‘East of Wall’ rides out as a sensitive docu-fiction hybrid

Real mother-daughter duo star in their own life story about women on a ranch.

- ROBERT ABELE

Sony Pictures Classics

TABATHA Zimiga in the women-focused western.

Any western worth its dusty boots and big-sky openness should know what's breathtaking about freedom, at the same time grasping how being tamed is an uneasy, clarifying rite of passage. That men have typically led these stories means there’s a lot still to be mined when women tackle this genre — both in front of and behind the camera — and in “East of Wall,” about a struggling ranch matriarch (Tabatha Zimiga) with a headstrong daughter (Porshia Zimiga), writer-director Kate Beecroft has found a worthy modern story of cowgirl hardiness near South Dakota's Badlands.

That air of independence and restriction applies also to what “East of Wall” itself is: a narrative centered on first-time actors playing versions of themselves in a story shaped from their lives, in this case the joys and sorrows of the Zimigas’ open-plains existence rescuing, riding and selling horses, and dealing with financial uncertainty after the loss of a loved one.