Denemek ALTIN - Özgür
The true meaning of 'give me liberty'
Time
|July 15, 2024
ALMOST 250 YEARS AGO, FOUR weeks before the battles of Lexington and Concord, Patrick Henry rose in St. John's Church in Richmond, Va., to urge Americans to arm for a war that he saw as inevitable. He famously concluded his call to arms: "Give me liberty, or give me death."
Patriots embraced the refrain, and militia members sewed it into their shirts. Since then, his words have echoed through the centuries. In 1845, Frederick Douglass referenced Henry when he wrote of the enslaved battling for freedom. In 1989, when thousands gathered for liberty in Tiananmen Square, his words were invoked. But they have also been embraced by some as a radical call for opposition to almost any government action. In 2020, signs attacking health regulations demanded, rather confusedly, "Give me liberty or give me COVID-19!" Protesters on Jan. 6, 2021, quoted Henry.
His famous phrase has appeared on everything from AR-15 dust covers to a Tea Party manifesto.
Rather than a call for democratic freedom, Henry's mantra has become a radical screed. But wrapping antigovernment campaigns in Henry's words demonstrates a fundamental historical misunderstanding.
Bu hikaye Time dergisinin July 15, 2024 baskısından alınmıştır.
Binlerce özenle seçilmiş premium hikayeye ve 9.000'den fazla dergi ve gazeteye erişmek için Magzter GOLD'a abone olun.
Zaten abone misiniz? Oturum aç
Time'den DAHA FAZLA HİKAYE
Time
CRISTIANO AMON
Qualcomm's CEO on gladiators, where AI will live, and taking on Nvidia
3 mins
January 16, 2026
Time
Menopausal women in revolt
In the early 1990s, young women raised on second-wave feminism but marginalized within the punk scene revolted. Dubbed riot grrrls, bands like Bikini Kill and Bratmobile aimed wrathful lyrics and gallows humor at a culture of misogyny as it manifested in their own lives, from condescending male musicians to abusive fathers. Now, those artists are in their 50s. And while sexism persists, it touches older women in different ways.
1 mins
January 16, 2026
Time
5 PREDICTIONS FOR AI IN 2026
The technology is poised for integration into everyday experience
2 mins
January 16, 2026
Time
AFRICA'S MINERAL MAKEOVER
Soaring demand for resources is reshaping Africa's ambitions— and place in the global order
13 mins
January 16, 2026
Time
WHY AREN'T WE USING AI TO ADVANCE JUSTICE?
Giving overlooked victims access to lawyers and courts
3 mins
January 16, 2026
Time
DECODING THE OVARY
SCIENTISTS ARE TARGETING THE ORGAN TO TRY TO SLOW DOWN AGING. WILL IT WORK?
12 mins
January 16, 2026
Time
KRISTALINA GEORGIEVA
The IMF managing director on the future of trade and AI
3 mins
January 16, 2026
Time
THE NEW OLD AGE
THE \"GOLDEN YEARS\" ARE GETTING AN UPGRADE
10 mins
January 16, 2026
Time
A Korean master dampens the power of a corporate thriller
THERE'S NO BETTER TIME FOR AN ADAPTATION of Donald E. Westlake's unsparing 1997 novel The Ax, which treats downsizing as a form of dehumanization. The bad news is that No Other Choice, the Ax adaptation Korean master Park Chan-wook has long wanted to make, isn't the picture Westlake's cold shiv of a novel deserves. As fine a filmmaker as Park is—his 2003 Oldboy is a chilly, operatic masterpiece—No Other Choice is too dully observed and too slapsticky to hit its mark. It's a missed opportunity dressed up with proficient filmmaking.
2 mins
January 16, 2026
Time
THE DREAM DEMANDS MORE
Have AI answer Dr. King's call for economic justice
2 mins
January 16, 2026
Listen
Translate
Change font size
