15 Jahre Vovox +++ Behringer Model D Minimoog-Clone im Test +++ Adam Audio T7V Preiswerter Nahfeldmonitor mit U-ART Air Motion Transformer +++

TESTS: 
- SPL PASSEQ
- FOCAL SHAPE TWIN
- SONTRONICS SIGMA 2,
- DELTA 2 & APOLLO 2

STUDIOSZENE:
− MARKUSTIK AUDIO, MAINZ
- HEISSKALT ÜBER DIE PRODUKTION IHRES AKTUELLEN ALBUMS IDYLLE

PRAXIS:
- Sounddesign−Gruselige Soundsmiteiner Spieluhr
- Mixing Tutorial−Akustische Drums mischen
- Studiotipps−Kniffe,die die Welt verbessern!

Kylie Minogue +++ Sky Adams über seine Arbeit an Golden +++ Produzent Sky Adams im Interview +++ 90 Jahre Microtech Gefell +++

SPECIAL
- 90 Jahre Neumann − Audio Made in Germany

TESTBERICHTE
- sEElectrionicssE8−Kleinmembran- Kondensatormikrofone
- FluidAudioSRI-2−Desktop-Audio-Interface 38 ADAMAudioT5V−Studiomonitor

STORY
- Mixpraxis−DavidGuettaüberdasaktuelleAlbum7 46 ZuBesuchbeiSPL−120-Volt-Pioniere
- MixingUdoLindenberg−JulienKrumnackmischt
- Und ewig rauscht die Linde (1996) neu 58 The Pool − Jazzanova im Interview
- Frank Turner − Be More Kind

Story Roosevelt: Die Produktion von Young Romance +++ Klangsucher: Dieter Schöpf von DS-audioservice +++ American Class A: Softube-Channelstrip nach API-Vorbild

MAGAZIN
Editorial
Crosstalk − Kolumne von Hans-Martin Buff
Facts & Storys
Online Blog
Inserenten, Impressum
Beziehung und Vertrauen − Kolumne von Peter Walsh
Vorschau

SPECIAL
Roosevelt for President − Die Produktion von Young Romance

TESTBERICHTE
Warm Audio WA73-EQ − Preamp-Clone
Elysia Skulpter 500 − Preamp im 500er-API-Format
Softube American Class A − Software-Channelstrip
Steinberg UR-RT4 − USB-Audio-Interface
Omnitronic TRM-402 − Rotary-DJ-Mixer

STORY
DPA − Mikrofoninnovation aus Dänemark
I’m Sound − Vintage-Experte Thomas Weilbier im Gespräch mit Versicherungsexpertin Janina Klabes
Roosevelt for President − Die Produktion von Young Romance
Audiohersteller Dieter Schöpf − DS-audioservice
Vinyl-Produktion von Axel Heilhecker
Mixpraxis − Emile Haynie über seine Arbeit mit Florence + The Machine

PRAXIS
Sounddesign − Super-Mario-Sounds
Studiotipps − Kniffe, die die Welt verbessern!

KULT
Love The Machines − Von Standuino zu Bastl: Invasion der Nerd-Module

MAGAZIN
Editorial
Crosstalk − Kolumne von Hans-Martin Buff
Facts & Storys
Online Blog
Inserenten, Impressum
Planung ist alles − Kolumne von Peter Walsh
Vorschau

SPECIAL
Mixpraxis − Cam Blackwood über seine Arbeit an Staying At Tamara’s von George Ezra

TESTBERICHTE
SE Electronics Rupert Neve Design RNT − Röhren-Großmembran-Kondensatormikrofon
Focusrite Clarett USB − Audio-Interfaces mit USB-Anschluss
Superlux S241/U3 & S502 − Kleinmembranmikrofone
ESI M4U eX − USB-MIDI-Interface
Presonus Studio One 4 Professional − Major-Update der DAW
JBL 705P − Nahfeldmonitor

STORY
Mixpraxis − Cam Blackwood über seine Arbeit an Staying At Tamara’s von George Ezra
Andreas Grosser Elektronik Service
Studioszene − Trypoul Recording Studios, Neerkant, Niederlande
Studioreport − Tocotronic: Unendlichkeit

PRAXIS
Sounddesign − Donnerwetter
Fix My Mix − Mixing-Tutorial: Electro, Teil 1

KULT
Love The Machines − Korg Prophecy

Vocal Recording Special über 60 Mikrofone im Klangvergleich +++ Sennheiser Ambeo Smart Headset +++ Gordon Raphael +++ Zoom F1-LP

MAGAZIN
Editorial
Crosstalk − Kolumne von Hans-Martin Buff
Facts & Storys
Online Blog
Inserenten, Impressum
Wie man eine amtliche Live-Aufnahme erstellt − Kolumne von Peter Walsh
Vorschau

SPECIAL − VOCAL - RECORDING
Gesangsaufnahmen mit über 60 Mikrofonen
Vocal-Recording-Workshop mit Waldemar Vogel und Ronny Lang

TESTBERICHTE
Focal Clear & Listen Professional − Studiokopfhörer
Mackie Audiotools − Alltagshelfer für Bühne und Studio
DPA d:vote CORE 4099 − Miniatur-Mikrofonsystem
Zoom F1-LP − Fieldrecorder
Sennheiser Ambeo Smart Headset − 3D-Tonaufnahmen per In-Ear-Kopfhörer

STORY
Mixpraxis − Mark Needham
Sounddesigner Saro Sahiri im Interview
Lex Barkey − Mixing, Mastering und Loudness War
Studioszene − Noble Sound Studio, Linsengericht
Gordon Raphael − Wege eines Produzenten
Die Nerven − Warmes Wetter für warmen Sound

PRAXIS
De/constructed − Rea Garvey
Sounddesign − Erweiterungen für einen automatisierten Workflow
Fix My Mix − Mixing Tutorial: Indie, Teil 2

KULT
Love The Machines − Hillwood/Firstman

SPECIAL
Mixpraxis − Tony Maserati mischt Perfect von Ed Sheeran und Beyoncé

TESTBERICHT
Neumann U 67 − Großmembran-Röhrenmikrofon
Mackie Big Knobs − Monitor-Controller und Audio-Interface
SoftubeWeiss DS1-MK3 & MM-1 − Mastering-Prozessor-Plug-ins
Acustica Audio Azure − Software-Equalizer
Genelec 8331 − Studiomonitore

STORY
Mixpraxis − Tony Maserati mischt Perfect von Ed Sheeran und Beyoncé
Neumann goes Home-Studio − Interview mit CEOWolfgang Fraissinet
Hütten-Recording − Interview mit Michael Ilbert und Selig 
Studioszene − Lotte Lindenberg, Frankfurt 
Die Sound&Recording;-Studioszene auf der Musikmesse 2018
Interview mit Komponist Stefan Goldmann

PRAXIS
De/constructed − Bausa
Sounddesign − Kreativität vom Fließband
Fix My Mix − Mixing-Tutorial: Indie
Mastering-Tutorial − Transparenz und »Mix Glue«

KULT
Love The Machines − Roland SH-2000

SPECIAL
Mixpraxis − Tony Maserati mischt Perfect von Ed Sheeran und Beyoncé

TESTBERICHT
Neumann U 67 − Großmembran-Röhrenmikrofon
Mackie Big Knobs − Monitor-Controller und Audio-Interface
SoftubeWeiss DS1-MK3 & MM-1 − Mastering-Prozessor-Plug-ins
Acustica Audio Azure − Software-Equalizer
Genelec 8331 − Studiomonitore

STORY
Mixpraxis − Tony Maserati mischt Perfect von Ed Sheeran und Beyoncé
Neumann goes Home-Studio − Interview mit CEOWolfgang Fraissinet
Hütten-Recording − Interview mit Michael Ilbert und Selig 
Studioszene − Lotte Lindenberg, Frankfurt 
Die Sound&Recording;-Studioszene auf der Musikmesse 2018
Interview mit Komponist Stefan Goldmann

PRAXIS
De/constructed − Bausa
Sounddesign − Kreativität vom Fließband
Fix My Mix − Mixing-Tutorial: Indie
Mastering-Tutorial − Transparenz und »Mix Glue«

KULT
Love The Machines − Roland SH-2000

SPECIAL
Mixpraxis: Sgt. Pepper’s Lonely Hearts Club Band

TESTBERICHTE
Universal Audio Arrow − Audio-Interface mit Thunderbolt-3-Schnittstelle
Warm Audio WA-47 − Großmembran-Röhrenmikrofon
Audio-Technica AT5047 −Studiomikrofon mit Vierfach-Kapsel
Orchestral Tools Metropolis Ark 3 − The Beating Orchestra
Steinberg Cubase 9.5 − Software-Sequenzer

STORY
Natural Born Engineer − Interview mit Produzent Joel Hamilton
Studioszene: Vinylschnitt-Studio Duophonic, Augsburg
Konzeptalbum Meine Helden − 17 Jahre bis zum Release

PRAXIS
Mixpraxis: Sgt. Pepper’s Lonely Hearts Club Band
De/constructed − Stranger Things
Sounddesign mit iZotope RX
Fix My Mix − Alternative Rock

KULT
Love The Machines − Akai-Sampler der S-Serie

January 1+2 2019

December 2018

November 2018

Oktober 2018

September 2018

Juli 2018

Juni 2018

Mai 2018

April 2018

März 2018

SOUND & RECORDING ist ein Praxis-Magazin für Musiker, die sich für das Thema Recording interessieren. Neben den bewährten Testberichten, Interviews und Produktionsberichten aus der internationalen Studioszene findet sich ein umfangreicher Technik- und Praxis-Teil, der nicht nur Einsteigern, sondern auch gestandenen Profis wichtige Tipps und Tricks zum Musikmachen und Produzieren liefert.

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Sound & Recording Magazine - April 2018

Sound & Recording Magazine - April 2018

In this issue

Sound & Recording Magazine Description: