacy practices. By visiting any of the websites operated by the Company, and any sub-domains thereof, or using any of our mobile applications and other methods of content distribution (collectively, the “Service”), you acknowledge that you accept the practices and policies outlined in this Policy, and you hereby consent that we will collect, use, and share your information in the following ways.

Magzter Inc. is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 80 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

Magzter is committed to providing a safe and secure platform for our users. Please note that Magzter is merely a platform for publishers to distribute their content. We do not control or endorse the content published on our platform. We cannot be held responsible for the actions of our publishers or their content.

Magzter is not responsible for compensating any party that has suffered damages or incurred costs due to any content, or part of the content, that violates their rights. Magzter is not liable to face any legal action in civil court for any violation of rights caused by any content, or part of the content, that infringes the rights of a third party.

Magzter offers the world’s largest {{allyoucanread}} subscription service called {{gold}} which gives digital readers unlimited access to 8,500+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

Magzter offers the world’s largest “All-You-Can-Read” subscription service called Magzter GOLD which gives digital readers unlimited access to 8,500+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

Name

Note: This will only share the cover and the publication information, but not the content.

Please fill out this form if you need any help regarding publishing your content on Magzter

Prior to Magzter, he was the President of Dot Com Infoway (DCI) and Galatta Media. His duties included strategic marketing, partnership development, and monetizing content globally. DCI grew from a small team of 3 in 2000 to 300 by 2011 and was dealing with web, software and app development for clients globally.

Since we launched, Magzter has been committed to partnering with global organizations to provide the greatest possible newsstand technology & service to our customers. Whether you are looking to offer magazine subscriptions to your customer database or just want to learn more, Magzter is committed to helping your business grow. To find out more, please fill out the questionnaire below:

The DMCA allows us to restore the removed content if the party filing the original DMCA Notice does not file a court action against you within ten business days of receiving the copy of your Counter Notice.

This Policy covers Company’s treatment of personally identifiable information (“Personal Information”) and other information about you and your computer or device that Company gathers when you are accessing the Service. We may collect Personal Information from you, as explained in more detail below, and we use this Personal Information internally in connection with our Services, including to personalize, provide, and improve our products, services, content, and advertising, and to allow you to set up a user account and profile, to contact you, to fulfill your requests for certain products and services, and to analyze how you use the Services. In certain cases, we may also share some Personal Information with third parties, but only as described in point 4.

This title is included with your Magzter GOLD subscription

To analyze the quality of content and provide appropriate feedback to publishers

We have designated a Grievance Officer to address any complaints related to objectionable content.

We request that any complaint related to objectionable content be sent to the Grievance Officer through email to the above-mentioned email address. We also request that you provide the following details when making a complaint:

and the App that provides you the capability to order, subscribe to and receive the delivery of various magazines, books, news and magazine and publication related content (collectively known as 'Publications') and to have these digital versions of the Publications delivered to you

c. We also collect information associated with your use of the application in order to make personalized recommendations. If you provide your third-party account credentials to us, you understand some content and/or information in those accounts (“Third Party Account Information”) may be transmitted into your account with us if you authorize such transmissions, and that Third Party Account Information transmitted to the Service is covered by this Policy.

f. The Personal Information we collect allows us to respond to your requests, improve our products and services, customize the advertising and content you see, and communicate with you about new products.

is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

n. We will also use usage information in order to ensure users adhere to our Terms of Use. For example, a user’s usage information will help us confirm that a user only downloads a magazine or other content a permitted number of times or to a permitted number of devices.

which gives digital readers unlimited access to 8,500+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

{{magzter}} is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

Artdoc Photography Magazine - 01/2024

Artdoc Photography Magazine - 01/2024

In this issue

Artdoc Photography Magazine Description: