Grace, rhythm & resilience

Excerpts

- DARSHITA JAIN

S Parshwanath S Upadhye took the stage at 'Kala Utsav 2025', it wasn't just another performance — it was a reflection of a journey woven with unfulfilled dreams, unwavering support, and a deep love for his art. His mother's aspirations, his grandmother's quiet strength, and the wisdom of his gurus had shaped the dancer he had become. From a small-town boy with big dreams to a globally celebrated Bharatanatyam artist, he had not only embraced the challenges of the art but also carried with him little joys — like his love for Hyderabad's iconic Irani chai.

What was the theme of your presentation at 'Kala Utsav 2025', and what inspired it?

Suta is my production, told from King Himavan's perspective, Parvati's father. I first presented it online during the pandemic and have since staged it multiple times. It follows the Margam format of Bharatanatyam, the most traditional and ancient way of presenting it, ensuring the storyline flows with the compositions. The production has four parts, starting with Shabdam, which shows King Himavan's strength and sorrow of not having a child. His prayers are answered when Parvati, Sati's reincarnation, is born, leading to his realisation of her divinity.