Denemek ALTIN - Özgür
BELLE OF THE BALL
Time
|January 16, 2026
Yerin Ha steps into the storied world of Bridgerton as its new leading lady
YERIN HA DIDN’T KNOW IF SHE’D GET A REPLY on Instagram. After landing the role of Sophie Baek in Bridgerton’s fourth season and becoming the series’ first Korean lead—and second Asian lead, after Simone Ashley played Kate Sharma in Season 2—she considered sending a message to Ashley. “I’m quite introverted, so I was like, she’s not going to know who I am,” Ha recalls. To her surprise, Ashley messaged her first. “She said, ‘I’m here for you if you need,” Ha recalls.
As the romantic interest of Benedict (Luke Thompson), the second eldest of the Bridgerton siblings, Ha joins a small group of women who have played the leads in Netflix’s record-shattering Regency-era series based on Julia Quinn’s novels—a position that brings with it high levels of public scrutiny. But she and Ashley share the unique experience of having the race of their characters changed in the adaptation, in keeping with Shonda Rhimes’ production company’s commitment to diverse storytelling. Bridgerton Season 2 reimagined Kate—who has pale skin and the surname Sheffield in The Viscount Who Loved Me—as Indian. And the upcoming season, which premieres in two parts on Jan. 29 and Feb. 26, introduces a Korean Sophie to play a character originally called Sophie Beckett.
Sophie’s arc is set to remain faithful to the original story. She meets Benedict at a masquerade ball she’s sneaked into, and he’s instantly enamored. Sophie has no plans to reveal who she is behind the mask, however: she is both a lowly maid and the illegitimate daughter of an earl.
Ha never thought she’d get top billing when she sent her audition tape. It’s roughly two months before her season’s premiere, and we’re sitting in a lounge at a Manhattan hotel as she looks back. “When my agent told me it was for Bridgerton, I thought it was a supporting role,” says the Sydney-based actor, 27. “Then I realized, oh no, this is for the lead. They’re going to cast an East Asian woman for the lead.”
Bu hikaye Time dergisinin January 16, 2026 baskısından alınmıştır.
Binlerce özenle seçilmiş premium hikayeye ve 9.000'den fazla dergi ve gazeteye erişmek için Magzter GOLD'a abone olun.
Zaten abone misiniz? Oturum aç
Time'den DAHA FAZLA HİKAYE
Time
CRISTIANO AMON
Qualcomm's CEO on gladiators, where AI will live, and taking on Nvidia
3 mins
January 16, 2026
Time
Menopausal women in revolt
In the early 1990s, young women raised on second-wave feminism but marginalized within the punk scene revolted. Dubbed riot grrrls, bands like Bikini Kill and Bratmobile aimed wrathful lyrics and gallows humor at a culture of misogyny as it manifested in their own lives, from condescending male musicians to abusive fathers. Now, those artists are in their 50s. And while sexism persists, it touches older women in different ways.
1 mins
January 16, 2026
Time
5 PREDICTIONS FOR AI IN 2026
The technology is poised for integration into everyday experience
2 mins
January 16, 2026
Time
AFRICA'S MINERAL MAKEOVER
Soaring demand for resources is reshaping Africa's ambitions— and place in the global order
13 mins
January 16, 2026
Time
WHY AREN'T WE USING AI TO ADVANCE JUSTICE?
Giving overlooked victims access to lawyers and courts
3 mins
January 16, 2026
Time
DECODING THE OVARY
SCIENTISTS ARE TARGETING THE ORGAN TO TRY TO SLOW DOWN AGING. WILL IT WORK?
12 mins
January 16, 2026
Time
KRISTALINA GEORGIEVA
The IMF managing director on the future of trade and AI
3 mins
January 16, 2026
Time
THE NEW OLD AGE
THE \"GOLDEN YEARS\" ARE GETTING AN UPGRADE
10 mins
January 16, 2026
Time
A Korean master dampens the power of a corporate thriller
THERE'S NO BETTER TIME FOR AN ADAPTATION of Donald E. Westlake's unsparing 1997 novel The Ax, which treats downsizing as a form of dehumanization. The bad news is that No Other Choice, the Ax adaptation Korean master Park Chan-wook has long wanted to make, isn't the picture Westlake's cold shiv of a novel deserves. As fine a filmmaker as Park is—his 2003 Oldboy is a chilly, operatic masterpiece—No Other Choice is too dully observed and too slapsticky to hit its mark. It's a missed opportunity dressed up with proficient filmmaking.
2 mins
January 16, 2026
Time
THE DREAM DEMANDS MORE
Have AI answer Dr. King's call for economic justice
2 mins
January 16, 2026
Listen
Translate
Change font size
