Playing for her life

Hélène de Montgeroult risked the guillotine during the French Revolution – but there’s far more to this talented composer than her remarkable survival, as pianist Clare Hammond tells Rebecca Franks

- Rebecca Franks

The year is 1794. The Reign of Terror is in full swing in Revolutionary France, with thousands being executed at the guillotine. The latest imprisoned aristocrat appears before the Committee of Public Safety who will decide her fate. She is not alone. As well as the police guard, this 30-year-old woman is accompanied by an item more typically found in a Parisian salon than a courtroom – a piano. She is reputed to be one of the country’s finest musicians, and if she’s good, as the delegation of musicians advocating for her have promised, then she could be of use, first for ‘patriotic events’, later at the capital’s new conservatoire. She is invited to take her seat at the keyboard, to play for her very life.

Almost inevitably, she is asked to perform La Marseillaise, a 1792 rallying cry that would soon become the national anthem of the new French republic. What the pianist does with it is unexpected: after playing the tune, she begins to improvise variations on it, the music gradually building to a great climax, the melody billowing out over arpeggios. The men listening are moved to tears. She walks free.