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TIME 100 HEALTH - Titans

Time

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May 26, 2025

AS DIRECTOR-GENERAL OF the World Health Organization (WHO), navigating uncertainty is part of Tedros Adhanom Ghebreyesus' job. Health threats don't give warnings, and the viruses and pathogens responsible for them aren't always predictable.

TIME 100 HEALTH - Titans

TEDROS ADHANOM GHEBREYESUS GLOBAL-HEALTH ARCHITECT

But even he was surprised by President Donald Trump's Executive Order on Jan. 20, Trump's first day in office, announcing the U.S. was immediately withdrawing from the WHO and would cease communication with the organization. Most importantly, it would send no further funds, including what it owed for the 20242025 period. Ghebreyesus was in Tanzania at the time, helping officials there manage an outbreak of Marburg virus (kin to Ebola) that killed the handful who were infected. While Trump had also attempted to withdraw from the WHO during his first term, there was no indication that he would continue those efforts. "There was no heads-up," Ghebreyesus says of the decision. He learned about it while watching the news-and has still not heard from Trump.

In a series of in-depth interviews at WHO headquarters in Geneva, Ghebreyesus tells TIME that Trump's abrupt decision, and the reasons given in the Executive Order-including the WHO's mishandling of the COVID-19 pandemic and its failure to implement reforms-"don't make sense. We haven't done anything to be treated that way by the U.S." And because the U.S. has historically been the largest funder of the WHO, providing around 10% of its budget-nearly $1.3 billion each year-its absence is decimating the organization's bottom line. On April 22, Ghebreyesus told WHO employees that the shortfall caused by a U.S. withdrawal required a 25% cut in staff costs.

Time'den DAHA FAZLA HİKAYE

Time

Time

CRISTIANO AMON

Qualcomm's CEO on gladiators, where AI will live, and taking on Nvidia

time to read

3 mins

January 16, 2026

Time

Time

Menopausal women in revolt

In the early 1990s, young women raised on second-wave feminism but marginalized within the punk scene revolted. Dubbed riot grrrls, bands like Bikini Kill and Bratmobile aimed wrathful lyrics and gallows humor at a culture of misogyny as it manifested in their own lives, from condescending male musicians to abusive fathers. Now, those artists are in their 50s. And while sexism persists, it touches older women in different ways.

time to read

1 mins

January 16, 2026

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Time

5 PREDICTIONS FOR AI IN 2026

The technology is poised for integration into everyday experience

time to read

2 mins

January 16, 2026

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AFRICA'S MINERAL MAKEOVER

Soaring demand for resources is reshaping Africa's ambitions— and place in the global order

time to read

13 mins

January 16, 2026

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WHY AREN'T WE USING AI TO ADVANCE JUSTICE?

Giving overlooked victims access to lawyers and courts

time to read

3 mins

January 16, 2026

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DECODING THE OVARY

SCIENTISTS ARE TARGETING THE ORGAN TO TRY TO SLOW DOWN AGING. WILL IT WORK?

time to read

12 mins

January 16, 2026

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KRISTALINA GEORGIEVA

The IMF managing director on the future of trade and AI

time to read

3 mins

January 16, 2026

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THE NEW OLD AGE

THE \"GOLDEN YEARS\" ARE GETTING AN UPGRADE

time to read

10 mins

January 16, 2026

Time

Time

A Korean master dampens the power of a corporate thriller

THERE'S NO BETTER TIME FOR AN ADAPTATION of Donald E. Westlake's unsparing 1997 novel The Ax, which treats downsizing as a form of dehumanization. The bad news is that No Other Choice, the Ax adaptation Korean master Park Chan-wook has long wanted to make, isn't the picture Westlake's cold shiv of a novel deserves. As fine a filmmaker as Park is—his 2003 Oldboy is a chilly, operatic masterpiece—No Other Choice is too dully observed and too slapsticky to hit its mark. It's a missed opportunity dressed up with proficient filmmaking.

time to read

2 mins

January 16, 2026

Time

Time

THE DREAM DEMANDS MORE

Have AI answer Dr. King's call for economic justice

time to read

2 mins

January 16, 2026

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