Guitarist - February 2016
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February 2016 issue Digital Access. - Magazine Details
- In this issue
Magazine Description
In this issue
Commemorative Edition - GARY MOORE - Exploring the guitar collection of a blues-rock legend Lost interview - Moore on blues Rare guitars - A very fine ’59 Gary’s gear up for sale World Exclusive - Lightning Bolt - We rate the return of PRS’s bolt-on wonder, the CE 24
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1967 Gibson ES-175D
This late-60s sparkle finish was highly irregular for Gibson's successful electric hollowbody
Junior High
Oh dear, cut up your credit cards. Patrick James Eggle has sent us his latest electric vision: a boutique Junior with not an ounce of flame maple or bling. Let’s rock!
Top Of The Class
Laney’s unique Class A tribute to vintage British tone blends classic styling with a wide range of tones. You need to hear this!
Digitally Controlled Expression - Get Expressive!
Stefan Fast of YouTube channel ThePedalZone goes on a trip to the creative playground that is expression. Modern technology is taking it to the next level…
Double Identity
Acoustic carbon-fibre guitar manufacturers Emerald take a bold step into the twin humbucker semi-acoustic market with one of the most versatile instruments we’ve encountered
THE FIRST Les Paul
The reason Gibson’s iconic Les Paul exists is because of its namesake. A star of the 1940s airwaves, Les Paul was also a gifted inventor who strived for 30 years to make his dream of a solidbody electric a reality. As his son Gene Paul says, “This is the reason music changed and rock ’n’ roll came to be… all because of this little guitar that sounded good.” Here is the story of how that very guitar – the first of the breed – was created
TOM WEIGHTS
Gigs are back! Are we ready? Er… no. Some peculiar things are going on and Dave Burrluck needs to fix ’em
P-90 Revival
Bare Knuckle Pickups founder Tim Mills explains why so many of us are turning to this classic single coil
Postcards From NOW HERE
Phil Manzanera gave Roxy Music the taut riffs that made the band’s hits irresistibly danceable – but his latest album, recorded with Tim Finn, is about traveling without moving. We joined him to discover why a Firebird and an Ox make a powerful combination in any home studio, and receive a masterclass in the recording techniques he’s honed over 50 years of hits
Lean & Mean
A weekly spot at Ronnie Scott’s provides Adam Goldsmith with the welcome challenge of a stripped-back setup
