1724 ‘CECIL’ STRADIVARI VIOLIN : Miraculously, a well-preserved instrument from the master’s late period has gone almost completely under the radar until now. John Dilworth investigates, FEMALE LUTHIERS : In the wake of the #MeToo movement, how do women in the violin business view their position in the trade? Femke Colborne discovers a raft of strong feelings...

‘WILLEMOTTE’ STRADIVARI VIOLIN 1734
Sam Zygmuntowicz examines a masterpiece from Stradivari’s late period, comparing it with other instruments such as the ‘Huberman’ and ‘Titian’

COACHING CHAMBER MUSIC
Graham Oppenheimer details some of the teaching strategies that have proved successful for players aged 8 to 18 at Chetham’s School of Music in Manchester...

DOVER QUARTET: THE AMERICAN ENSEMBLE ON RECORDING A NEW BEETHOVEN CYCLE AND INSPIRING THE NEXT GENERATION OF CHAMBER MUSICIANS...

ENSEMBLE DIDEROT
e French group has released albums of music from Dresden, Paris, London, and now Berlin. Its founder Johannes Pramsohler explains why to Pwyll ap Siôn.

THE LATE GEORGIAN VIOLA IN BRITAIN
Kevin MacDonald examines the work of some of 19th-century Britain’s bestknown makers, from Benjamin Banks to William Forster and Matthew Hardie.

CREMONESE VIOLIN ARCHINGS
Andrew Dipper attempts to solve the mystery of how the old Italian makers worked out their archings, with the aid of evidence from 18th-century manuals..

LUTHERIE COLLECTIVES
Groups of violin makers are appearing all over Europe and the US, to share their knowledge and promote each other’s work. Peter Somerford nds out more.

D.C. DOUNIS
The Greek-born pedagogue was highly sought-after in 20th-century America – so why are his techniques so little-used today? James Dickenson takes a closer look

ISAAC STERN: 100 YEARS
The great American violinist would have celebrated his centenary this month. Tully Potter looks back at his career, focusing on his chamber music recordings.

1694 ‘BENECKE’ STRADIVARI VIOLIN
Andrea Zanrè and Rudolf Hopfner examine this exceptional example of the master’s ‘Long Pattern’ period, with the help of CT scans and evidence from his moulds.

TETZLAFF QUARTET
The four members give Tom Stewart their thoughts on Beethoven’s late works and explain how spending time apart helps to keep their playing fresh.

SARASATE LETTERS
Nicholas Sackman and Bastien Terraz examine the correspondence from the violinist to his adoptive mother during his two-year tour of North and South America..

TABEA ZIMMERMANN
Amanda Holloway talks to the German viola player, teacher and festival artistic director about her myriad projects in what could be her busiest season yet.

MUSIC THERAPY
From schools and hospitals to family life, there are many ways for musicians to put their talents to use in the community, as violinist Joy Gravestock explains.

LUTHIERS AND RSI
How can makers guard against repetitive strain injuries? Cameron Robertson and Sara Propes look at the questions that need to be asked, and the solutions..

ANNE-SOPHIE MUTTER
THE GERMAN VIOLINIST ON DEDICATING HERSELF TO BEETHOVEN IN 2020 – AND WHY JOHN WILLIAMS IS ONE OF THE GREATEST COMPOSERS OF OUR TIME.

The unusual methods of makers in Germany’s Vogtland.

Celebrating 60 years of the Academy of St Martin in the Fields..

MATCHED QUARTETS
Peter Somerford speaks to luthiers and players to discover the pros and cons behind making four instruments designed to be played together.

CHINESE TONEWOODS
With supplies of top-quality European wood beginning to dwindle, what possibilities might the world’s fourth largest country hold? Xue Peng investigates.

WILLIAM C. HONEYMAN
Kevin MacDonald examines the life and work of the 19th-century violinist and author, whose writings may have inflenced the creation of Sherlock Holmes..

ÉBÈNE QUARTET
THE PARIS-BASED FOURSOME MARKS BEETHOVEN’S 250TH ANNIVERSARY WITH A WORLDWIDE TOUR AND LIVE RECORDINGS

LISA BATIASHVILI
The violinist, newly appointed artistic director of the Audi Summer Concerts festival, tells Toby Deller about her new role, upcoming CD and future plans.

TEACHING ADOLESCENTS
Finding how to bring out the best in teenage students – and motivate them to practise – is a holy grail for instrument tutors. Bob Gillespie shares his experiences..

ROYAL DANISH ORCHESTRA
Th e oldest ensemble in Denmark has a distinct string sound – partly because of its unique collection of instruments. Andrew Mellor discovers its fascinating history.

OUCHARD FAMILY BOWS
Th omas Martin, Andrew McGill, Martin Lawrence and George Martin examine three generations of the dynasty, by comparing their double bass bows.

MANFRED HONECK
Th e music director of the Pittsburgh Symphony talks to Gavin Dixon about how his former career as a violist informs his vision of the orchestra’s sound..

NEW YORK STRING ORCHESTRA SEMINAR
For the past ve decades, the orchestral training programme has given young
players a taste of the professional life. Bruce Hodges speaks to directors and students, THE MUSIC OF BRAZIL
As a new anthology of that name is released on Naxos, Peter Quantrill discovers
the variety and vitality of music from South America’s largest nation...

ELGAR CELLO CONCERTO AT 100 To mark a century since the work’s premiere, Raphael Wallfisch tells the story of its composition, and gives some insights into its performance, GAETANO SGARABOTTO: A fine luthier in his own right, the Italian maker had a flair for copying the old masters, as Andrea Zanrè shows though a comparison of his scrolls...

ASYMMETRIC INSTRUMENTS
Peter Somerford discovers how innovative new designs can affect an instrument’s
weight, ergonomics and acoustic potential, as well as provide visual interest, STRADIVARI GUITAR
A sixth example by the master has recently been identi	ed. Emiliano Marinucci
explains how it was found, and what it tells us about Antonio’s working methods...

NORTHERN DOUBLE BASS MAKERS: Thomas Martin, George Martin and Martin Lawrence investigate the legacy of
William Tarr and the 19th-century bass making boom in and around Manchester, FIRST PRINCIPLES: How did the pioneers of violin making decide on the instrument’s basic form and proportions? François Denis demonstrates the influence of the ancient Greeks...

1672 ‘GUSTAV MAHLER’ STRADIVARI VIOLA
The earliest surviving viola by the master luthier is also one of his most baffling
instruments of any kind. Jonathan Marolle gives an in-depth appraisal, STRINGS IN UGANDA
Pauline Harding learns about the single-stringed endingidi and
discovers how string players are faring in the central African nation...

STRADIVARI’S LOST MOULDS: Why is it that so many of the great luthier’s violins don’t fit the moulds we have for them? Andrea Zanrè and Philip Ihle conclude their two-part investigation, EXPERIMENTAL TEACHING METHODS: Judith Kogan goes on the hunt for unique ideas to help advanced string players, with the help of Donald Weilerstein, Natasha Brofsky and Ali Kian Yazdanfar...

SHOSTAKOVICH VIOLIN WORKS: Julia Fischer, Vadim Gluzman and Gidon Kremer discuss the challenges of
the composer’s two concertos and sonata, in conversation with Andrew Morris, YOGA AND STRING PLAYING: Cellist and teacher Ruth Phillips, with colleague Jane Fenton, explains how players can benefit from exercises inspired by the Eastern spiritual discipline...

GERMAN MAKERS IN NAPLES: Luthiers from Füssen essentially founded the city’s lutherie tradition, paving the way for the Gaglianos. Luigi Sisto traces their development in the 16th century, JACOB STAINER: For decades it has been assumed that the German luthier learnt his craft in Cremona. Rudolf Hopfner presents new evidence to cast doubt on this belief...

Pressenda’s innovative making methods,  Gidon Kremer on his love for the music of Weinberg, Sheku Kanneh-Mason: Following High-Profile Performances and Competitive Success, The Young British Cellist is Becoming an Important Role Model...

Bruno Philippe:  The young French cellist talks gut strings, competitions, and the pros and	cons
of old and new instruments, in conversation with Charlotte Gardner, Korean String Teaching: Viktoria Elisabeth Kaunzner uses her eight years of experience teaching South Korean violinists to identify the trends that make them so successful in competitions...

RENZO BACCHETTA: Luca Bastiani tells the story of the Cremonese luthier who helped found the
Cremona Violin Making School, edited Cozio’s manuscripts, and much more, CLASSROOM TECHNOLOGY: With so many apps and accessories flooding the market, students and teachers alike fund themselves spoilt for choice. Peter Somerford investigates the options...

‘MILAN’ VIOLIN CASE: For the First time, a case said to have been made in Stradivari’s workshop has been X-rayed. Dimitri Musafia analyses the materials and methods it reveals, MISCHA MAISKY: The Russian-born Israeli cellist has been playing an international tour – alongside two of his children – to mark his 70th year. Peter Quantrill Finds out more...

HILARY HAHN: The quirky, effervescent US violinist gives Pauline Harding an insight into the creative process as she returns to the Bach recording project she began 20 years ago, FIRST RECORDINGS: Charlotte Gardner finds out why the road to creating your  first album can be a learning curve involving a vastly new set of skills – and a raft of expenses...

MAXIM VENGEROV: Charlotte Smith talks to the celebrated Russian-born musician about his work
as a violinist, conductor and educator – as well as his own path to learning, CONSERVATOIRE AUDITIONS:
Mark Messenger, the Royal College of Music’s head of strings, gives his thoughts on how young players should prepare for this important milestone in their lives...

Non-Classical Arrangements : e art of adapting a song or piece of dance music for strings has become more
respected in recent years. Charlotte Smith receives tips from some of the masters, Hungarian Makers: How did the country’s violin making industry get back on its feet after the
horrors of the Communist regime? Tibor Szemmelveisz tells the story...

TRONDHEIM SOLOISTS
With cellist Alisa Weilerstein as its new artistic partner, the Norwegian
ensemble is going from strength to strength, as Andrew Mellor discovers, ALTERNATIVE MATERIALS
Tim Duerinck explores the possibilities of aramid, Flax and carbon for stringed
instruments, explaining how the processes are within the reach of all makers...

VIEUXTEMPS’ GUARNERI ‘DEL GESÙ’
In the second of two articles, Terry Borman examines the prized violin’s ribs,
purfling, scroll and varnish, while Anne Akiko Meyers discusses playing it, JOSEPH WHITE
The Cuban-born violinist, who died 100 years ago, was a trailblazer for players
of African descent. Yavet Boyadjiev tells the story of his life and best-known works...

December 2020

November 2020

October 2020

August 2020

July 2020

June 2020

May 2020

April 2020

March 2020

February 2020

January 2020

December 2019

November 2019

October 2019

September 2019

August 2019

The leading stringed instrument magazine. Avidly read around the world by experts and enthusiasts alike, every month The Strad brings together the best for playing, teaching, making and enjoying.

1. You agree that the use of Magzter.com, the application and its services, are at solely at your own risk. Neither Magzter.com nor its associates nor employees nor third party content providers guarantee that the service will be completely uninterrupted or error-free or foolproof against miscreant activities. Nor do they warranty that you will get the exact results as expected or promised by the website or product.

11. THE SERVICE AND ALL PUBLICATIONS ARE PROVIDED ON AN 'AS IS' AND 'AS AVAILABLE' BASIS. MAGZTER, ITS AFFILIATES, SUPPLIERS, LICENSORS AND AGENTS EXPRESSLY DISCLAIM ALL WARRANTIES OF ANY KIND, WHETHER EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT. WITHOUT LIMITING THE FOREGOING, NEITHER MAGZTER NOR ITS AFFILIATES, SUPPLIERS, LICENSORS OR AGENTS, MAKES ANY WARRANTY THAT (I) THE SERVICE WILL MEET YOUR REQUIREMENTS, (II) THE SERVICE WILL BE UNINTERRUPTED, TIMELY, SECURE, OR ERROR-FREE, (III) THE INFORMATION THAT MAY BE OBTAINED FROM THE USE OF THE SERVICE OR THAT MAY BE CONTAINED IN THE PUBLICATIONS WILL BE ACCURATE OR RELIABLE, OR (IV) THE QUALITY OF ANY PUBLICATIONS OR THE SERVICE WILL MEET YOUR EXPECTATIONS. YOU ARE SOLELY RESPONSIBLE FOR OBTAINING AND MAINTAINING RELIABLE INTERNET CONNECTIVITY AND YOUR DEVICE. MAGZTER IS NOT RESPONSIBLE FOR YOUR INABILITY TO DOWNLOAD CONTENT. ANY MATERIAL DOWNLOADED OR OTHERWISE OBTAINED THROUGH THE USE OF THE SERVICE IS DONE AT YOUR OWN DISCRETION AND RISK AND YOU WILL BE SOLELY RESPONSIBLE FOR ANY DAMAGE TO YOUR COMPUTER SYSTEM OR MOBILE DEVICE OR LOSS OF DATA THAT RESULTS FROM THE DOWNLOAD OF ANY SUCH MATERIAL. NO ADVICE OR INFORMATION, WHETHER ORAL OR WRITTEN, OBTAINED BY YOU FROM MAGZTER OR THROUGH OR FROM THE SERVICE SHALL CREATE ANY WARRANTY.

2. You will maintain and promptly update that information to keep it true, accurate, current and complete. You are responsible for maintaining the confidentiality of your account and password and for restricting access to your computer, and you agree to accept responsibility for all activities that occur under your account, including the selection and use of all content and services.

2.You will maintain and promptly update that information to keep it true, accurate, current and complete. You are responsible for maintaining the confidentiality of your account and password and for restricting access to your computer, and you agree to accept responsibility for all activities that occur under your account, including the selection and use of all content and services.

3. In no event will Magzter.com or any person or entity or third party involved in the creation, production and distribution of the content on the website and the application be liable in contract or legally for any damages, including and not limited to, direct, indirect, incidental, special, and consequential incurred to you while or on using Magzter.com. By registering on the website or downloading the application, you agree that the provisions mentioned in this section shall apply to all use of and content on the website and the application.

3. Without prior written or authorised permission from Magzter, you should not modify, copy, distribute or sell any content obtained from Magzter as everything published here is the proprietary property of Magzter or its licensors. As such unauthorised use may also violate applicable laws including copyright and trademark laws, Magzter strictly prohibits these and will terminate your access and account if any such illegal activity is proved or detected. You should also stand liable for the damages caused by these unauthorised activities. Except as permitted by the Publication's lawful owner, you acknowledge that you do not acquire any ownership rights by downloading Publications accessed through the Service. Except as explicitly required under copyright law or permitted by the features of the Service you may not modify, reverse engineer, publish, transmit, display, participate in the transfer or sale, create derivative works of, or in any way commercially exploit or provide to a third party the content of the App, the Publications, or any portion of them without the express permission of Magzter and the owner of such content. We do not grant you any licenses, express or implied, to the intellectual property of Magzter or Magzter's licensors.

5. You specifically acknowledge that Magzter.com is not liable for any kind of defamatory or offensive or illegal conduct of other users or third parties or their content and that the risk of injury from the foregoing rests entirely with you.

8. Magzter reserves all rights to monitor the content published and inputted by you for the purpose of determining whether you are compliant with these terms and conditions and other operating rules determined by Magzter. Magzter has the right to take decisions about the content and delete them at its own will.

9. Magzter is a distributor and NOT a publisher of the Publications and so Magzter has no editorial control over the content, including opinions, advice, statements, services, offers etc., that is represented in the magazines. So Magzter will not take responsibility for the accuracy or the reliability for any information or facts provided therein or that is made available through the service, by anyone other than authorised Magzter employees who are acting on their official capacities. Accordingly, we have no editorial control over the Publications. Any opinions, advice, statements, services, offers or other information or content expressed or made available by third parties, including those made in Publications offered by the Service, are those of the respective author(s) or publisher(s) and not of Magzter. Magzter will not be liable for any loss or damage caused by your reliance on information obtained through the Service or from the Publications. The Service may contain links to other Internet sites and third-party resources and Magzter does not assume any responsibility or liability for communications or materials available at such linked sites. These links are provided for your convenience only. You are solely responsible for understanding any terms and conditions that may apply when you visit or place an order through a third-party site.

Details of the objectionable content, including its link on our platform

Download your favorite titles and read them offline, anytime and anywhere

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines and newspapers from thousands of best-selling titles.

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines from thousands of best-selling titles.

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines from {{magCount}} best-selling international titles.

Girish Ramdas is the Co-founder and CEO of Magzter, a New York based startup that has been making waves in the global digital publishing business. Magzter has crossed 80 million users since its inception in 2011 from more than 150+ countries with 1000s of magazines, newspapers and books from more than 4,500 publishers worldwide. He has more than 25 years of experience in cross-platform publishing, including print, mobile, and Web development. During this period, he has co-founded and run three successful start-up businesses. He has enabled magazine companies to go digital and helps them monetize their content across the digital world. Girish's deep industry experience in online, mobile and publishing ecosystems has made him an expert in acquisition, marketing and monetizing digital content across platforms globally.

In the event that you encounter any objectionable content on our platform, we have put in place a grievance redressal policy to address your concerns.

Magzter Inc. (“Company”, “we”, “us” or “our”) knows that you care about how your personal information is used and shared. Please read the following privacy policy (the “Policy”) to learn more about our privacy practices. By visiting any of the websites operated by the Company, and any sub-domains thereof, or using any of our mobile applications and other methods of content distribution (collectively, the “Service”), you acknowledge that you accept the practices and policies outlined in this Policy, and you hereby consent that we will collect, use, and share your information in the following ways.

Magzter Inc. is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 80 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

Magzter is committed to providing a safe and secure platform for our users. Please note that Magzter is merely a platform for publishers to distribute their content. We do not control or endorse the content published on our platform. We cannot be held responsible for the actions of our publishers or their content.

Magzter is not responsible for compensating any party that has suffered damages or incurred costs due to any content, or part of the content, that violates their rights. Magzter is not liable to face any legal action in civil court for any violation of rights caused by any content, or part of the content, that infringes the rights of a third party.

Magzter offers the world’s largest {{allyoucanread}} subscription service called {{gold}} which gives digital readers unlimited access to 8,500+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

Magzter offers the world’s largest “All-You-Can-Read” subscription service called Magzter GOLD which gives digital readers unlimited access to 8,500+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

Name

Note: This will only share the cover and the publication information, but not the content.

Please fill out this form if you need any help regarding publishing your content on Magzter

Prior to Magzter, he was the President of Dot Com Infoway (DCI) and Galatta Media. His duties included strategic marketing, partnership development, and monetizing content globally. DCI grew from a small team of 3 in 2000 to 300 by 2011 and was dealing with web, software and app development for clients globally.

Since we launched, Magzter has been committed to partnering with global organizations to provide the greatest possible newsstand technology & service to our customers. Whether you are looking to offer magazine subscriptions to your customer database or just want to learn more, Magzter is committed to helping your business grow. To find out more, please fill out the questionnaire below:

The DMCA allows us to restore the removed content if the party filing the original DMCA Notice does not file a court action against you within ten business days of receiving the copy of your Counter Notice.

This Policy covers Company’s treatment of personally identifiable information (“Personal Information”) and other information about you and your computer or device that Company gathers when you are accessing the Service. We may collect Personal Information from you, as explained in more detail below, and we use this Personal Information internally in connection with our Services, including to personalize, provide, and improve our products, services, content, and advertising, and to allow you to set up a user account and profile, to contact you, to fulfill your requests for certain products and services, and to analyze how you use the Services. In certain cases, we may also share some Personal Information with third parties, but only as described in point 4.

This title is included with your Magzter GOLD subscription

To analyze the quality of content and provide appropriate feedback to publishers

We have designated a Grievance Officer to address any complaints related to objectionable content.

We request that any complaint related to objectionable content be sent to the Grievance Officer through email to the above-mentioned email address. We also request that you provide the following details when making a complaint:

and the App that provides you the capability to order, subscribe to and receive the delivery of various magazines, books, news and magazine and publication related content (collectively known as 'Publications') and to have these digital versions of the Publications delivered to you

c. We also collect information associated with your use of the application in order to make personalized recommendations. If you provide your third-party account credentials to us, you understand some content and/or information in those accounts (“Third Party Account Information”) may be transmitted into your account with us if you authorize such transmissions, and that Third Party Account Information transmitted to the Service is covered by this Policy.

f. The Personal Information we collect allows us to respond to your requests, improve our products and services, customize the advertising and content you see, and communicate with you about new products.

is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

n. We will also use usage information in order to ensure users adhere to our Terms of Use. For example, a user’s usage information will help us confirm that a user only downloads a magazine or other content a permitted number of times or to a permitted number of devices.

which gives digital readers unlimited access to 8,500+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

{{magzter}} is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

The Strad Magazine - November 2018

The Strad Magazine - November 2018

In this issue

The Strad Magazine Description: