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Superb sparring partners deliver message of love in bold two-hander
Evening Standard
|August 29, 2024
WATCHING this bold, baggy, female two-hander the restaged third part of the Death of England trilogy reminded me of Hamlet's line about plays being "the chronicles of the time".
From tiny beginnings in 2014 as an experimental "micro-play" about black and white working-class life in contemporary London, this enterprise from co-writers Roy Williams and Clint Dyer has grown to chart the political changes of the last 10 years, particularly the populist legitimisation of prejudice.
The original stagings at the National Theatre surfed the turbulent start, middle and aftermath of the pandemic.
The West End transfers, once again directed by Dyer, reference Kamala Harris's potential presidency.
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