Denemek ALTIN - Özgür

California Dreamin'

Prog

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Issue 161

He's a musician who never plans for anything, but Tangerine Dream fans can rejoice in not just the 50th-anniversary reissue of Phaedra, but also a new album from one of its creators. Synth maestro Peter Baumann makes a welcome return with Nightfall, which continues his ongoing exploration of the human condition. He tells Prog why he prefers to do things in a haphazard way and why he wishes he'd had the chance to work with Edgar Froese again.

- Rob Hughes

California Dreamin'

“I've never considered myself to be a good musician,” says Peter Baumann. “I’m not a good keyboard player, but the upside is that you reach for more ways to express yourself. It’s all intuitive, it’s all creative. My whole life I’ve never felt like doing what you're supposed to do. I've always kind of moved in haphazard ways.”

Haphazardly or not, Baumann’s journey through music is a pretty distinguished one. As a member of Tangerine Dream during their imperial 70s phase, he helped advance the Berlin School of electronica, creating avant-garde music forged from the twin poles of technology and free improvisation. When he quit in 1977 – leaving behind a run of hugely influential albums – he applied a similar working approach, albeit on a less grand scale, to his solo career.

“I would say that the feeling, where it comes from, has stayed the same,” Baumann offers. “In Tangerine Dream, it was about making the expression as direct as possible. In the studio we'd record things like a mattress falling onto a cymbal, then turn it over backwards and put it through a phaser. So there were no limits. We'd record whale sounds on a Mellotron tape and then treat them. Whenever we played any kind of melody that already sounded conventional, we'd change it. It was always about expansion, about transcendence.”

Baumann’s engagement with music has wavered at times. By the new millennium, having sold his new age label Private Music (sometime home to Tangerine Dream, among others), he’d forsaken it altogether. He moved to San Francisco where, in 2009, he set up the Baumann Foundation, a think-tank exploring “the experience of being human in the context of cognitive science, evolutionary theory and philosophy”. This interest dovetailed with Baumann’s other activities as part of the California Institute of Integral Studies and the not-for-profit Mind & Life Institute.

Prog'den DAHA FAZLA HİKAYE

Prog

Prog

BIG BIG TRAIN

British prog classicists honour absent friends, look to the past and forge a new future with their very first narrative concept album.

time to read

3 mins

Issue 166

Prog

Prog

Steeleye Span

Fifty-six years on and still going strong; Steeleye Span released their first album this decade in 2025. Conflict was a record of our times and contained a mix of original material and reworked traditional songs. Longtime vocalist Maddy Prior explains the story behind it and how she came to unleash her inner Tom Waits.

time to read

7 mins

Issue 166

Prog

Prog

BLACK COUNTRY, NEW ROAD

Black Country, New Road have always been full of surprises. When frontman Isaac Wood bowed out days before the release of their second album, Ants From Up There, most groups would’ve found a new singer or simply folded.

time to read

2 mins

Issue 166

Prog

Prog

Solent Area Prog

Celebrating its 10th anniversary in 2026, the live music promotions company led by Geoff Tucker has helped put Southampton on the prog map, and bring an even more eclectic mix of music to its largest independent grassroots music venue, The 1865. We caught up with the accidental promoter to discover why the British port city is rocking the prog boat.

time to read

4 mins

Issue 166

Prog

Prog

Steve Rothery

Marillion guitarist Steve Rothery embraced his more electronic side this year with Bioscope, his soundscape project with Tangerine Dream's Thorsten Quaeschning. But he's not ditching the day job: work is well underway on Marillion's next studio album, and there's his long-awaited collaboration with a certain Mr Hackett still to come.

time to read

7 mins

Issue 166

Prog

JORDAN RUDESS (DREAM THEATER)

The great and good of progressive music give us a glimpse into their prog worlds.

time to read

3 mins

Issue 166

Prog

Prog

BE PROG! MY FRIEND ANNOUNCES LINE-UP

Soen and The Ocean will headline the 2026 edition of the Barcelona-based festival.

time to read

1 mins

Issue 166

Prog

Rush

“Geddy said from the stage [in 2015], how they’d see us down the road some day. And now, before we even know it, that day will be here again.”

time to read

5 mins

Issue 166

Prog

Prog

MARTIN BARRE

Every month we get inside the mind of one of the biggest names in music. This issue it's Martin Barre. From the shy kid who learned music to avoid having to ask girls to dance, he conquered the world with Jethro Tull, a band that sold out the Los Angeles Forum five nights in a row in 1975, shifting some 100,000 tickets in the process. The guitarist reflects on not letting fame go to his head, his guilt at staying with Ian Anderson in Tull at the start of the 1980s, and his enduring hunger for new music with the Martin Barre Band.

time to read

12 mins

Issue 166

Prog

Prog

MOON SAFARI

It was only two weeks ago that the promoters had to shift a prog gig by Germans RPWL upstairs at this venue, such was the demand for tickets, and tonight, Swedes Moon Safari are probably knocking on the door of something similar. It's busy here; not uncomfortably packed, but it's getting there. And while tales of gigs being cancelled due to poor ticket sales are rife these days, both these London Prog Gigs shows provide a crumb of comfort.

time to read

3 mins

Issue 166

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