Denemek ALTIN - Özgür
The Spin Doctor checks out the Kuzma Safir 9, a superarm from Slovenia.
Stereophile
|February 2025
The British audio scene from the late 1970s through the mid-1980s was pretty strange. Audio as a hobby was a big deal, with widespread appeal to a much younger crowd than today. Audiophiles were guided by a flurry of what my friends called "hi-fi pornos," audio magazines that filled the racks at the newsagents.
Far more than you see today, there was a strong nationalist bent, with some writers displaying an open bias against anything that wasn't British. Magazines' editorial departments presented readers with a clear, specific doctrine of how a system should be built and what components readers should acquire.
As a schoolboy with no system of my own, I lapped up these suggestions, and when I returned to the US in 1980 to attend university, I was finally able to start building a system that conformed to the system-building rules that had been drilled into me.
After I graduated four years later, I moved back to England for a year before returning to New York for good in 1985. Frustrated in my effort to find the right job in my field-as a studio recording engineer-I took what I figured would be a temporary job at the late Andy Singer's high-end audio store, Sound By Singer, which at the time was probably the most Anglophile of the New York City high-end audio stores. Nevertheless, it gave me an opportunity to listen to all manner of exotica, and I was quickly dispelled of my belief that only the British knew how to make proper hi-fi kit. Brands like Snell Acoustics, Vandersteen, Krell, and Audio Research crept into my psyche, and within a year I owned an Audio Research SP-11 Mk2 preamp and various other bits of domestic audiophilia. I did, however, continue to sneak back to Hotalings News Service for the latest imported hi-fi mags, to keep my Brit-fi interest alive. Hotalings was a legendary international news stand located in the heart of the sleazy old Times Square long before the internet displaced most magazines and Mayor Rudy Giuliani cleaned out all the smut. Those copies of Hi-Fi News, Hi-Fi Answers, Hi-Fi for Pleasure, and Hi-Fi World helped me pass the time during my hourlong subway commute to and from Singer each day.
Bu hikaye Stereophile dergisinin February 2025 baskısından alınmıştır.
Binlerce özenle seçilmiş premium hikayeye ve 9.000'den fazla dergi ve gazeteye erişmek için Magzter GOLD'a abone olun.
Zaten abone misiniz? Oturum aç
Stereophile'den DAHA FAZLA HİKAYE
Stereophile
Life in the emerald beyond
If you find yourself in Monaco on a Sunday night, make your way to La Note Bleue, a cozy restaurant and music bar on the beach by the Avenue Princesse Grace. There, you're likely to find a legendary world/fusion guitarist sitting in with a group of young jazz musicians eager to cut heads with the acknowledged maestro of inner awareness and otherworldly spirits. Forever known to some as “Mahavishnu,” you can call him by his birth name, John McLaughlin.
3 mins
December 2025
Stereophile
36 sides of late Bowie
I Can't Give Everything Away is the sixth and last of the Bowie box sets that survey specific periods in the artist's career. The first was Five Years 1969–1973, released in September 2015. That was followed by Who Can I Be Now? (1974–1976), A New Career in a New Town (1977–1982), Loving the Alien (1983–1988), Brilliant Adventure (1992–2001), and finally the new set. Together, the six sets are an impressive testament to a musical giant—a heavyweight tribute figuratively and literally. You could use this last installment to pump up your biceps.
3 mins
December 2025
Stereophile
Is this the ultimate old-school analog move?
Dedicated readers know that lately in this space I’ve been on something of an analog kick. Two months ago, in the October issue,¹ I wrote about refurbishing and modding my old McIntosh FM tuner. Last month’s column (November) was on the much-discussed but little-understood topic of the skating force on a phono cartridge stylus.²
4 mins
December 2025
Stereophile
STEREOPHILE'S 34TH ANNUAL PRODUCT OF THE YEAR 2025 AWARDS
Stereophile's Product of the Year Awards were first published in 1992.1 I decided at that time that, in contrast to other publications' awards schemes, we would keep the number of categories to a minimum.
21 mins
December 2025
Stereophile
DeVore Gibbon Super Nine
LOUDSPEAKER
11 mins
December 2025
Stereophile
Some marketing claims are true
None of the amps I build are better than the others,” Justin Weber of Ampsandsound told me not long after we met. “They are just different.” I may have smirked inwardly. According to his company’s website, Weber makes no fewer than 23 amplifier models, many capable of driving both headphones and speakers, ranging from the $2700 Kenzie OG to the $38,000 Arch Monos. Are they really all equally good?, I wondered. Surely this was just a clever Buddhist ploy to distract us from some of his amps’ high prices. Doesn't the extra $35k spent on the Arch Monos buy you something more desirable than the performance offered by the little Kenzie? Writing for an audio magazine means I hear a lot of marketing claims, some more risible than others, and I have learned to take them with an entire seabed worth of salt.
11 mins
December 2025
Stereophile
Lotti Golden
Her life became a whirlwind. Taking the train in from Brooklyn to Manhattan to pitch songs and experience the East Village scene, she landed a song-publishing deal at age 14. In 1968, at 18, after a chance meeting in an elevator, a legendary songwriter/record producer was interested in assisting her in making her debut album. Released on Atlantic Records in 1969, Lotti Golden's Motor-Cycle was wildly experimental and ahead of its time. Seemingly poised for success, the album and her career suddenly vanished.
4 mins
December 2025
Stereophile
Baby you can drive my car(tridge)
While I was coming to grips with this month's review subject, the idler drive Garrard 301 Advanced, I began to think about the various methods that have been used to spin turntable platters over the years. Since the transition a century ago from windup clockwork to electric motors, there have basically been three ways to spin a turntable platter: idler drive, belt drive, and direct drive. True, there have also been a few designs that go their own unique ways, such as the rare, water-driven Oasis made by David Gillespie of Saturn Audio in the late 1970s and the gear-driven H.H. Scott 710 I once owned and foolishly sold. But almost everything made since the 1950s uses one of the three main drive systems. Even the Omega Drive system, which was used by Wilson Benesch on their extraordinary GMT One turntable, is at its core a direct drive design.
10 mins
December 2025
Stereophile
Audio Research Reference 330M
MONOBLOCK POWER AMPLIFIER
19 mins
December 2025
Stereophile
MANUFACTURERS' COMMENTS
MoFi Distribution would like to thank both Ken Micallef and John Atkinson for their time and effort reviewing the HiFi Rose RA280 integrated amplifier (November 2025, p.93).
2 mins
December 2025
Listen
Translate
Change font size
