DIVINE

SHIVA EMBRACES AN UNCONVENTIONAL AND ALL-ENCOMPASSING DIVINE LOVE, SYMBOLISED BY THE ANDROGYNOUS ARDHANARISHVARA FORM AND THE COSMIC DANCE THAT RESONATES THROUGHOUT THE UNIVERSE

- ANAND NEELAKANTAN

LORD RAM MIGHT BE THE FLAVOUR OF THE day, but nothing has inspired Indian imagination more than the concept of Shiva. There is something very personal yet otherworldly about Shiva. It is challenging to define who or what Shiva is. It is perhaps easier to define who he or she or it is not. Shiva is fluid in the gender itself. He is also a She or It. Or neither of the three. Unlike the stories of Ram or Krishna, rooted in the two great epics of India, Shiva's stories are scattered and diverse. There is no one unifying story, nothing as potent as "Ramayana" or "Mahabharata," for Shiva. He is rooted in the soil of India. Or he emerged out of this very soil, manifested out of the air we breathe.

The childhood stories of Krishna have enchanted Indians for centuries. However, there are no childhood stories of Shiva. The eternal trope of Indian storytelling—the mother-son relationship like that of Yashodha and Krishna—is absent in the case of Shiva. There is no hero's journey like Lord Ram. Shiva has nothing to offer to match the thrill of Radha and Krishna's eternal romance, made more attractive due to the clandestine affair between a married woman and a cowherd, which inspired countless poems and paintings.

Actually, Shiva is not born to kill anyone or establish dharma or maryada. He is not born at all. He is beyond time. Shiva is Mahakala, or the great time itself. He has no beginning or end, yet he is the God of the end, the Samhara Murty. He is the most masculine of our gods, yet he is half female, Ardhanarishvara.